{"id":60,"date":"2018-05-03T20:13:01","date_gmt":"2018-05-03T20:13:01","guid":{"rendered":"https:\/\/www.critical-stages.org\/17\/?page_id=60"},"modified":"2018-05-03T20:18:00","modified_gmt":"2018-05-03T20:18:00","slug":"book-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/17\/book-reviews\/","title":{"rendered":"Book Reviews"},"content":{"rendered":"<p>Section Editor:\u00a0<strong>Don Rubin<\/strong>\u00a0(Canada)<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-255\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300.jpg?resize=167%2C250&#038;ssl=1\" alt=\"don-rubin-200x300\" width=\"167\" height=\"250\" data-attachment-id=\"255\" data-permalink=\"https:\/\/www.critical-stages.org\/14\/book-reviews\/don-rubin-200x300\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300.jpg\" data-orig-size=\"200,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"don-rubin-200\u00d7300\" data-image-description=\"\" data-medium-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300-200x300.jpg\" data-large-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300.jpg\" \/><\/p>\n<p><strong>Don Rubin<\/strong>\u00a0is Editor of the six-volume\u00a0<em>World Encyclopedia of Contemporary Theatre<\/em>. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate Program in Theatre Studies.<\/p>\n<hr \/>\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-6c9bda2yo7\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/17\/les-theatres-francophones-du-pacifique-sud\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"188\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/les-theatres-francophones-du-pacifique-sud.jpg?fit=188%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/les-theatres-francophones-du-pacifique-sud.jpg?w=250&amp;ssl=1 250w, https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/les-theatres-francophones-du-pacifique-sud.jpg?resize=188%2C300&amp;ssl=1 188w\" sizes=\"auto, (max-width: 188px) 100vw, 188px\" data-attachment-id=\"62\" data-permalink=\"https:\/\/www.critical-stages.org\/17\/les-theatres-francophones-du-pacifique-sud-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/les-theatres-francophones-du-pacifique-sud.jpg?fit=250%2C400&amp;ssl=1\" data-orig-size=\"250,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"les-theatres-francophones-du-pacifique-sud\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/les-theatres-francophones-du-pacifique-sud.jpg?fit=250%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/17\/les-theatres-francophones-du-pacifique-sud\/\" class=\"_self\" target=\"_self\" >Les th\u00e9\u00e2tres francophones du Pacifique Sud<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/17\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/17\/tag\/by-michel-vais\/' title='by Michel Va\u00efs' class='pt-cv-tax-by-michel-vais'>by Michel Va\u00efs<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/17\/tragedy-and-dramatic-theatre\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/tragedy-and-dramatic-theatre.jpg?fit=200%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/tragedy-and-dramatic-theatre.jpg?w=267&amp;ssl=1 267w, https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/tragedy-and-dramatic-theatre.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" data-attachment-id=\"51\" data-permalink=\"https:\/\/www.critical-stages.org\/17\/tragedy-and-dramatic-theatre\/tragedy-and-dramatic-theatre\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/tragedy-and-dramatic-theatre.jpg?fit=267%2C400&amp;ssl=1\" data-orig-size=\"267,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"tragedy and dramatic theatre\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/tragedy-and-dramatic-theatre.jpg?fit=267%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/17\/tragedy-and-dramatic-theatre\/\" class=\"_self\" target=\"_self\" >Tragedy and Dramatic Theatre<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/17\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/17\/tag\/by-ross-stuart\/' title='by Ross Stuart' class='pt-cv-tax-by-ross-stuart'>by Ross Stuart<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/17\/hamlet-globe-to-globe\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"206\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/Hamlet-Globe-1-1-copy.jpg?fit=206%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/Hamlet-Globe-1-1-copy.jpg?w=275&amp;ssl=1 275w, https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/Hamlet-Globe-1-1-copy.jpg?resize=206%2C300&amp;ssl=1 206w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\" data-attachment-id=\"45\" data-permalink=\"https:\/\/www.critical-stages.org\/17\/hamlet-globe-to-globe\/hamlet-globe-1-1-copy\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/Hamlet-Globe-1-1-copy.jpg?fit=275%2C400&amp;ssl=1\" data-orig-size=\"275,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Hamlet Globe 1-1 copy\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/Hamlet-Globe-1-1-copy.jpg?fit=275%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/17\/hamlet-globe-to-globe\/\" class=\"_self\" target=\"_self\" >Hamlet: Globe to Globe<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/17\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/17\/tag\/by-hank-whittemore\/' title='by Hank Whittemore' class='pt-cv-tax-by-hank-whittemore'>by Hank Whittemore<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/17\/the-reception-of-aeschylus-plays-through-shifting-models-and-frontiers\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"199\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/The-Reception-of-Aeschylus-Front-Cover.jpg?fit=199%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/The-Reception-of-Aeschylus-Front-Cover.jpg?w=265&amp;ssl=1 265w, https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/The-Reception-of-Aeschylus-Front-Cover.jpg?resize=199%2C300&amp;ssl=1 199w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" data-attachment-id=\"39\" data-permalink=\"https:\/\/www.critical-stages.org\/17\/the-reception-of-aeschylus-plays-through-shifting-models-and-frontiers\/the-reception-of-aeschylus-front-cover\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/The-Reception-of-Aeschylus-Front-Cover.jpg?fit=265%2C400&amp;ssl=1\" data-orig-size=\"265,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Reception of Aeschylus, Front Cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/The-Reception-of-Aeschylus-Front-Cover.jpg?fit=265%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/17\/the-reception-of-aeschylus-plays-through-shifting-models-and-frontiers\/\" class=\"_self\" target=\"_self\" >The Reception of Aeschylus\u2019 Plays through Shifting Models and Frontiers<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/17\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/17\/tag\/by-amy-s-green\/' title='by Amy S. Green' class='pt-cv-tax-by-amy-s-green'>by Amy S. Green<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/17\/seven-plays-of-koffi-kwahule-in-and-out-of-africa\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/img011.jpg?fit=200%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/img011.jpg?w=266&amp;ssl=1 266w, https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/img011.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" data-attachment-id=\"66\" data-permalink=\"https:\/\/www.critical-stages.org\/17\/seven-plays-of-koffi-kwahule-in-and-out-of-africa\/img011\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/img011.jpg?fit=266%2C400&amp;ssl=1\" data-orig-size=\"266,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"img011\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/17\/wp-content\/uploads\/sites\/18\/2018\/05\/img011.jpg?fit=266%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/17\/seven-plays-of-koffi-kwahule-in-and-out-of-africa\/\" class=\"_self\" target=\"_self\" >Seven Plays of Koffi Kwahul\u00e9: In and out of Africa<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/17\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/17\/tag\/by-alvina-ruprecht-and-femi-osofisan\/' title='by Alvina Ruprecht and Femi Osofisan' class='pt-cv-tax-by-alvina-ruprecht-and-femi-osofisan'>by Alvina Ruprecht and Femi Osofisan<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Section Editor:\u00a0Don Rubin\u00a0(Canada) Don Rubin\u00a0is Editor of the six-volume\u00a0World Encyclopedia of Contemporary Theatre. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-60","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9Xk3S-Y","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/comments?post=60"}],"version-history":[{"count":1,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages\/60\/revisions"}],"predecessor-version":[{"id":61,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages\/60\/revisions\/61"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/media?parent=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}