{"id":129,"date":"2018-10-13T08:15:25","date_gmt":"2018-10-13T08:15:25","guid":{"rendered":"https:\/\/www.critical-stages.org\/18\/?page_id=129"},"modified":"2019-02-03T16:40:29","modified_gmt":"2019-02-03T16:40:29","slug":"special-topic","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/18\/special-topic\/","title":{"rendered":"Special Topic II: The Question That Won\u2019t Go Away"},"content":{"rendered":"

Section Editor: Don Rubin<\/strong> (Canada)<\/p>\n

\"\"<\/p>\n

Don Rubin<\/strong> is Editor of the six-volume World Encyclopedia of Contemporary Theatre<\/em>. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate Program in Theatre Studies.<\/p>\n

\n
\"\"<\/a>\n

Introduction<\/em><\/u>
The Question That Won\u2019t Go Away:
Did the Man From Stratford Really Write the Plays?<\/em><\/a><\/p>\n

by Don Rubin<\/a>, Special Topic<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Derek Jacobi and Mark Rylance: Reasonable Doubt about the Identity of William Shakespeare<\/a><\/p>\n

by Derek Jacobi and Mark Rylance<\/a>, Special Topic<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

A Theatre Artist\u2019s Path:
Questioning Shakespeare\u2019s Authorship<\/a><\/p>\n

by Keir Cutler<\/a>, Special Topic<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

What\u2019s the Question in Shakespeare\u2019s Unorthodox Biography?<\/a><\/p>\n

by Diana Price<\/a>, Special Topic<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Transforming Productions of Shakespeare\u2019s Plays<\/a><\/p>\n

by Gary Goldstein<\/a>, Special Topic<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Shakespeare as Lawyer<\/em>
Hamlet<\/em>: Death, Property, and the Pursuit of Justice<\/a><\/p>\n

by Thomas Regnier<\/a>, Special Topic<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

The Argument for Edward de Vere: \u201cShake-speare\u201d Was a Man of the Theatre<\/a><\/p>\n

by Hank Whittemore<\/a>, Special Topic<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Pourquoi ‘John Florio, alias Shakespeare’<\/em>\u00a0?<\/a><\/p>\n

by Michel Va\u00efs<\/a>, Special Topic<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

An Interview with Mark Rylance
\u201cIt\u2019s important to know how great works of theatre are made\u201d<\/a><\/p>\n

Special Topic<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor: Don Rubin (Canada) Don Rubin is Editor of the six-volume World Encyclopedia of Contemporary Theatre. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-129","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pam472-25","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":3,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/129\/revisions"}],"predecessor-version":[{"id":1315,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/129\/revisions\/1315"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/media?parent=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}