{"id":648,"date":"2018-06-09T08:18:51","date_gmt":"2018-06-09T08:18:51","guid":{"rendered":"https:\/\/www.critical-stages.org\/17\/?page_id=648"},"modified":"2018-07-05T13:32:53","modified_gmt":"2018-07-05T13:32:53","slug":"call-for-articles-and-essays","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/17\/call-for-articles-and-essays\/","title":{"rendered":"Call for Articles and Essays"},"content":{"rendered":"<p style=\"text-align: right;\"><em><a href=\"https:\/\/www.critical-stages.org\/17\/appel-a-contribution\/\">Appel \u00e0 Contribution<\/a><\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.aict-iatc.org\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail\" src=\"https:\/\/i1.wp.com\/cs2.enl.auth.gr\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/IATC.jpg?w=150\" width=\"150\" height=\"150\" \/><\/a><\/p>\n<h4 style=\"text-align: center;\"><strong>The Art Form of\u00a0Puppetry in the 21<sup>st<\/sup>\u00a0Century<\/strong><\/h4>\n<p style=\"text-align: center;\"><strong>Editors: Margareta\u00a0S\u00f6renson\u00a0and Jean-Pierre Han<\/strong><\/p>\n<p><em>Critical Stages\/Sc\u00e8nes critiques<\/em>, the journal of the International Association of Theatre Critics (AICT-IATC), invites material for its upcoming special issue #19 (June 2019)\u00a0 on the state of contemporary puppetry and how it has developed its multiple forms together with other stage traditions. This<em>\u00a0<\/em>special issue will, of course, be by no means exhaustive. However, it will be an attempt to map at least some parts of a landscape that has changed rapidly\u00a0in terms of artistic quality\u00a0in recent years.<\/p>\n<p><strong>Possible topics include, but are not limited to, the following:<\/strong><\/p>\n<ul>\n<li>Shadow theatre &#8211; in its own right and as a complementary art form to dance, theatre and opera<\/li>\n<li>Computers and programming &#8211; how have puppetry and shadow plays developed in the 21st century?<\/li>\n<li>Objects, sculptures and plastic arts as sister arts of puppetry<\/li>\n<li>From touring puppetry families to academic training of puppet artists: has puppetry turned away from its popular forms?<\/li>\n<li>Asian performance traditions (puppets and shadow theatre among them) have enriched western culture for centuries. Does western artistic puppetry travel back? Or is the influence one-way?<\/li>\n<li>African puppetry lives in many forms, with beautiful examples of contemporarity &#8211; how does it develop?<\/li>\n<li>Animated film and puppetry are twin sisters and, in many cultures, they are combined disciplines in universities and conservatories. What is their status and development in the age of computers?<\/li>\n<li>Children\u2019s theatre and puppetry \u2013 do they grow with other theatrical forms, or do they stay where they used to be?<\/li>\n<\/ul>\n<hr \/>\n<p><strong>Application procedure<\/strong>:<\/p>\n<p><strong>Proposals\u00a0<\/strong>of approximately 250 words (and a brief bio) in Microsoft Word\u00a0should be submitted\u00a0to the editors by late October 2018<strong><br \/>\n<\/strong><strong>Final draft<\/strong>\u00a0expected by late March, 2019<br \/>\n<strong>Length:<\/strong>\u00a0maximum 3000 words<strong><br \/>\n<\/strong><strong>Publication date:<\/strong>\u00a0June 2019<strong><br \/>\n<\/strong><strong>Languages:<\/strong>\u00a0English or French<\/p>\n<hr \/>\n<p style=\"text-align: center;\">Contact:\u00a0<strong>Margareta\u00a0S\u00f6renson<\/strong>\u00a0(<a href=\"mailto:sorenson.margareta@gmail.com\">sorenson.margareta@gmail.com<\/a>) and <strong>Jean-Pierre Han<\/strong> (<a href=\"mailto:jp.han@free.fr\">jp.han@free.fr<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Appel \u00e0 Contribution The Art Form of\u00a0Puppetry in the 21st\u00a0Century Editors: Margareta\u00a0S\u00f6renson\u00a0and Jean-Pierre Han Critical Stages\/Sc\u00e8nes critiques, the journal of the International Association of Theatre Critics (AICT-IATC), invites material for its upcoming special issue #19 (June 2019)\u00a0 on the state<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-648","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9Xk3S-as","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages\/648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/comments?post=648"}],"version-history":[{"count":7,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages\/648\/revisions"}],"predecessor-version":[{"id":1061,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages\/648\/revisions\/1061"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/media?parent=648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}