{"id":854,"date":"2017-12-27T14:59:03","date_gmt":"2017-12-27T14:59:03","guid":{"rendered":"https:\/\/www.critical-stages.org\/16\/?page_id=854"},"modified":"2018-06-04T13:41:28","modified_gmt":"2018-06-04T13:41:28","slug":"international-theatre-and-performing-arts-festival-guide","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/","title":{"rendered":"International Theatre and Performing Arts Festival Guide"},"content":{"rendered":"<p style=\"text-align: right;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-432\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Author-Aikaterini-Delikonstantinidou-Postdramatic-Review-239x300.jpg?resize=239%2C300&#038;ssl=1\" alt=\"Author Aikaterini Delikonstantinidou Postdramatic Review\" width=\"239\" height=\"300\" \/><\/p>\n<p style=\"text-align: right;\">Drafted by <strong>Katerina Delikonstantinidou<\/strong><a href=\"#_edn1\" name=\"_ednref1\"><sup>[1]<\/sup><\/a><\/p>\n<p><span class=\"first\">A<\/span>lthough we witness an impressive increase of international festivals devoted to the work of theatre and performance\u2014a phenomenon that can be partly attributed to what cultural critics call the increasing \u201cfestivalization\u201d of public cultures\u2014a concise reference book about these very events taking place around the world is yet to be found.<\/p>\n<p>As its title indicates, the present \u201cInternational Theatre and Performing Arts Festival Guide\u201d drafted for <em>Critical Stages <\/em>is designed to respond precisely to this need for a handy <em>vade mecum<\/em> of international theatre and performing arts festivals.<\/p>\n<p>The entries, as one can see below, are tabulated chronologically; an arrangement which aims at facilitating the theatergoer, or just the traveler, to spot the event more easily. Each entry includes information regarding the place (city and country) of occurrence, the electronic address of the festival, as well as contact information (where available) and some keywords roughly describing its main focus, thus providing a brief yet succinct account of every festival in the \u201cGuide.\u201d<\/p>\n<p>Aspiring to become a comprehensive record of all the important international theatre and performing arts festivals worldwide, the \u201cGuide\u201d section will be renewed and expanded with each following <em>Critical Stages<\/em> issue.<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>January (and\/or February)<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>Next Stage (The Fringe of Toronto Theatre Festival)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"972\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/next-stage\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-stage.jpg?fit=300%2C174&amp;ssl=1\" data-orig-size=\"300,174\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"next-stage\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-stage.jpg?fit=300%2C174&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-stage.jpg?fit=300%2C174&amp;ssl=1\" class=\"alignnone size-medium wp-image-972\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-stage.jpg?resize=300%2C174&#038;ssl=1\" alt=\"\" width=\"300\" height=\"174\" \/><\/p>\n<p>Toronto\/Canada<br \/>\n<a href=\"https:\/\/fringetoronto.com\/festivals\/next-stage\" target=\"_blank\" rel=\"noopener\">https:\/\/fringetoronto.com\/festivals\/next-stage<\/a><br \/>\nContact:\u00a0\u00a0\u00a0 (416) 966-1062, email: <a href=\"mailto:general@fringetoronto.com\">general@fringetoronto.com<\/a><br \/>\nFocus: independent theatre projects, outreach activities<\/p>\n<hr \/>\n<h4><strong>Sydney Festival<\/strong><\/h4>\n<p>Sydney\/Australia<br \/>\n<a href=\"http:\/\/www.sydneyfestival.org.au\/2015\">http:\/\/www.sydneyfestival.org.au\/2015<\/a><br \/>\nContact: +02 8248 6500, email: <a href=\"mailto:access@sydneyfestival.org.au\">access@sydneyfestival.org.au<\/a><br \/>\nFocus: local and international artists, contemporary and classical music, dance, circus, drama, visual arts, and forums<\/p>\n<hr \/>\n<h4><strong>Festival de Li\u00e8ge (Biennial\u2014on uneven years)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-493\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-de-Li%C3%A8ge-300x168.gif?resize=300%2C168&#038;ssl=1\" alt=\"Festival de Li\u00e8ge\" width=\"300\" height=\"168\" \/><\/p>\n<p>Li\u00e8ge\/Belgium<br \/>\n<a href=\"http:\/\/www.festivaldeliege.be\">http:\/\/www.festivaldeliege.be<\/a><br \/>\nContact: +32(0)4 343 42 47, email: <a href=\"mailto:info@festivaldeliege.be\">info@festivaldeliege.be<\/a><br \/>\nFocus: regional and international collectives, contemporary theatre, dance, music, exhibitions<\/p>\n<hr \/>\n<h4><strong>PuSh: International Performing Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"494\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/tasting-postcolonial-hong-kong-in-the-theatre\/photo-1-on-on_02_photo-credit-cheung-chi-wai\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/PHOTO-1-On-On_02_photo-credit-Cheung-Chi-Wai.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"PHOTO 1 On &amp;#038; On_02_photo credit Cheung Chi Wai\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Stephen (center) is \u201cdrowned\u201d in water and in his nostalgic recollections of Hong Kong in the past. Photo by Cheung Chi Wai&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/PHOTO-1-On-On_02_photo-credit-Cheung-Chi-Wai.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/PHOTO-1-On-On_02_photo-credit-Cheung-Chi-Wai.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-medium wp-image-494\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/PuSh-International-Performing-Arts-Festival-300x140.jpg?resize=300%2C140&#038;ssl=1\" alt=\"PuSh International Performing Arts Festival\" width=\"300\" height=\"140\" \/><\/p>\n<p>Vancouver\/Canada<br \/>\n<a href=\"http:\/\/pushfestival.ca\">http:\/\/pushfestival.ca<\/a><br \/>\nContact: 1 604 605 8284, email: <a href=\"mailto:info@pushfestival.ca\">info@pushfestival.ca<\/a><br \/>\nFocus<em>:<\/em> new performance work by Canadian and international artists, innovative partnerships and collaborations, interactive forums<\/p>\n<hr \/>\n<h4><strong>High Performance Rodeo: Calgary\u2019s International Festival of the Arts<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"495\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/tasting-postcolonial-hong-kong-in-the-theatre\/photo-2-on-on_01_photo-credit-cheung-chi-wai\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/PHOTO-2-On-On_01_photo-credit-Cheung-Chi-Wai.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"PHOTO 2 On &amp;#038; On_01_photo credit Cheung Chi Wai\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Emily (center) talks to the audience about her happy childhood memories. Photo by Cheung Chi Wai&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/PHOTO-2-On-On_01_photo-credit-Cheung-Chi-Wai.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/PHOTO-2-On-On_01_photo-credit-Cheung-Chi-Wai.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-full wp-image-495\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/High-Performance-Rodeo-Calgary%E2%80%99s-International-Festival-of-the-Arts.jpg?resize=275%2C183&#038;ssl=1\" alt=\"High Performance Rodeo Calgary\u2019s International Festival of the Arts\" width=\"275\" height=\"183\" \/><\/p>\n<p>Calgary\/Canada<br \/>\n<a href=\"https:\/\/www.hprodeo.ca\">https:\/\/www.hprodeo.ca<\/a><br \/>\nContact: 403 294 7411, email: <a href=\"mailto:info@hprodeo.ca\">info@hprodeo.ca<\/a><br \/>\nFocus: local, national, and international performers, theatre, music, dance, comedy, and interdisciplinary art<\/p>\n<hr \/>\n<h4><strong>Festival Internacional Santiago a Mil 2018<\/strong><\/h4>\n<p>Santiago\/Chile<br \/>\n<a href=\"https:\/\/santiagoamil.cl\/\" target=\"_blank\" rel=\"noopener\">https:\/\/santiagoamil.cl\/<\/a><br \/>\nContact: +56 2 29250310<br \/>\nFocus: scenic arts, performing arts projects, education programs, public outreach<\/p>\n<hr \/>\n<h4><strong>International Theatre Festival of Kerala (ITFoK)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"496\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/tasting-postcolonial-hong-kong-in-the-theatre\/photo-3-on-on_03_photo-credit-cheung-chi-wai\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/PHOTO-3-On-On_03_photo-credit-Cheung-Chi-Wai.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"PHOTO 3 On &amp;#038; On_03_photo credit Cheung Chi Wai\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;The poster for the production. Photo Cheung Chi Wai&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/PHOTO-3-On-On_03_photo-credit-Cheung-Chi-Wai.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/PHOTO-3-On-On_03_photo-credit-Cheung-Chi-Wai.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-medium wp-image-496\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/International-Theatre-Festival-of-Kerala-ITFoK-300x180.jpg?resize=300%2C180&#038;ssl=1\" alt=\"International Theatre Festival of Kerala (ITFoK)\" width=\"300\" height=\"180\" \/><\/p>\n<p>Thrissur\/India<br \/>\n<a href=\"http:\/\/theatrefestivalkerala.com\">http:\/\/theatrefestivalkerala.com<\/a><br \/>\nContact: +91 487 23 22734 or +91 487 23 27427, email: <a href=\"mailto:mailitfok@gmail.com\">mailitfok@gmail.com<\/a><br \/>\nFocus: contemporary dance, music, theatre, folk and traditional theatre forms and arts of India, seminars and workshops<\/p>\n<hr \/>\n<h4><strong>Jos Repertory Theatre<\/strong><\/h4>\n<p>Jos\/Plateua State\/Nigeria<br \/>\n<a href=\"http:\/\/www.josreptheatre.org\">http:\/\/www.josreptheatre.org<\/a><br \/>\nContact: email: <a href=\"mailto:josreperthea@yahoo.com\">josreperthea@yahoo.com<\/a><br \/>\nFocus: contemporary plays, adaptations of plays by key European playwrights<\/p>\n<hr \/>\n<h4><strong>Fujairah International Arts Festival | Fujairah International Monodrama Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"497\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/tasting-postcolonial-hong-kong-in-the-theatre\/pic_credit-kar-lam\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/pic_credit-Kar-Lam.jpg?fit=222%2C231&amp;ssl=1\" data-orig-size=\"222,231\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"pic_credit Kar Lam\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/pic_credit-Kar-Lam.jpg?fit=222%2C231&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/pic_credit-Kar-Lam.jpg?fit=222%2C231&amp;ssl=1\" class=\"alignnone size-full wp-image-497\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Fujairah-International-Monodrama-Festival.jpg?resize=200%2C139&#038;ssl=1\" alt=\"Fujairah