{"id":229,"date":"2018-05-06T11:21:20","date_gmt":"2018-05-06T11:21:20","guid":{"rendered":"https:\/\/www.critical-stages.org\/17\/?page_id=229"},"modified":"2018-05-07T18:29:17","modified_gmt":"2018-05-07T18:29:17","slug":"performance-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/17\/performance-reviews\/","title":{"rendered":"Performance Reviews"},"content":{"rendered":"

Section Editor:\u00a0Matti Linnavuori\u00a0<\/strong>(Finland)<\/p>\n

\"OLYMPUS<\/p>\n

Matti Linnavuori<\/strong>\u00a0wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London. Since 1998, he has presented papers at numerous IATC events. In the 2000s, he wrote for Teatra Vestnesis in Latvia. Since 1992, he has written and directed several radio plays for YLE the Finnish Broadcasting Company. In March 2016, his play\u00a0Ta mig till er ledare (<\/em>Take me to your leader<\/em>) premiered at Lilla Teatern in Helsinki.<\/p>\n

\n
\"\"<\/a>\n

Worth the Ten-Year Wait: Adrienne Kennedy Returns<\/a><\/p>\n

by Derek McCracken<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Climbing Mount Fabre<\/a><\/p>\n

by Margareta S\u00f6renson<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Old Europe Is (Not) Dying: Literature, Tradition and Politics in Tiago Rodrigues\u2019 Sopro (and Other Performances)<\/a><\/p>\n

by Rui Pina Coelho<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Forum and Function<\/a><\/p>\n

by Barry Gaines<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Picasso, ou le pacte avec le diable<\/a><\/p>\n

by Ir\u00e8ne Sadowska<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Seriously Hilarious, Or: Knowledge Is Power<\/a><\/p>\n

by Soila Lehtonen<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Ibsen\u2019s Play Adapted to Represent Contemporary Chinese Femininity<\/a><\/p>\n

by Hu Xuan<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Latvian Directors Set Course for Beauty<\/a><\/p>\n

by Matti Linnavuori<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Le Monstre, th\u00e9\u00e2tre d\u2019ombre et de gestes<\/a><\/p>\n

by Selim Lander<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Mime Speaks Volumes in London<\/a><\/p>\n

by Meral Harmanc\u0131<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

The Elephant and the Circus<\/a><\/p>\n

by Ivona Janjic and Eunice Tudela de Azevedo<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor:\u00a0Matti Linnavuori\u00a0(Finland) Matti Linnavuori\u00a0wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London. Since 1998, he has presented papers at numerous IATC<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-229","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9Xk3S-3H","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages\/229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/comments?post=229"}],"version-history":[{"count":2,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages\/229\/revisions"}],"predecessor-version":[{"id":250,"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/pages\/229\/revisions\/250"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/17\/wp-json\/wp\/v2\/media?parent=229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}