{"id":131,"date":"2018-10-13T08:16:43","date_gmt":"2018-10-13T08:16:43","guid":{"rendered":"https:\/\/www.critical-stages.org\/18\/?page_id=131"},"modified":"2018-12-09T07:15:19","modified_gmt":"2018-12-09T07:15:19","slug":"national-reports","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/18\/national-reports\/","title":{"rendered":"National Reports"},"content":{"rendered":"

Section Editor:\u00a0Savas Patsalidis\u00a0<\/strong>(Greece)<\/p>\n

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Savas Patsalidis\u00a0<\/strong>is Professor of theatre and performance history and theory in the School of English (Aristotle University), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is the author of thirteen books on theatre and performance criticism\/theory and co-editor of another thirteen. His two-volume study,\u00a0Theatre, Society, Nation<\/em>\u00a0(2010), was awarded first prize for best theatre study of the year. In addition to his academic activities, he works as a theatre reviewer for the ejournals\u00a0lavart<\/em>,\u00a0parallaxi<\/em>, and\u00a0the greekplay project<\/em>. \u0397e is currently the president of the Hellenic Association of Theatre and Performing Arts Critics, member of the curators’ team of Dimitria Festival and the editor-in-chief of\u00a0Critical Stages\/Sc\u00e8nes critiques<\/em>, the web journal of the International Association of Theatre Critics.<\/p>\n

\n
\"\"<\/a>\n

(Re)Viewing Bulgarian Theatre of Today<\/a><\/p>\n

by Kamelia Nikolova<\/a>, National Reports<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Contemporary Finnish Theatre: Disruption and Expanding Fields<\/a><\/p>\n

by Hanna Helavuori<\/a>, National Reports<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Malaysia\u2019s Theatre and its Circuit of Culture<\/a><\/p>\n

by Benny Lim and Chua Lian Choon<\/a>, National Reports<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

12 Seconds to the Year of Theatre<\/a><\/p>\n

by Emiliia Dementsova<\/a>, National Reports<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor:\u00a0Savas Patsalidis\u00a0(Greece) Savas Patsalidis\u00a0is Professor of theatre and performance history and theory in the School of English (Aristotle University), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is the author of<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-131","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pam472-27","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/comments?post=131"}],"version-history":[{"count":4,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/131\/revisions"}],"predecessor-version":[{"id":769,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/131\/revisions\/769"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/media?parent=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}