International Monodrama Festival\" width=\"200\" height=\"139\" \/><\/p>\n<p>Fujairah\/United Arab Emirates<br \/>\n<a href=\"http:\/\/fimf.ae\/\">http:\/\/fimf.ae\/<\/a><br \/>\nContact: 92222678 00971, email: <a href=\"mailto:info@fimf.ae\">info@fimf.ae<\/a><br \/>\nFocus: monodrama, performing arts, traditional arts, workshops and interactive educational seminars<\/p>\n<hr \/>\n<h4><strong>Fadjr International Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-498\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Fadjr-International-Theatre-Festival-160x300.jpg?resize=160%2C300&#038;ssl=1\" alt=\"Fadjr International Theatre Festival\" width=\"160\" height=\"300\" \/><\/p>\n<p>Tehran\/Iran<br \/>\n<a href=\"http:\/\/fitf.theater.ir\/en\">http:\/\/fitf.theater.ir\/en<\/a><br \/>\nContact: +98 21- 66 49 10 21 or +98 21-66 48 10 69, email: <a href=\"mailto:dac@neda.net\">dac@neda.net<\/a><br \/>\nFocus: Iranian theatre shows and international performances, seminars and workshops<\/p>\n<hr \/>\n<h4><strong>Manipulate: Innovative International Theatre and Film<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-499\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Manipulate-Innovative-International-Theatre-and-Film-300x113.jpg?resize=300%2C113&#038;ssl=1\" alt=\"Manipulate Innovative International Theatre and Film\" width=\"300\" height=\"113\" \/><\/p>\n<p>Throughout Scotland\/United Kingdom<br \/>\n<a href=\"http:\/\/manipulatefestival.org\/festival\/\">http:\/\/manipulatefestival.org\/festival\/<\/a><br \/>\nFocus: innovative international visual theatre, puppetry, and animation<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>February<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>Adelaide Festival of Arts <\/strong><\/h4>\n<p>Adelaide\/Australia<br \/>\n<a href=\"http:\/\/www.adelaidefestival.com.au\">http:\/\/www.adelaidefestival.com.au<\/a><br \/>\nContact: +61 (0) 8 8216 4444, email: <a href=\"mailto:info@adelaidefestival.com.au\">info@adelaidefestival.com.au<\/a><br \/>\nFocus: opera, theatre, dance, classical and contemporary music, cabaret, literature, visual arts and new media<\/p>\n<hr \/>\n<h4><strong>Perth International Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-500\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Perth-International-Arts-Festival-300x74.gif?resize=300%2C74&#038;ssl=1\" alt=\"Perth International Arts Festival\" width=\"300\" height=\"74\" \/><\/p>\n<p>Perth\/Australia<br \/>\n<a href=\"https:\/\/2015.perthfestival.com.au\">https:\/\/2015.perthfestival.com.au<\/a><br \/>\nContact: +61 8 6488 5555, email: <a href=\"mailto:festival@perthfestival.com.au\">festival@perthfestival.com.au<\/a><br \/>\nFocus: contemporary and classical music, dance, theatre, opera, visual arts, and large-scale public works<\/p>\n<hr \/>\n<h4><strong>Progress: International Festival of Performance and Ideas<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-501\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Progress-International-Festival-of-Performance-and-Ideas-300x56.png?resize=300%2C56&#038;ssl=1\" alt=\"Progress International Festival of Performance and Ideas\" width=\"300\" height=\"56\" \/><\/p>\n<p>Toronto\/Canada<br \/>\n<a href=\"http:\/\/thisisprogress.ca\/\">http:\/\/thisisprogress.ca\/<\/a><br \/>\nContact: email: <a href=\"mailto:info@summerworks.ca\">info@summerworks.ca<\/a><br \/>\nFocus: performance works, local artists, global scope<\/p>\n<hr \/>\n<h4><strong>Ishara International Puppet Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-502\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Ishara-International-Puppet-Festival.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Ishara International Puppet Festival\" width=\"300\" height=\"300\" \/><\/p>\n<p>Slhi\/India<br \/>\n<a href=\"http:\/\/www.isharapuppet.com\/isharapuppets\/calender.htm\">http:\/\/www.isharapuppet.com\/isharapuppets\/calender.htm<\/a><br \/>\nContact: 91-11-26137824, email: <a href=\"mailto:info@isharapuppet.com\">info@isharapuppet.com<\/a><br \/>\nFocus: Indian and international puppetry companies modern and traditional forms or puppetry, mix-genre performances<\/p>\n<hr \/>\n<h4><strong>Al Bustan Festival: International Festival of Music and the Performing Arts<\/strong><\/h4>\n<p>Beirut\/Lebanon<br \/>\n<a href=\"http:\/\/albustanfestival.com\/\">http:\/\/albustanfestival.com\/<\/a><br \/>\nContact: +961-3-752000 or +961-4-972980\/1\/2, email: <a href=\"mailto:festival@albustan-lb.com\">festival@albustan-lb.com<\/a> or<br \/>\n<a href=\"mailto:festival@albustan.co.uk\">festival@albustan.co.uk<\/a><br \/>\nFocus: thematic editions, opera, orchestral concerts, choral concerts, dance, marionettes, theatre, master classes and workshops<\/p>\n<hr \/>\n<h4><strong>Colorado New Play Summit (Denver Center Theatre Company)<\/strong><\/h4>\n<p>Denver\/ CO\/United States of America<br \/>\n<a href=\"http:\/\/www.denvercenter.org\/events\/colorado-new-play-summit\">http:\/\/www.denvercenter.org\/events\/colorado-new-play-summit<\/a><br \/>\nContact: 303.893.4000, email: <a href=\"mailto:info@dcpa.org\">info@dcpa.org<\/a><br \/>\nFocus: new play readings, world premiere productions, networking events<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>March<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>MITsp \u2013 Mostra Internacional de Teatro de S\u00e3o Paulo <\/strong><\/h4>\n<p>S\u00e3o Paulo\/Brazil<br \/>\n<a href=\"http:\/\/mitsp.org\/\" target=\"_blank\" rel=\"noopener\">http:\/\/mitsp.org\/<\/a><br \/>\nContact: 11 2365 3655, email: <a href=\"mailto:contato@mitsp.org\">contato@mitsp.org<\/a><br \/>\nFocus: performing arts, regional and international participants, experimentation and research, seminars<\/p>\n<hr \/>\n<h4><strong>Casteliers \u2013 Festival de Marionnettes pour Adultes et Enfants<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-503\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Casteliers-%E2%80%93-Festival-de-Marionnettes-pour-Adultes-et-Enfants.png?resize=286%2C172&#038;ssl=1\" alt=\"Casteliers \u2013 Festival de Marionnettes pour Adultes et Enfants\" width=\"286\" height=\"172\" \/><\/p>\n<p>Montreal\/Canada<br \/>\n<a href=\"http:\/\/casteliers.ca\">http:\/\/casteliers.ca<\/a><br \/>\nContact: +(514) 270-7779, email: <a href=\"mailto:info@casteliers.ca\">info@casteliers.ca<\/a><br \/>\nFocus: local, national, and international puppeteers, traditional and contemporary forms of puppetry<\/p>\n<hr \/>\n<h4><strong>Festival Iberoamericano de Teatro de Bogot\u00e1 <\/strong><\/h4>\n<p>Bogot\u00e1\/Colombia<br \/>\n<a href=\"http:\/\/festivaldeteatro.com.co\/\">http:\/\/festivaldeteatro.com.co\/<\/a><br \/>\nContact: +57 (1) 217 4577 or +57 (1) 245 1960<br \/>\nFocus: national and international performing arts companies, genre diversity<\/p>\n<hr \/>\n<h4><strong>Berliner Festspiele<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-504\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Berliner-Festpiele-Theatertreffen.png?resize=200%2C235&#038;ssl=1\" alt=\"Berliner Festpiele Theatertreffen\" width=\"200\" height=\"235\" \/><\/p>\n<p>Berlin\/Germany<br \/>\n<a href=\"https:\/\/www.berlinerfestspiele.de\">https:\/\/www.berlinerfestspiele.de<\/a><br \/>\nContact: +49 30 254 89-0, email: <a href=\"mailto:info@berlinerfestspiele.de\">info@berlinerfestspiele.de<\/a><br \/>\nFocus: diverse art exhibitions and culture events, music, theater, dance, and literature<\/p>\n<hr \/>\n<h4><strong>dunaPart: Hungarian Showcase of Contemporary Performing Arts <\/strong><\/h4>\n<p>Budapest, Traf\u00f3 and other venues\/Hungaria<br \/>\n<a href=\"http:\/\/dunapart.net\/en\/home.html\">http:\/\/dunapart.net\/en\/home.html<\/a><br \/>\nContact: email: <a href=\"mailto:info@dunapart.net\">info@dunapart.net<\/a><br \/>\nFocus: new works by Hungarian dance and theatre professionals, criticism forums<\/p>\n<hr \/>\n<h4><strong>Trado-Modern Cultural Festival\/ Carnival \u2013 Lagos Black Heritage Festival<\/strong><\/h4>\n<p>Lagos Island\/Lagos\/Nigeria<br \/>\nContact: (+234) 802 295 1020; 809 610 8715; 806 354 7229<br \/>\nFocus: mostly epics and plays by contemporary Nigerian and African playwrights<\/p>\n<hr \/>\n<h4><strong>Trado-Modern Cultural Festival\/ Carnival \u2013 Nzeh Mada Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-505\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/nhez_mada-300x299.jpg?resize=300%2C299&#038;ssl=1\" alt=\"nhez_mada\" width=\"300\" height=\"299\" \/><\/p>\n<p>Akwanga\/Nasarawa State\/Nigeria<br \/>\n<a href=\"http:\/\/www.nzehmadafestival.com\">http:\/\/www.nzehmadafestival.com<\/a><br \/>\nContact: +2348060030607, email: <a href=\"mailto:eedeees@yahoo.com\">eedeees@yahoo.com<\/a> or <a href=\"mailto:info@nzehmadafestival.com\">info@nzehmadafestival.com<\/a><br \/>\nFocus: epics, folk plays, musical theater and experimental productions<\/p>\n<hr \/>\n<h4><strong>REFLEX International Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-506\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/REFLEX-International-Theatre-Festival-300x300.png?resize=300%2C300&#038;ssl=1\" alt=\"REFLEX International Theatre Festival\" width=\"300\" height=\"300\" \/><\/p>\n<p>Sf\u00e2ntu Gheorghe\/Romania<br \/>\n<a href=\"http:\/\/www.reflexfest.ro\">www.reflexfest.ro<\/a><br \/>\nContact: +40 267 351 886, email: <a href=\"mailto:office@tamasitheatre.ro\">office@tamasitheatre.ro<\/a><br \/>\nFocus: adaptations and revisions of theatre classics, physical theatre, artwork exhibitions<\/p>\n<hr \/>\n<h4><strong>Abu Dhabi Music and Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-507\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Abu-Dhabi-Festival-300x300.jpeg?resize=300%2C300&#038;ssl=1\" alt=\"Abu Dhabi Festival\" width=\"300\" height=\"300\" \/><\/p>\n<p>Abu Dhabi\/United Arab Emirates<br \/>\n<a href=\"http:\/\/www.abudhabifestival.ae\">http:\/\/www.abudhabifestival.ae<\/a><br \/>\nContact: +971 (0) 2 333 6400, email: <a href=\"mailto:info@admaf.org\">info@admaf.org<\/a><br \/>\nFocus: international and regional participants, classical arts, emphasis on education<\/p>\n<hr \/>\n<h4><strong>Humana Festival of New American Plays (Actors Theatre of Louisville)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-508\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Humana-Festival-of-New-American-Plays.jpg?resize=181%2C279&#038;ssl=1\" alt=\"Humana Festival of New American Plays\" width=\"181\" height=\"279\" \/><\/p>\n<p>Louisville\/KY\/United States of America<br \/>\n<a href=\"http:\/\/actorstheatre.org\/humana-festival-of-new-american-plays\">http:\/\/actorstheatre.org\/humana-festival-of-new-american-plays<\/a><br \/>\nContact: 502-584-1205, email: <a href=\"mailto:jbaker@actorstheatre.org\">jbaker@actorstheatre.org<\/a><br \/>\nFocus: full-length and one-act American plays, monologues, T(ext) shirt, phone plays and car plays, civic and cultural development<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>April<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>Budapest Fringe Festival<\/strong><\/h4>\n<p>Budapest\/Hungary<br \/>\n<a href=\"http:\/\/budapestfringe.com\">http:\/\/budapestfringe.com<\/a><br \/>\nContact: email: <a href=\"mailto:szervezes@budapestfringe.com\">szervezes@budapestfringe.com<\/a> or <a href=\"mailto:pr@budapestfringe.com\">pr@budapestfringe.com<\/a><br \/>\nFocus: wide range of works in non-mainstream theatre, dance, music and comedy<\/p>\n<hr \/>\n<h4><strong>MITEM \u2013 Mad\u00e1ch International Theatre Meeting <\/strong><\/h4>\n<h4><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-509\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/MITEM-%CE%AD%CE%91%CE%A5-Mad%CE%BAch-International-Theatre-Meeting.png?resize=240%2C240&#038;ssl=1\" alt=\"MITEM \u03ad\u0391\u03a5 Mad+\u03bach International Theatre Meeting\" width=\"240\" height=\"240\" \/><\/h4>\n<p>Budapest\/Hungary<br \/>\n<a href=\"http:\/\/mitem.hu\/en\/home\">http:\/\/mitem.hu\/en\/home<br \/>\n<\/a>Contact: +361 476 68 00, email: <a href=\"mailto:melinda.szuts@nemzetiszinhaz.hu\">melinda.szuts@nemzetiszinhaz.hu<\/a> or <a href=\"mailto:ami.muranyi@nemzetiszinhaz.hu\">ami.muranyi@nemzetiszinhaz.hu<\/a><br \/>\nFocus: independent works for the theatre, forums and workshops<\/p>\n<hr \/>\n<h4><strong>World Theatre Festival Shizuoka<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-510\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/World-Theatre-Festival-Shizuoka-142x300.jpg?resize=142%2C300&#038;ssl=1\" alt=\"World Theatre Festival Shizuoka\" width=\"142\" height=\"300\" \/><\/p>\n<p>Shizuoka\/Japan<br \/>\n<a href=\"http:\/\/www.spac.or.jp\">http:\/\/www.spac.or.jp<\/a><br \/>\nContact:+81-054-203-5730, email: <a href=\"mailto:spac@spac.or.jp\">spac@spac.or.jp<\/a><br \/>\nFocus: national and international artists, publicly-funded performing arts projects<\/p>\n<hr \/>\n<h4><strong>Shakespeare International Festival Craiova (Biennial)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-511\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Shakespeare-International-Festival-Craiova.png?resize=225%2C225&#038;ssl=1\" alt=\"Shakespeare International Festival Craiova\" width=\"225\" height=\"225\" \/><\/p>\n<p>Craiova\/Romania<br \/>\n<a href=\"http:\/\/shakespeare.tncms.ro\/\" target=\"_blank\" rel=\"noopener\">http:\/\/shakespeare.tncms.ro\/<\/a><br \/>\nContact: <a href=\"tel:+40%20251%20416942\">+40 251 416942<\/a>, email: <a href=\"mailto:cvshfest@yahoo.com\">cvshfest@yahoo.com<\/a><br \/>\nFocus: national and international theatre companies, performances of Shakespeare plays, Shakespeare-inspired performing arts works<\/p>\n<hr \/>\n<h4><strong>Meetings in Russia: International Festival of Russian Theatres from the CIS and Baltic Countries<\/strong><\/h4>\n<p>Saint Petersburg\/Russia<br \/>\n<a href=\"http:\/\/baltic-house.ru\">http:\/\/baltic-house.ru<\/a><br \/>\nContact: +7(812)2320961 or +7(812)2320932, email: <a href=\"mailto:fc@baltichouse.spb.ru\">fc@baltichouse.spb.ru<\/a> or <a href=\"mailto:yurieva@baltichouse.spb.ru\">yurieva@baltichouse.spb.ru<\/a><br \/>\nFocus: Russian theatre, cultural communication , politicized art<\/p>\n<hr \/>\n<h4><strong>ABSA KKNK Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-512\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/ABSA-KKNK-Festival-273x300.jpg?resize=273%2C300&#038;ssl=1\" alt=\"ABSA KKNK Festival\" width=\"273\" height=\"300\" \/><\/p>\n<p>Oudtshoorn\/South Africa<br \/>\n<a href=\"http:\/\/kknk.co.za\/kontak\">http:\/\/kknk.co.za\/kontak<\/a><br \/>\nContact: + 27 44 203 8600, email: <a href=\"mailto:info@kknk.co.za\">info@kknk.co.za<\/a><br \/>\nFocus: Afrikaans speaking target audience, performing and visual arts<\/p>\n<hr \/>\n<h4><strong>Pacific Playwrights Festival<\/strong><\/h4>\n<p>Costa Mesa\/ CA\/United States of America<br \/>\n<a href=\"http:\/\/www.scr.org\/plays\/pacific-playwrights-festival\">http:\/\/www.scr.org\/plays\/pacific-playwrights-festival<\/a><br \/>\nContact: (714) 708-5500, email: <a href=\"mailto:theatre@scr.org\">theatre@scr.org<\/a><br \/>\nFocus: public play readings, American playwrights and leading theatre figures, world premiere productions<\/p>\n<hr \/>\n<h4><strong>Harare International Festival of the Arts (HIFA)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-513\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Harare-International-Festival-of-the-Arts-HIFA-300x184.jpg?resize=300%2C184&#038;ssl=1\" alt=\"Harare International Festival of the Arts (HIFA)\" width=\"300\" height=\"184\" \/><\/p>\n<p>Harare\/Zimbabwe<br \/>\n<a href=\"http:\/\/www.hifa.co.zw\">http:\/\/www.hifa.co.zw<\/a><br \/>\nContact: +263 4 309 999 or +263 4 300 977, email: <a href=\"mailto:info@hifa.co.zw\">info@hifa.co.zw<\/a><br \/>\nFocus: local, regional and international arts, theatre, music, dance, fine art, poetry, workshops<\/p>\n<hr \/>\n<h4><strong>Globe to Globe<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"323\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/marionnette-daujourdhui-espace-changeant-corps-changeant-esprit-changeant\/photo-5-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-5-2.jpg?fit=700%2C525&amp;ssl=1\" data-orig-size=\"700,525\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;8.9&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;SAMSUNG ES65, ES67 \/ VLUU ES65, ES67 \/ SAMSUNG SL50&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1443197524&quot;,&quot;copyright&quot;:&quot;COPYRIGHT, 2010&quot;,&quot;focal_length&quot;:&quot;4.9&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.0055555555555556&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 5\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Geoffrey Saumont\u00a0avec son Pulcinella \/ \u00a9 I.Antonova&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-5-2.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-5-2.jpg?fit=700%2C525&amp;ssl=1\" class=\"alignnone size-medium wp-image-323\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Globe-to-Globe-300x227.png?resize=300%2C227&#038;ssl=1\" alt=\"\" width=\"300\" height=\"227\" \/><\/p>\n<p>London\/England\/United Kingdom<br \/>\n<a href=\"http:\/\/www.shakespearesglobe.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.shakespearesglobe.com\/<br \/>\n<\/a>Contact: +44 (0)20 7902 1400, email: <a href=\"mailto:info@shakespearesglobe.com\">info@shakespearesglobe.com<br \/>\n<\/a>Focus: Shakespeare\u2019s works, performance art, education, exhibitions, international participants<\/p>\n<hr \/>\n<h4><strong>International Theatre Festival \u201cBonds of Culture\u201d<\/strong><\/h4>\n<p>Szczecin\/Poland<br \/>\n<a href=\"http:\/\/www.kana.art.pl\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.kana.art.pl\/<br \/>\n<\/a>Contact: +48 91 4330388 or + 48 91 4341561, email: <a href=\"mailto:info@kana.art.pl\">info@kana.art.pl<br \/>\n<\/a>Focus: performing and visual arts, interdisciplinarity, experimental work, education<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>May<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>Festival <\/strong><strong>Internacional<\/strong><strong> de Artes de Castilla Le\u00f3n<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"973\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/facyl\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Facyl.png?fit=300%2C92&amp;ssl=1\" data-orig-size=\"300,92\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Facyl\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Facyl.png?fit=300%2C92&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Facyl.png?fit=300%2C92&amp;ssl=1\" class=\"alignnone size-full wp-image-973\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Facyl.png?resize=300%2C92&#038;ssl=1\" alt=\"\" width=\"300\" height=\"92\" \/><\/p>\n<p>Salamanca\/Spain<br \/>\n<a href=\"http:\/\/www.facyl-festival.com\/#programa\" target=\"_blank\" rel=\"noopener\">http:\/\/www.facyl-festival.com\/#programa<\/a><br \/>\nContact: 954 22 58 44, email: <a href=\"mailto:direccion@sevillafest.com\">direccion@sevillafest.com<\/a><br \/>\nFocus: international performing arts, non-conventional spaces<\/p>\n<hr \/>\n<h4><strong>Kunstenfestivaldesarts<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-514\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Kunstenfestivaldesarts.png?resize=187%2C270&#038;ssl=1\" alt=\"Kunstenfestivaldesarts\" width=\"187\" height=\"270\" \/><\/p>\n<p>Brussels\/Belgium<br \/>\n<a href=\"http:\/\/www.kfda.be\">http:\/\/www.kfda.be<\/a><br \/>\nContact: +32 2 226 45 79, email: <a href=\"mailto:info@kfda.be\">info@kfda.be<\/a><br \/>\nFocus: national and international artists, contemporary theatre, dance, performance, visual arts, intercommunity dialogue, encounters and workshops<\/p>\n<hr \/>\n<h4><strong>Festival Petits Bonheurs \u2013 Le Rendez-vous Culturel des Tout-petits<\/strong><\/h4>\n<p>Montreal\/Canada<br \/>\n<a href=\"http:\/\/www.petitsbonheurs.ca\" target=\"_blank\" rel=\"noopener\">http:\/\/www.petitsbonheurs.ca<\/a><br \/>\nContact: +(514) 872-9907, email: <a href=\"mailto:info@petitsbonheurs.ca\">info@petitsbonheurs.ca<\/a><br \/>\nFocus: young audiences, children and parent participation, interdisciplinarity, experimental workshops, mobilization of the community<\/p>\n<hr \/>\n<h4><strong>Festival TransAm\u00e9riques (FTA) <\/strong><\/h4>\n<p>Montreal\/Canada<br \/>\n<a href=\"http:\/\/www.fta.qc.ca\" target=\"_blank\" rel=\"noopener\">http:\/\/www.fta.qc.ca<\/a><br \/>\nContact: 514 842 0704, email: <a href=\"mailto:info@fta.qc.ca\">info@fta.qc.ca<\/a><br \/>\nFocus: new works in contemporary dance and theatre, interdisciplinarity, workshops, and forums, hybridity and multilinguality<\/p>\n<hr \/>\n<h4><strong>Fringe Festival Praha<\/strong><\/h4>\n<p>Prague\/Czech Republic<br \/>\n<a href=\"http:\/\/www.praguefringe.com\" target=\"_blank\" rel=\"noopener\">http:\/\/www.praguefringe.com<\/a><br \/>\nContact: +420 602 549 008, email: <a href=\"mailto:steve@praguefringe.com\">steve@praguefringe.com<\/a><br \/>\nFocus: national and international artists, non-mainstream theatre, dance, music, and comedy<\/p>\n<hr \/>\n<h4><strong>SPOR Festival Aarhus<\/strong><\/h4>\n<p>Aarhus\/Denmark<br \/>\n<a href=\"http:\/\/www.aarhus2017.dk\/en\/programme\/festivals-and-happenings\/spor-festival-2017\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.aarhus2017.dk\/en\/programme\/festivals-and-happenings\/spor-festival-2017\/<\/a><br \/>\nContact: email: <a href=\"mailto:info@aarhus2017.dk\">info@aarhus2017.dk<\/a><br \/>\nFocus: experimental music and sound art, concerts, performances, installations<\/p>\n<hr \/>\n<h4><strong>SPRING Festival<\/strong><\/h4>\n<p>Copenhagen\/Denmark<br \/>\n<a href=\"http:\/\/springfestival.nu\/en\/programme\/\" target=\"_blank\" rel=\"noopener\">http:\/\/springfestival.nu\/en\/programme\/<\/a><br \/>\nContact: +45 71 99 88 77, email: <a href=\"mailto:post@zebu.nu\">post@zebu.nu<\/a><br \/>\nFocus: modern performing arts, children and young audiences, new media<\/p>\n<hr \/>\n<h4><strong>Festival Theatre der Welt (Triennial)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-516\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-Theater-der-Welt-224x300.png?resize=224%2C300&#038;ssl=1\" alt=\"Festival Theater der Welt\" width=\"224\" height=\"300\" \/><\/p>\n<p>Mannheim\/Germany<br \/>\n<a href=\"http:\/\/www.theaterderwelt.de\/de\/index.php\">http:\/\/www.theaterderwelt.de\/de\/index.php<\/a><br \/>\nContact: +49 30 611 0765 0, email: <a href=\"mailto:info@iti-germany.de\">info@iti-germany.de<\/a><br \/>\nFocus: domestic and foreign theatre productions, forums on aesthetic and social interrelations, European and international co-operation<\/p>\n<hr \/>\n<h4><strong>World Festival of Puppet Art <\/strong><\/h4>\n<p>Prague\/Czech Republic<br \/>\nContact: +420 224 242 818<br \/>\nFocus: various forms of puppetry, movie and theatre performances, puppet education and workshops<\/p>\n<hr \/>\n<h4><strong>Bob Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-517\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Bob-Theatre-Festival-300x225.jpeg?resize=300%2C225&#038;ssl=1\" alt=\"Bob Theatre Festival\" width=\"300\" height=\"225\" \/><\/p>\n<p>Athens\/Greece<br \/>\n<a href=\"http:\/\/www.bobfestival.gr\">http:\/\/www.bobfestival.gr<br \/>\n<\/a>Contact: Markella Kazamia, email: <a href=\"mailto:kazamia@playwalk.gr\">kazamia@playwalk.gr<\/a><br \/>\nFocus: young groups, local and international, new performance works, competitions, stand-up comedy, concerts<\/p>\n<hr \/>\n<h4><strong>Reykjavik Art Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-518\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Reykjavik-Art-Festival-2-300x54.png?resize=300%2C54&#038;ssl=1\" alt=\"Reykjavik Art Festival (2)\" width=\"300\" height=\"54\" \/><\/p>\n<p>Reykjavik\/Iceland<br \/>\n<a href=\"http:\/\/artfest.is\">http:\/\/artfest.is<\/a><br \/>\nContact: +354 561 2444, email: <a href=\"mailto:artfest@artfest.is\">artfest@artfest.is<\/a><br \/>\nFocus: national and international artists, multidisciplinarity, exhibitions and performances of contemporary and classical works, emphasis on cultural diversity<\/p>\n<hr \/>\n<h4><strong>Israel Festival Jerusalem <\/strong><\/h4>\n<p>Jerusalem\/Israel<br \/>\n<a href=\"http:\/\/israel-festival.org\">http:\/\/israel-festival.org<\/a><br \/>\nContact: +02 6237000<br \/>\nFocus: programs from Israel and abroad, multidiscilinarity, street performances and performances for children<\/p>\n<hr \/>\n<h4><strong>Festival aan de Werf <\/strong><\/h4>\n<p>Utrecht\/Netherlands<br \/>\nContact: Lotte Heeman, +31 (0) 30 231 5844, +31 (0) 30 231 5355, email: <a href=\"mailto:info@huisaandewerf.nl\">info@huisaandewerf.nl<\/a><br \/>\nFocus: domestic and foreign, emphasis on works of recent development in theatre, dance, visual arts, and installations in indoor and outdoor venues<\/p>\n<hr \/>\n<h4><strong>Bergen International Festival <\/strong><\/h4>\n<p>Bergen\/Norway<br \/>\n<a href=\"http:\/\/www.fib.no\" target=\"_blank\" rel=\"noopener\">http:\/\/www.fib.no<\/a>, email: <a href=\"mailto:info@fib.no\">info@fib.no<\/a><br \/>\nContact: +47 55 21 06 30<br \/>\nFocus: regional, national, and international artists, (classical) music, dance, literature, visual arts, folklore, premieres, both tradition and experimentation<\/p>\n<hr \/>\n<h4><strong>FITEI: International Theatre Festival of Iberian Expression<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-519\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/FITEI-International-Theatre-Festival-of-Iberian-Expression-300x149.jpg?resize=300%2C149&#038;ssl=1\" alt=\"FITEI International Theatre Festival of Iberian Expression\" width=\"300\" height=\"149\" \/><\/p>\n<p>Porto\/Portugal<br \/>\n<a href=\"http:\/\/www.fitei.com\">http:\/\/www.fitei.com<\/a><br \/>\nContact: +351 222 082 432<br \/>\nFocus: national and international groups, performing arts, installations, \u00a0indoor and outdoor venues<\/p>\n<hr \/>\n<h4><strong>International Street Theatre Festival \/ B-FIT in the Street!<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-520\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/International-Street-Theatre-Festival.jpg?resize=280%2C210&#038;ssl=1\" alt=\"International Street Theatre Festival\" width=\"280\" height=\"210\" \/><\/p>\n<p>Bucharest\/Romania<br \/>\n<a href=\"http:\/\/www.arcub.ro\">http:\/\/www.arcub.ro<\/a><br \/>\nContact: + 40 21 795 36 02, email: <a href=\"mailto:pr@arcub.ro\">pr@arcub.ro<\/a><br \/>\nFocus: local, regional, national, international participants, experimentation, workshops, promotion of Bucharest culture<\/p>\n<hr \/>\n<h4><strong>Chekhov International Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-521\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Chekhov-International-Theatre-Festival-300x140.jpg?resize=300%2C140&#038;ssl=1\" alt=\"Chekhov International Theatre Festival\" width=\"300\" height=\"140\" \/><\/p>\n<p>Moscow\/Russia<br \/>\n<a href=\"http:\/\/www.chekhovfest.ru\">http:\/\/www.chekhovfest.ru<\/a><br \/>\nContact: +7 495 223 54 99, email: <a href=\"mailto:chekhovfest@mail.ru\">chekhovfest@mail.ru<\/a><br \/>\nFocus: classical drama versions of Chekhov, modern dance and ballet interpretations, forums, seminars, and workshops<\/p>\n<hr \/>\n<h4><strong>European Festival of Performing Arts \u2013 Romanian Drama Festival \/ FEST-FDR<\/strong><\/h4>\n<p>Timi\u015foara\/Romania<br \/>\n<a href=\"http:\/\/www.tntimisoara.com\">www.tntimisoara.com<\/a><br \/>\nContact: + 40 256 499 908, email: <a href=\"mailto:tntm.office@timisoara.com\">tntm.office@timisoara.com<\/a><br \/>\nFocus: Romanian drama, Romanian and European performance artists, street performances, solo shows, concerts<\/p>\n<hr \/>\n<h4><strong>Euroregional Theatre Festival Timi\u015foara \/ TESZT<\/strong><\/h4>\n<p>Timi\u015foara\/Romania<br \/>\n<a href=\"http:\/\/www.teszt.ro\">http:\/\/www.teszt.ro<\/a><br \/>\nContact: +40 256 434 814, email: <a href=\"mailto:office@tm-t.ro\">office@tm-t.ro<\/a><br \/>\nFocus: national and international (especially European) groups and performers, classic and contemporary theatre, non-verbal performances, music, puppetry, experimentation, collaboration and multiculturalism<\/p>\n<hr \/>\n<h4><strong>Singapore Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-522\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Singapore-Arts-Festival.jpg?resize=246%2C205&#038;ssl=1\" alt=\"Singapore Arts Festival\" width=\"246\" height=\"205\" \/><\/p>\n<p>Singapore<br \/>\n<a href=\"http:\/\/www.singaporeartsfest.com\">http:\/\/www.singaporeartsfest.com<\/a><br \/>\nContact: +65 837 9589<br \/>\nFocus: local and international participants, performing and visual arts, collaborations, cutting-edge contemporary art<\/p>\n<hr \/>\n<h4><strong>Festival Nov\u00e1 Drama\/New Drama Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-523\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/New-Drama-Festival-2-300x146.jpg?resize=300%2C146&#038;ssl=1\" alt=\"New Drama Festival (2)\" width=\"300\" height=\"146\" \/><\/p>\n<p>Bratislava\/Slovakia<br \/>\n<a href=\"http:\/\/www.theatre.sk\/en\/projects-and-services\/nova-drama-new-drama-festival\">http:\/\/www.theatre.sk\/en\/projects-and-services\/nova-drama-new-drama-festival<\/a><br \/>\nContact: +421 2 5930 4780, email: <a href=\"mailto:janka.mrisova@theatre.sk\">janka.mrisova@theatre.sk<\/a><br \/>\nFocus: contemporary Slovak theatre and foreign drama, lectures and forums<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<h4><strong>Spoleto Festival USA<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-525\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Spoleto-Festival-USA-2-300x300.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Spoleto Festival USA (2)\" width=\"300\" height=\"300\" \/><\/p>\n<p>Charleston\/SC\/Unites States of America<br \/>\n<a href=\"http:\/\/www.spoletousa.org\">http:\/\/www.spoletousa.org<\/a><br \/>\nContact: +843 722 2764, email: <a href=\"mailto:jforster@spoletousa.org\">jforster@spoletousa.org<\/a><br \/>\nFocus: renowned and emerging performers in opera, theatre, dance, and chamber, symphonic, choral and jazz music, premieres and commissions<\/p>\n<hr \/>\n<h4><strong>Anywhere Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"315\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/to-act-by-singing\/photo-6\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-6.jpg?fit=400%2C479&amp;ssl=1\" data-orig-size=\"400,479\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 6\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Genesi. From Museum of Sleep, 1999 (from Chiara Guidi&amp;#8217;s notebook)&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-6.jpg?fit=251%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-6.jpg?fit=400%2C479&amp;ssl=1\" class=\"alignnone size-medium wp-image-315\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Anywhere-Theatre-Festival-300x214.jpg?resize=300%2C214&#038;ssl=1\" alt=\"\" width=\"300\" height=\"214\" \/><\/p>\n<p>Brisbane\/Australia<br \/>\n<a href=\"http:\/\/www.anywherefest.com\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.anywherefest.com<br \/>\n<\/a>Contact: +61 7 3102 4683<br \/>\nFocus: theatre and performance art, comedy, circus, cabaret, diverse venues, emphasis on the community<\/p>\n<hr \/>\n<h4><strong>Bushfire<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"319\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/marionnette-daujourdhui-espace-changeant-corps-changeant-esprit-changeant\/photo-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-1-1.jpg?fit=700%2C397&amp;ssl=1\" data-orig-size=\"700,397\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Gabriela Petkova&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Photo 1\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u00ab\u00a0I, Sisyphus\u00a0\u00bb \/ State Puppet Theatre, Plovdiv&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-1-1.jpg?fit=300%2C170&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-1-1.jpg?fit=700%2C397&amp;ssl=1\" class=\"alignnone size-medium wp-image-319\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Bushfire-300x171.jpg?resize=300%2C171&#038;ssl=1\" alt=\"\" width=\"300\" height=\"171\" \/><\/p>\n<p>Ezulwini Valley\/Swaziland<br \/>\n<a href=\"http:\/\/www.bush-fire.