{"id":1194,"date":"2019-01-03T20:10:41","date_gmt":"2019-01-03T20:10:41","guid":{"rendered":"https:\/\/www.critical-stages.org\/18\/?page_id=1194"},"modified":"2019-01-03T20:10:42","modified_gmt":"2019-01-03T20:10:42","slug":"thalia-prize","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/18\/thalia-prize\/","title":{"rendered":"Thalia Prize"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

In 2006, the Thalia Prize was\npresented for the first time. The Prize, generously sponsored by Romania\u2019s\nCraiova Shakespeare Foundation, consists of a cane topped with a figure in\nsilver of the Greek muse of comedy, after whom it is named. It is presented\nevery other year to someone who, in the view of the Association, has caused a\nchange in critics\u2019 thinking through his or her writings.<\/em><\/p>\n\n\n\n

The 12-year-old prize has been awarded to: UK-born critic, Eric Bentley (2006), Jean-Pierre Sarrazac (2008), Richard Schechner (2010), Kapila Vatsyayan (2012), Eugenio Barba (2014), Femi Osofisan (2016) and, now, to Hans-Thies Lehmann, at the 29th\u00a0World Congress of IATC, held in St Petersburg, October 14, 2018<\/em>.<\/p>\n\n\n\n

\n\n\n\n
\"\"<\/a>\n

Introducing Hans-Thies Lehmann<\/a><\/p>\n

Thalia Prize<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Initial Thoughts on the Curious Case of Postdramatic Theatre in the Indian Context<\/a><\/p>\n

by Deepa Punjani<\/a>, Thalia Prize<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

A Brief Overview of Postdramatic Theatre and its Contribution to Independent Chinese Theatre<\/a><\/p>\n

by Peng Tao<\/a>, Thalia Prize<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Tribute to Professor Hans-Thies Lehmann on the Occasion of His Investiture as the 2018 IATC Thalia Laureate<\/a><\/p>\n

by Emmanuel S. Dandaura<\/a>, Thalia Prize<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Thalia Prize 2018 Acceptance Speech By Professor Hans-Thies Lehmann<\/a><\/p>\n

Thalia Prize<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

In 2006, the Thalia Prize was presented for the first time. The Prize, generously sponsored by Romania\u2019s Craiova Shakespeare Foundation, consists of a cane topped with a figure in silver of the Greek muse of comedy, after whom it is<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1194","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pam472-jg","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/1194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/comments?post=1194"}],"version-history":[{"count":1,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/1194\/revisions"}],"predecessor-version":[{"id":1198,"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/pages\/1194\/revisions\/1198"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/18\/wp-json\/wp\/v2\/media?parent=1194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}