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.bush-fire.com\/<br \/>\n<\/a>Contact: +268 2528 2040, email: <a href=\"mailto:info@bush-fire.com\">info@bush-fire.com<\/a><br \/>\nFocus: music, contemporary and traditional, performing and visual arts, global scope<\/p>\n<hr \/>\n<h4><strong>Festival of Performing Arts (Biennial)<\/strong><\/h4>\n<p>J\u00f6nk\u00f6ping\/Sweden<br \/>\n<a href=\"http:\/\/scensverige.se\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/scensverige.se\/<br \/>\n<\/a>Contact: +46 8 462 25 30, email: <a href=\"mailto:info@scensverige.se\">info@scensverige.se<br \/>\n<\/a>Focus: Nordic and Swedish performing arts, national and international seminars and conferences<\/p>\n<hr \/>\n<h4><strong>Imaginate Festival<\/strong><\/h4>\n<p>Edinburgh\/Scotland\/United Kingdom<br \/>\n<a href=\"http:\/\/www.imaginate.org.uk\/festival\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.imaginate.org.uk\/festival\/<br \/>\n<\/a>Contact: 0131 225 8050, email: <a href=\"mailto:info@imaginate.org.uk\">info@imaginate.org.uk<br \/>\n<\/a>Focus: theatre and dance, young audiences and participants<\/p>\n<hr \/>\n<h4><strong>International Small Scenes Theatre Festival Rijeka<\/strong><\/h4>\n<p>Rijeka\/Croatia<br \/>\n<a href=\"http:\/\/www.theatrefestival-rijeka.org\/2016\/index.php?page=arhiva&amp;lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.theatrefestival-rijeka.org\/2016\/index.php?page=arhiva&amp;lang=en<br \/>\n<\/a>Contact: +385 51 209 540, +385 99 7022 334, email:<br \/>\n<a href=\"mailto:visnja.visnjic-karkovic@rijeka.hr\">visnja.visnjic-karkovic@rijeka.hr<br \/>\n<\/a>Focus: author\u2019s and actor\u2019s theatre, social action<\/p>\n<hr \/>\n<h4><strong>Mestiza Chile<\/strong><\/h4>\n<p>Santiago\/Chile<br \/>\n<a href=\"http:\/\/www.mestizachile.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.mestizachile.com\/<\/a><br \/>\nContact: +56997825152 and +56987686912, email: <a href=\"mailto:domoteatro@gmail.com\">domoteatro@gmail.com<\/a> and <a href=\"mailto:mestizachile@gmail.com\">mestizachile@gmail.com<\/a><br \/>\nFocus: women\u2019s theatre and performance, international participants<\/p>\n<hr \/>\n<h4><strong>The G\u00f6teborgs Dans &amp; Teater Festival (Biennial)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"334\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/issue4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue4.jpg?fit=290%2C217&amp;ssl=1\" data-orig-size=\"290,217\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Issue4\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Issue No 4&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue4.jpg?fit=290%2C217&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue4.jpg?fit=290%2C217&amp;ssl=1\" class=\"alignnone size-medium wp-image-334\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/The-G%C3%B6teborgs-Dans-Teater-Festival-293x300.jpg?resize=293%2C300&#038;ssl=1\" alt=\"\" width=\"293\" height=\"300\" \/><\/p>\n<p>Goteborg\/Sweden<br \/>\n<a href=\"http:\/\/www.festival.goteborg.se\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.festival.goteborg.se\/<br \/>\n<\/a>Contact: +46-(0)31-368 32 88, email: (Martin Hansson) <a href=\"mailto:martin.hansson@kultur.goteborg.se\">martin.hansson@kultur.goteborg.se<\/a>, (Sarah Melin) <a href=\"mailto:sarah.melin@gdtf.se\">sarah.melin@gdtf.se<br \/>\n<\/a>Focus: performing arts, art platform, international participants<\/p>\n<hr \/>\n<h4><strong>Wiener Festwochen<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"335\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/issue5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue5.jpg?fit=290%2C217&amp;ssl=1\" data-orig-size=\"290,217\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Issue5\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Issue No 5&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue5.jpg?fit=290%2C217&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue5.jpg?fit=290%2C217&amp;ssl=1\" class=\"alignnone size-full wp-image-335\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Wiener-Festwochen.jpg?resize=292%2C160&#038;ssl=1\" alt=\"\" width=\"292\" height=\"160\" \/><\/p>\n<p>Vienna\/Austria<br \/>\n<a href=\"http:\/\/www.festwochen.at\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.festwochen.at\/<br \/>\n<\/a>Contact: +43 1 589 22 0, email: <a href=\"mailto:pressebuero@festwochen.at\">pressebuero@festwochen.at<\/a><br \/>\nFocus: international participants, performing and visual arts of Vienna and Austria, new opera, experimental music, new art and social forms<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>June<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>Napoli Teatro Festival Italia<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"970\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/napoliteatro\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/napoliteatro.png?fit=300%2C300&amp;ssl=1\" data-orig-size=\"300,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"napoliteatro\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/napoliteatro.png?fit=300%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/napoliteatro.png?fit=300%2C300&amp;ssl=1\" class=\"alignnone size-full wp-image-970\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/napoliteatro.png?resize=300%2C300&#038;ssl=1\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/napoliteatro.png?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/napoliteatro.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/napoliteatro.png?resize=270%2C270&amp;ssl=1 270w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/napoliteatro.png?resize=230%2C230&amp;ssl=1 230w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Naples\/Italy<br \/>\n<a href=\"https:\/\/www.napoliteatrofestival.it\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.napoliteatrofestival.it\/<\/a><br \/>\nContact: <a href=\"mailto:r.rizzardi@napoliteatrofestival.it\">r.rizzardi@napoliteatrofestival.it<\/a> and <a href=\"mailto:r.viola@napoliteatrofestival.it\">r.viola@napoliteatrofestival.it<\/a><br \/>\nFocus: international theatre projects, exhibitions, performance art<\/p>\n<hr \/>\n<h4><strong>Momentum Festival (Biennial)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-526\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Momentum-Festival.jpg?resize=253%2C140&#038;ssl=1\" alt=\"Momentum Festival\" width=\"253\" height=\"140\" \/><\/p>\n<p>Brussels\/Belgium<br \/>\n<a href=\"http:\/\/www.momentum-festival.org\">http:\/\/www.momentum-festival.org<\/a><br \/>\nContact: +32 2 534 48 55, email: <a href=\"mailto:info@biennialfoundation.org\">info@biennialfoundation.org<\/a><br \/>\nFocus: internationally renowned artists and young upcoming artists, visual arts performances<\/p>\n<hr \/>\n<h4><strong>International Theatre Festival &#8220;Varna Summer&#8221;<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"961\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/viafest_logo_itf_en\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/VIAFEST_logo_ITF_EN.jpg?fit=480%2C315&amp;ssl=1\" data-orig-size=\"480,315\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"VIAFEST_logo_ITF_EN\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/VIAFEST_logo_ITF_EN.jpg?fit=300%2C197&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/VIAFEST_logo_ITF_EN.jpg?fit=480%2C315&amp;ssl=1\" class=\"alignnone size-medium wp-image-961\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/VIAFEST_logo_ITF_EN.jpg?resize=300%2C197&#038;ssl=1\" alt=\"International Theatre Festival Varna\" width=\"300\" height=\"197\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/VIAFEST_logo_ITF_EN.jpg?resize=300%2C197&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/VIAFEST_logo_ITF_EN.jpg?w=480&amp;ssl=1 480w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Varna\/Bulgaria<br \/>\n<a href=\"http:\/\/www.viafest.org\" target=\"_blank\" rel=\"noopener\">http:\/\/www.viafest.org<\/a><br \/>\nContact: +359 2 988 44 82\u00a0 email:\u00a0<a href=\"mailto:bat@omega.bg\">bat@omega.bg<\/a><br \/>\nFocus: local and international artistic events, dance workshops, exhibitions, Bulgarian \u201cShow case,\u201d emphasis on international dialogue\u00a0and marketing<\/p>\n<hr \/>\n<h4><strong>WorldPride Festival<\/strong><\/h4>\n<p>Toronto\/Canada<br \/>\n<a href=\"http:\/\/www.pridetoronto.com\">http:\/\/www.pridetoronto.com<\/a> and <a href=\"http:\/\/buddiesinbadtimes.com\">http:\/\/buddiesinbadtimes.com<\/a><br \/>\nContact: 416 927 7433, email: <a href=\"mailto:office@pridetoronto.com\">office@pridetoronto.com<\/a><br \/>\nFocus: international, national, and local artists, arts and cultural events, activism, conferences<\/p>\n<hr \/>\n<h4><strong>Eurokaz Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-530\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/media_img_logo.eurokaz-300x70.png?resize=300%2C70&#038;ssl=1\" alt=\"media_img_logo.eurokaz\" width=\"300\" height=\"70\" \/><\/p>\n<p>Zagreb\/Croatia<br \/>\n<a href=\"http:\/\/www.eurokaz.hr\">http:\/\/www.eurokaz.hr<\/a><br \/>\nContact: +385 1 48 47 856<br \/>\nFocus: artists and companies from all over the world, new generation of artists experimenting with technology and science, visual arts, new media, dance and movement, post-mainstream and vertical multiculturalism, contemporary iconoclastic theatre and performing art, discussions, symposiums, screenings, workshops, concerts and exhibitions<\/p>\n<hr \/>\n<h4><strong>Tallinn Treff Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-531\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Tallinn-Treff-Festival-300x124.jpg?resize=300%2C124&#038;ssl=1\" alt=\"Tallinn Treff Festival\" width=\"300\" height=\"124\" \/><\/p>\n<p>Tallinn\/Estonia<br \/>\n<a href=\"http:\/\/www.noorsooteater.ee\">http:\/\/www.noorsooteater.ee<\/a><br \/>\nContact: +372 66 79 550<br \/>\nFocus: all performing art forms, interdisciplinarity, dance, drama, puppet theatre performances and music concerts<\/p>\n<hr \/>\n<h4><strong>Festival de Marseille<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-532\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-de-Marseille.jpg?resize=220%2C160&#038;ssl=1\" alt=\"Festival de Marseille\" width=\"220\" height=\"160\" \/><\/p>\n<p>Marseille\/France<br \/>\n<a href=\"http:\/\/www.festivaldemarseille.com\">http:\/\/www.festivaldemarseille.com<\/a><br \/>\nContact: +33 4 91 99 00 20<br \/>\nFocus: (mainly on) dance and the performing arts<\/p>\n<hr \/>\n<h4><strong>Le Printemps des Com\u00e9diens <\/strong><\/h4>\n<p>Montpellier\/France<br \/>\n<a href=\"http:\/\/www.printempsdescomediens.com\">http:\/\/www.printempsdescomediens.com<\/a><br \/>\nContact: 04 67 63 66 67, email: <a href=\"mailto:printemps@printempsdescomediens.com\">printemps@printempsdescomediens.com<\/a><br \/>\nFocus: contemporary, avant-garde, and classic theatre, performing arts, plastic arts<\/p>\n<hr \/>\n<h4><strong>Athens and Epidaurus Greek Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-533\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Athens-and-Epidaurus-Festival-2-300x250.jpg?resize=300%2C250&#038;ssl=1\" alt=\"Athens and Epidaurus Festival (2)\" width=\"300\" height=\"250\" \/><\/p>\n<p>Athens\/Greece<br \/>\n<a href=\"http:\/\/www.greekfestival.gr\/gr\">http:\/\/www.greekfestival.gr\/gr<\/a><br \/>\nContact: +30 210 92 82 000<br \/>\nFocus: domestic and foreign theatre companies, music, contemporary dance, experimental and mainstream productions, new works by young artists and\/or ensembles, productions (local and international) of the Classics at the ancient site of Epidaurus<\/p>\n<hr \/>\n<h4><strong>artFart<\/strong><\/h4>\n<p>Reykjavik\/Iceland<br \/>\n<a href=\"http:\/\/www.artfart.is\">http:\/\/www.artfart.is<\/a><br \/>\nContact: email: <a href=\"mailto:artfart@artfart.is\">artfart@artfart.is<\/a><br \/>\nFocus: innovative approaches to contemporary performance, public space as a platform<\/p>\n<hr \/>\n<h4><strong>Bali Arts Festival<\/strong><\/h4>\n<p>Bali\/Indonesia<br \/>\n<a href=\"http:\/\/www.baliartsfestival.com\">http:\/\/www.baliartsfestival.com<\/a><br \/>\nContact: +62 361 235600<br \/>\nFocus: performance works and handicraft exhibitions, traditional and new creations<\/p>\n<hr \/>\n<h4><strong>International Theatre Festival Step by Step<\/strong><\/h4>\n<p>Rezekne\/Latvia<br \/>\n<a href=\"http:\/\/teatris.rezekne.net\">http:\/\/teatris.rezekne.net<\/a><br \/>\nContact: +371 646 22066<br \/>\nFocus: national and European theatre groups, different genres and forms<\/p>\n<hr \/>\n<h4><strong>Fundamental Monodrama Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-534\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Fundamental-Monodrama-Festival-300x183.jpg?resize=300%2C183&#038;ssl=1\" alt=\"Fundamental Monodrama Festival\" width=\"300\" height=\"183\" \/><\/p>\n<p>Luxembourg<br \/>\n<a href=\"http:\/\/www.fundamental.lu\/fr\/asbl\">http:\/\/www.fundamental.lu\/fr\/asbl<\/a><br \/>\nContact: +352 26 34 73 1, email: <a href=\"mailto:info@khn.lu\">info@khn.lu<\/a><br \/>\nFocus: monodrama, theatre and drama, exhibitions and performances at the crossroads of visual arts, performing arts and literature<\/p>\n<hr \/>\n<h4><strong>Holland Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-535\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Holland-Festival.jpg?resize=268%2C188&#038;ssl=1\" alt=\"Holland Festival\" width=\"268\" height=\"188\" \/><\/p>\n<p>Amsterdam\/Netherlands<br \/>\n<a href=\"http:\/\/www.hollandfestival.nl\/nl\">http:\/\/www.hollandfestival.nl\/nl<\/a><br \/>\nContact: +31 20 7882100<br \/>\nFocus: mix of performances and concerts from around the world, established names and new talents, innovation in art and exploration of new types of venues and forms of theatre<\/p>\n<hr \/>\n<h4><strong>Porsgrunn International Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-536\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Porsgrunn-International-Theatre-Festival.jpg?resize=121%2C294&#038;ssl=1\" alt=\"Porsgrunn International Theatre Festival\" width=\"121\" height=\"294\" \/><\/p>\n<p>Porsgrunn\/Norway<br \/>\n<a href=\"http:\/\/www.pit.no\">http:\/\/www.pit.no<\/a><br \/>\nContact: +47 35 93 21 00<br \/>\nFocus: national and international theatre performances, street performances, seminars and workshops<\/p>\n<hr \/>\n<h4><strong>Teatr Lalki i Aktora w \u0141om\u017cy<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-537\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Teatr-Lalki-i-Aktora-w-%CE%92om-y-300x278.jpg?resize=300%2C278&#038;ssl=1\" alt=\"Teatr Lalki i Aktora w +\u0392om+-y\" width=\"300\" height=\"278\" \/><\/p>\n<p>\u0141om\u017ca\/Poland<br \/>\n<a href=\"http:\/\/www.teatrlomza.hi.pl\">http:\/\/www.teatrlomza.hi.pl<\/a><br \/>\nContact: +48 86 216 59 55, email: <a href=\"mailto:teatrlomza@hi.pl\">teatrlomza@hi.pl<\/a><br \/>\nFocus: international and national participants, puppet and actor theatre, competitions, educational activities, children, youth, and adult audiences<\/p>\n<hr \/>\n<h4><strong>Malta International Theatre Festival <\/strong><\/h4>\n<p>Poznan\/Poland<br \/>\n<a href=\"http:\/\/www.malta-festival.pl\">http:\/\/www.malta-festival.pl<\/a><br \/>\nContact: +48 732 07 11 22<br \/>\nFocus: the urban space of Pozna\u0144, contemporary performing arts, workshops, discussions, and experiments, global scope<\/p>\n<hr \/>\n<h4><strong>Sibiu International Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-538\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Sibiu-International-Theatre-Festival.jpg?resize=220%2C153&#038;ssl=1\" alt=\"Sibiu International Theatre Festival\" width=\"220\" height=\"153\" \/><\/p>\n<p>Sibiu\/Romania<br \/>\n<a href=\"http:\/\/www.sibfest.ro\/sibiu-international-theatre-festival.html\">http:\/\/www.sibfest.ro\/sibiu-international-theatre-festival.html<\/a><br \/>\nContact: +40 269 210092<br \/>\nFocus: local and foreign performance artists, theatre, dance, and music, platform for non-formal education through performing arts<\/p>\n<hr \/>\n<h4><strong>LUDI &#8211; International Theatre Festival of Chamber and Mono Performances<\/strong><\/h4>\n<p>Orel\/Russia<br \/>\n<a href=\"http:\/\/www.teatr.orel.ru\">http:\/\/www.teatr.orel.ru<\/a><br \/>\nContact: +7(4862)764698 or +7(4862)761212, email: <a href=\"mailto:elo@orel.ru\">elo@orel.ru<\/a> or <a href=\"mailto:lama124@yandex.ru\">lama124@yandex.ru<\/a><br \/>\nFocus: various types of performing arts events, multidisciplinarity<\/p>\n<hr \/>\n<h4><strong>Z\u00fcrcher Festspiele<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-539\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Z%C3%BCrcher-Festspiele.png?resize=170%2C160&#038;ssl=1\" alt=\"Z\u00fcrcher Festspiele\" width=\"170\" height=\"160\" \/><\/p>\n<p>Zurich\/ Switzerland<br \/>\n<a href=\"http:\/\/www.festspiele-zuerich.ch\/de\/festspiele-zuerich-2014\">http:\/\/www.festspiele-zuerich.ch\/de\/festspiele-zuerich-2014<\/a><br \/>\nContact: +41 44 412 35 51<br \/>\nFocus: international scope, kaleidoscope of the arts, cross-sectoral programme, collaboration, and projects, interdisciplinarity<\/p>\n<hr \/>\n<h4><strong>London International Festival of Theatre (LIFT)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"540\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/navigating-the-theatre-ecology-in-hong-kong-perspectives-of-a-singaporean\/1-hong-kong-city-halljpeg\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/1.Hong-KOng-City-Halljpeg.jpeg?fit=600%2C311&amp;ssl=1\" data-orig-size=\"600,311\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"1.Hong KOng City Halljpeg\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Hong Kong City Hall. It opened in 1962 and is the first multi-purpose cultural complex ever built for the community of Hong Kong&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/1.Hong-KOng-City-Halljpeg.jpeg?fit=300%2C156&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/1.Hong-KOng-City-Halljpeg.jpeg?fit=600%2C311&amp;ssl=1\" class=\"alignnone size-full wp-image-540\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/London-International-Festival-of-Theatre-LIFT.jpg?resize=225%2C225&#038;ssl=1\" alt=\"London International Festival of Theatre (LIFT)\" width=\"225\" height=\"225\" \/><\/p>\n<p>London\/England\/United Kingdom<br \/>\n<a href=\"https:\/\/www.liftfestival.com\">https:\/\/www.liftfestival.com<\/a><br \/>\nContact: +44 20 7093 6340<br \/>\nFocus: global scope, performances, talks, installations and events, encounters and exchanges among individuals, cultures and communities<\/p>\n<hr \/>\n<h4><strong>Leapfest<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"541\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/navigating-the-theatre-ecology-in-hong-kong-perspectives-of-a-singaporean\/facilities_grand_theatre_3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/facilities_grand_theatre_3.jpeg?fit=450%2C286&amp;ssl=1\" data-orig-size=\"450,286\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;BH&quot;,&quot;camera&quot;:&quot;NIKON D3S&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1376077016&quot;,&quot;copyright&quot;:&quot;BH&quot;,&quot;focal_length&quot;:&quot;14&quot;,&quot;iso&quot;:&quot;3200&quot;,&quot;shutter_speed&quot;:&quot;0.025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"facilities_grand_theatre_3\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;The Grand Theatre is designed for large scale operas, ballets, musicals, dances and all sorts of theatrical spectaculars. The auditorium holds a total of 1,734 seats in three tiers&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/facilities_grand_theatre_3.jpeg?fit=300%2C191&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/facilities_grand_theatre_3.jpeg?fit=450%2C286&amp;ssl=1\" class=\"alignnone size-full wp-image-541\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Leapfest.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Leapfest\" width=\"300\" height=\"300\" \/><\/p>\n<p>Chicago\/IL\/Unites States of America<br \/>\n<a href=\"http:\/\/www.stagelefttheatre.com\">http:\/\/www.stagelefttheatre.com<\/a><br \/>\nContact: +773 883 8830<br \/>\nFocus: development and production of new plays raising debate and challenging perspectives on political and social issues, political and social theatre<\/p>\n<hr \/>\n<h4><strong>Adelaide Cabaret Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"314\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/to-act-by-singing\/photo-5-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-5-1.jpg?fit=400%2C567&amp;ssl=1\" data-orig-size=\"400,567\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 5\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Genesi. From Museum of Sleep, 1999 (from Chiara Guidi&amp;#8217;s notebook)&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-5-1.jpg?fit=212%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-5-1.jpg?fit=400%2C567&amp;ssl=1\" class=\"alignnone size-full wp-image-314\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Adelaide-Cabaret-Festival.jpg?resize=292%2C150&#038;ssl=1\" alt=\"\" width=\"292\" height=\"150\" \/><\/p>\n<p>Adelaide\/Australia<br \/>\n<a href=\"http:\/\/www.adelaidefestivalcentre.com.au\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.adelaidefestivalcentre.com.au<br \/>\n<\/a>Contact: +61 8 8216 8600, email: <a href=\"mailto:feedback@adelaidefestivalcentre.com.au\">feedback@adelaidefestivalcentre.com.au<br \/>\n<\/a>Focus: musical, comedy, innovation, cabaret stars, international participants<\/p>\n<hr \/>\n<h4><strong>BFestival de Wiltz<\/strong><\/h4>\n<p>Wiltz\/Luxembourg<br \/>\n<a href=\"http:\/\/www.festivalwiltz.lu\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.festivalwiltz.lu\/<br \/>\n<\/a>Contact: +352-95 92 05-1, email: <a href=\"mailto:festival@cooperations.lu\">festival@cooperations.lu<br \/>\n<\/a>Focus: theatre and music, international participants, professionals and amateurs<\/p>\n<hr \/>\n<h4><strong>Festival of the Dhow Countries <\/strong><\/h4>\n<p>Zanzibar\/Tanzania<br \/>\n<a href=\"http:\/\/www.ziff.or.tz\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.ziff.or.tz\/<br \/>\n<\/a>Contact: (+255) 773 411 499, email: ziff@ziff.or.tz<br \/>\nFocus: performing arts, African cultures, workshops<\/p>\n<hr \/>\n<h4><strong>International Street Theatre Festival<\/strong><\/h4>\n<p>Arkhangelsk\/Russia<br \/>\n<a href=\"http:\/\/www.teatrpanova.ru\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.teatrpanova.ru\/<br \/>\n<\/a>Contact: 007 8182 65 21 43, email: <a href=\"mailto:ciepanov@mail.ru\">ciepanov@mail.ru<\/a>, <a href=\"mailto:ciepanov@gmail.com\">ciepanov@gmail.com<br \/>\n<\/a>Focus: street arts, European cultures, youth theatre<\/p>\n<hr \/>\n<h4><strong>Malta Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"325\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/marionnette-daujourdhui-espace-changeant-corps-changeant-esprit-changeant\/photo-7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-7.jpg?fit=700%2C525&amp;ssl=1\" data-orig-size=\"700,525\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;SAMSUNG ES65, ES67 \/ VLUU ES65, ES67 \/ SAMSUNG SL50&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1443208338&quot;,&quot;copyright&quot;:&quot;COPYRIGHT, 2010&quot;,&quot;focal_length&quot;:&quot;4.9&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.022222222222222&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 7\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Sc\u00e8ne du spectacle Les Pov\u2019Gants \/ \u00a9 I. Antonova&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-7.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-7.jpg?fit=700%2C525&amp;ssl=1\" class=\"alignnone size-medium wp-image-325\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Malta-Arts-Festival-296x300.png?resize=296%2C300&#038;ssl=1\" alt=\"\" width=\"296\" height=\"300\" \/><\/p>\n<p>Valletta, Floriana\/Malta<br \/>\n<a href=\"http:\/\/maltaartsfestival.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/maltaartsfestival.org\/<br \/>\n<\/a>Contact: +356 2339 7000, email: <a href=\"mailto:info@maltaculture.com\">info@maltaculture.com<br \/>\n<\/a>Focus: performing arts, local and international participants, internationalized cultural networking<\/p>\n<hr \/>\n<h4><strong>Stamsund International Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"331\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/issue1\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue1.jpg?fit=290%2C217&amp;ssl=1\" data-orig-size=\"290,217\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Issue1\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Issue No 1&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue1.jpg?fit=290%2C217&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue1.jpg?fit=290%2C217&amp;ssl=1\" class=\"alignnone size-full wp-image-331\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Stamsund-International-Theatre-Festival.png?resize=287%2C142&#038;ssl=1\" alt=\"\" width=\"287\" height=\"142\" \/><\/p>\n<p>Stamsund\/Norway<br \/>\n<a href=\"http:\/\/www.stamsund-internasjonale.no\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.stamsund-internasjonale.no<br \/>\n<\/a>Contact: +47 76 08 75 30<br \/>\nFocus: performing arts, international participants<\/p>\n<hr \/>\n<h4><strong>World Theatre Festival Shizuoka Under Mt. Fuji<\/strong><\/h4>\n<p>Shizuoka City\/Japan<br \/>\n<a href=\"http:\/\/www.spac.or.jp\/e\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.spac.or.jp\/e\/index.html<br \/>\n<\/a>Contact: +81-54-203-5730<br \/>\nFocus: performing arts, global scope<\/p>\n<hr \/>\n<h4><strong>Z\u00fcrcher Theater Spektakel<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"338\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/issue8\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue8.jpg?fit=290%2C217&amp;ssl=1\" data-orig-size=\"290,217\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Issue8\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Issue No 8&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue8.jpg?fit=290%2C217&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue8.jpg?fit=290%2C217&amp;ssl=1\" class=\"alignnone size-medium wp-image-338\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Z%C3%BCrcher-Theaterspektakel-300x168.jpg?resize=300%2C168&#038;ssl=1\" alt=\"\" width=\"300\" height=\"168\" \/><\/p>\n<p>Z\u00fcrich\/Switzerland<br \/>\n<a href=\"https:\/\/www.theaterspektakel.ch\/home\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.theaterspektakel.ch\/home\/<br \/>\n<\/a>Contact: +41 (0)44 412 35 51, email:\u00a0<a href=\"mailto:contact@theaterspektakel.ch\">contact@theaterspektakel.ch<br \/>\n<\/a>Focus: contemporary performing arts, international participants, renowned and upcoming theatre and dance companies<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\">July<\/h1>\n<\/blockquote>\n<h4><strong>Grec Festival of Barcelona<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"967\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/grec-festival\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/grec-festival.png?fit=300%2C338&amp;ssl=1\" data-orig-size=\"300,338\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"grec festival\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/grec-festival.png?fit=266%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/grec-festival.png?fit=300%2C338&amp;ssl=1\" class=\"alignnone size-full wp-image-967\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/grec-festival.png?resize=300%2C338&#038;ssl=1\" alt=\"\" width=\"300\" height=\"338\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/grec-festival.png?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/grec-festival.png?resize=266%2C300&amp;ssl=1 266w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Barcelona\/Spain<br \/>\n<a href=\"http:\/\/lameva.barcelona.cat\/grec\/en\/programa\" target=\"_blank\" rel=\"noopener\">http:\/\/lameva.barcelona.cat\/grec\/en\/programa<\/a><br \/>\nFocus: international theatre, dance, music and circus<\/p>\n<hr \/>\n<h4><strong>Almagro International Festival of Classical Theatre<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"968\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/international-classic-theatre-festival-of-almagro-300x177\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/International-Classic-Theatre-Festival-of-Almagro-300x177.jpg?fit=300%2C177&amp;ssl=1\" data-orig-size=\"300,177\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"International-Classic-Theatre-Festival-of-Almagro-300&amp;#215;177\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/International-Classic-Theatre-Festival-of-Almagro-300x177.jpg?fit=300%2C177&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/International-Classic-Theatre-Festival-of-Almagro-300x177.jpg?fit=300%2C177&amp;ssl=1\" class=\"alignnone size-full wp-image-968\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/International-Classic-Theatre-Festival-of-Almagro-300x177.jpg?resize=300%2C177&#038;ssl=1\" alt=\"\" width=\"300\" height=\"177\" \/><\/p>\n<p>Almagro\/Spain<br \/>\n<a href=\"http:\/\/festivaldealmagro.com\/es\/seccion\/contacto\/\" target=\"_blank\" rel=\"noopener\">http:\/\/festivaldealmagro.com\/es\/seccion\/contacto\/<\/a><br \/>\nContact: 0034 91 5210720, email: <a href=\"mailto:falmagro@festivaldealmagro.com\">falmagro@festivaldealmagro.com<\/a><br \/>\nFocus: classical material, international performing and visual arts projects, workshops and outreach events<\/p>\n<hr \/>\n<h4><strong>Festival Internacional de Teatro de S\u00e3o Jos\u00e9 do Rio Preto<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-542\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-Internacional-de-Teatro-de-S%CE%BCo-Jos%CF%83-do-Rio-Preto-300x138.jpg?resize=300%2C138&#038;ssl=1\" alt=\"Festival Internacional de Teatro de S+\u03bco Jos+\u03c3 do Rio Preto\" width=\"300\" height=\"138\" \/><\/p>\n<p>S\u00e3o Jos\u00e9 do Rio Preto\/Brazil<br \/>\n<a href=\"http:\/\/www.festivalriopreto.com.br\">http:\/\/www.festivalriopreto.com.br<\/a><br \/>\nContact: +55 17 3215 1770<br \/>\nFocus: theatrical productions aimed at adults, children, and adolescents, diversity, conventional stage, trials, performances, puppet shows and animate forms, touring productions, national and international shows<\/p>\n<hr \/>\n<h4><strong>Festival Juste pour Rire<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-543\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-Juste-pour-Rire-300x250.gif?resize=300%2C250&#038;ssl=1\" alt=\"Festival Juste pour Rire\" width=\"300\" height=\"250\" \/><\/p>\n<p>Montreal\/Canada<br \/>\n<a href=\"http:\/\/www.hahaha.com\/fr\">http:\/\/www.hahaha.com\/fr<\/a><br \/>\nContact: +(514) 845-3155, email: <a href=\"mailto:info@hahaha.com\">info@hahaha.com<\/a><br \/>\nFocus: comedians from around the world, street theater, film comedy films, and TV shows, humorous flavor plays and improvisation events<\/p>\n<hr \/>\n<h4><strong>The Toronto Fringe Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-544\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/The-Toronto-Fringe-Festival-300x120.jpg?resize=300%2C120&#038;ssl=1\" alt=\"11FRINGE-logo-1\" width=\"300\" height=\"120\" \/><\/p>\n<p>Toronto\/Canada<br \/>\n<a href=\"http:\/\/fringetoronto.com\">http:\/\/fringetoronto.com<\/a><br \/>\nContact: +(416) 966-1062, email: <a href=\"mailto:general@fringetoronto.com\">general@fringetoronto.com<\/a><br \/>\nFocus: artists from around the world, theatre, dance, visual art, buskers, site-specific performances<\/p>\n<hr \/>\n<h4><strong>Dubrovnic Summer Festival<\/strong><\/h4>\n<p>Dubrovnic\/Croatia<br \/>\n<a href=\"http:\/\/www.dubrovnik-festival.hr\/en\">http:\/\/www.dubrovnik-festival.hr\/en<\/a><br \/>\nContact: +385 (0) 20 326 100, email: <a href=\"mailto:info@dubrovnik-festival.hr\">info@dubrovnik-festival.hr<\/a><br \/>\nFocus: site-specific, tradition and modernity, local, national, and international creativity, exchange of ideas and new projects<\/p>\n<hr \/>\n<h4><strong>International Festival of Ancient Greek Drama<\/strong><\/h4>\n<h4><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"545\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/marionnette-daujourdhui-espace-changeant-corps-changeant-esprit-changeant\/antonova\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Antonova.jpg?fit=407%2C516&amp;ssl=1\" data-orig-size=\"407,516\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Antonova\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Antonova.jpg?fit=237%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Antonova.jpg?fit=407%2C516&amp;ssl=1\" class=\"alignnone size-medium wp-image-545\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Cyprus-300x300.png?resize=300%2C300&#038;ssl=1\" alt=\"Cyprus\" width=\"300\" height=\"300\" \/><\/h4>\n<p>Paphos, Nicosia, Limassol\/Cyprus<br \/>\n<a href=\"http:\/\/www.greekdramafest.com\">http:\/\/www.greekdramafest.com<\/a><br \/>\nContact: 7000 2414<br \/>\nFocus: international and local performances of ancient Greek drama based on the original text or adaptations, appropriations of the original<\/p>\n<hr \/>\n<h4><strong>Festival International de Th\u00e9\u00e2tre de Rue <\/strong><\/h4>\n<p>Aurillac\/France<br \/>\n<a href=\"http:\/\/www.aurillac.net\">http:\/\/www.aurillac.net<\/a><br \/>\nContact: +33 (0) 4 71 43 43 70, email: <a href=\"mailto:festival@aurillac.net\">festival@aurillac.net<\/a><br \/>\nFocus: European street art, blend of discovery and free expression of art and tribal music<\/p>\n<hr \/>\n<h4><strong>Festival d\u2019Avignon<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-546\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-dAvignon-287x300.jpg?resize=287%2C300&#038;ssl=1\" alt=\"Festival d'Avignon\" width=\"287\" height=\"300\" \/><\/p>\n<p>Avignon\/France<br \/>\n<a href=\"http:\/\/www.festival-avignon.com\">http:\/\/www.festival-avignon.com<\/a><br \/>\nContact: +33 4 90 14 14 14<br \/>\nFocus: visual and performing arts, ensemble theatre work, exchanges and encounters, reinvented classic and modern texts<\/p>\n<hr \/>\n<h4><strong>OFF Festival of Avignon <\/strong><\/h4>\n<p>Avignon\/France<br \/>\n<a href=\"http:\/\/www.avignonfestivaletcompagnies.com\">http:\/\/www.avignonfestivaletcompagnies.com<\/a><br \/>\nContact: +33 4 90 85 13 08<br \/>\nFocus: a more spontaneous theatrical space grown around the \u201cIn\u201d Festival of Avignon, independent theatre companies, cultural richness and diversity, plural composition<\/p>\n<hr \/>\n<h4><strong>Tollwood Sommerfestival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-547\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Tollwood-Sommerfestival.jpg?resize=273%2C192&#038;ssl=1\" alt=\"Tollwood Sommerfestival\" width=\"273\" height=\"192\" \/><\/p>\n<p>Munich\/Germany<br \/>\n<a href=\"http:\/\/www.tollwood.de\">http:\/\/www.tollwood.de<\/a><br \/>\nContact: +49 89 383 85 00<br \/>\nFocus: international works, concerts, performance works<\/p>\n<hr \/>\n<h4><strong>Gyula Castle Theatre (Shakespeare Festival)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"548\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/life-and-death-in-the-mirror\/ludmila-patlanjoglu-150x150\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Ludmila-Patlanjoglu-150x150.jpg?fit=150%2C150&amp;ssl=1\" data-orig-size=\"150,150\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Ludmila-Patlanjoglu-150&amp;#215;150\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Ludmila-Patlanjoglu-150x150.jpg?fit=150%2C150&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Ludmila-Patlanjoglu-150x150.jpg?fit=150%2C150&amp;ssl=1\" class=\"alignnone size-medium wp-image-548\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Gyula-Castle-Theatre-Shakespeare-Festival-208x300.jpg?resize=208%2C300&#038;ssl=1\" alt=\"Gyula Castle Theatre (Shakespeare Festival)\" width=\"208\" height=\"300\" \/><\/p>\n<p>Gyula\/Hungary<br \/>\n<a href=\"http:\/\/shakespearefesztival.hu\/?lang=en\">http:\/\/shakespearefesztival.hu\/?lang=en<\/a><br \/>\nContact: +36 66 463 148, email: <a href=\"mailto:gyulaivarszinhaz@t-online.hu\">gyulaivarszinhaz@t-online.hu<\/a><br \/>\nFocus: Shakespeare performances, works of most renowned directors, international participants<\/p>\n<hr \/>\n<h4><strong>Thealter<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"549\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/life-and-death-in-the-mirror\/picture1-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture1.jpg?fit=600%2C533&amp;ssl=1\" data-orig-size=\"600,533\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Picture1\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Valeria Seciu as Ranyevskaya&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture1.jpg?fit=300%2C267&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture1.jpg?fit=600%2C533&amp;ssl=1\" class=\"alignnone size-full wp-image-549\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Thealter.gif?resize=220%2C49&#038;ssl=1\" alt=\"Thealter\" width=\"220\" height=\"49\" \/><\/p>\n<p>Szeged\/Hungary<br \/>\n<a href=\"http:\/\/www.thealter.hu\/english\/2015\/welcome\">http:\/\/www.thealter.hu\/english\/2015\/welcome<\/a><br \/>\nContact: +36 62 312 303, email: <a href=\"mailto:maszk@maszk.hu\">maszk@maszk.hu<\/a><br \/>\nFocus: independent art groups, innovative and non-mainstream theatre<\/p>\n<hr \/>\n<h4><strong>Galway Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"550\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/life-and-death-in-the-mirror\/picture2-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture2.jpg?fit=600%2C397&amp;ssl=1\" data-orig-size=\"600,397\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Picture2\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ion Besoiu (Firs) and Marian R\u00e2lea (Gayev)&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture2.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture2.jpg?fit=600%2C397&amp;ssl=1\" class=\"alignnone size-full wp-image-550\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Galway-Theatre-Festival.png?resize=254%2C198&#038;ssl=1\" alt=\"Galway Theatre Festival\" width=\"254\" height=\"198\" \/><\/p>\n<p>Galway\/Ireland<br \/>\n<a href=\"http:\/\/www.galwayartsfestival.com\">http:\/\/www.galwayartsfestival.com<\/a><br \/>\nContact: +353 91 509700<br \/>\nFocus: national and international theatre and dance companies, performing arts, music, visual arts, discussions and a wide range of experiences from world-class theatre to impromptu musical performances<\/p>\n<hr \/>\n<h4><strong>International Art Camp and Festival Tambo <\/strong><\/h4>\n<p>Pemba\/Mozambique<br \/>\n<a href=\"http:\/\/www.tambo.nl\">http:\/\/www.tambo.nl<\/a><br \/>\nContact: +258 82 66 13 400<br \/>\nFocus: local and foreign artists, workshops of dance, music, theatre, design, traditional performing arts and new performance works, cultural diversity<\/p>\n<hr \/>\n<h4><strong>Gda\u0144sk Shakespeare Festival<\/strong><\/h4>\n<p>Gda\u0144sk\/Poland<br \/>\n<a href=\"http:\/\/festiwalszekspirowski.pl\/en\/home-2\/festival\/\" target=\"_blank\" rel=\"noopener\">http:\/\/festiwalszekspirowski.pl\/en\/home-2\/festival\/<br \/>\n<\/a>Contact: +48 58 351 01 08, email: <a href=\"mailto:festiwal@teatrszekspirowski.pl\">festiwal@teatrszekspirowski.pl<\/a><br \/>\nFocus: \u201cON\u201d and \u201cOFF\u201d stage performances, monodramas, happenings and street theatre, concerts, workshops and forums<\/p>\n<hr \/>\n<h4><strong>Festival de Almada<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"551\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/life-and-death-in-the-mirror\/picture3-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture3.jpg?fit=600%2C397&amp;ssl=1\" data-orig-size=\"600,397\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Picture3\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Dan A\u015ftilean as Lopakhin&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture3.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture3.jpg?fit=600%2C397&amp;ssl=1\" class=\"alignnone size-full wp-image-551\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-de-Almada.jpg?resize=269%2C190&#038;ssl=1\" alt=\"Festival de Almada\" width=\"269\" height=\"190\" \/><\/p>\n<p>Almada\/Portugal<br \/>\n<a href=\"http:\/\/www.ctalmada.pt\">http:\/\/www.ctalmada.pt<\/a><br \/>\nContact: +351 212 739 360<br \/>\nFocus: national and international theatre groups, dance performances, street theatre, exhibitions, discussions<\/p>\n<hr \/>\n<h4><strong>National Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"552\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/life-and-death-in-the-mirror\/picture4-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture4.jpg?fit=600%2C400&amp;ssl=1\" data-orig-size=\"600,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Picture4\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Photo 4 []&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture4.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture4.jpg?fit=600%2C400&amp;ssl=1\" class=\"alignnone size-full wp-image-552\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/National-Arts-Festival.jpg?resize=289%2C174&#038;ssl=1\" alt=\"National Arts Festival\" width=\"289\" height=\"174\" \/><\/p>\n<p>Grahamstown\/South Africa<br \/>\n<a href=\"https:\/\/www.nationalartsfestival.co.za\/2015-festival\">https:\/\/www.nationalartsfestival.co.za\/2015-festival<\/a><br \/>\nContact: +27 (0) 46 603 1103, email: <a href=\"mailto:info@nationalartsfestival.co.za\">info@nationalartsfestival.co.za<\/a><br \/>\nFocus: international forum for new ideas and future trends, Main and Fringe programme, drama, dance, physical theatre, comedy, opera, music, jazz, visual art exhibitions, film, student theatre, street theatre, lectures, craft fair, workshops, tours, and a children\u2019s arts festival.<\/p>\n<hr \/>\n<h4><strong>International Classic Theatre Festival of Almagro<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"553\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/life-and-death-in-the-mirror\/picture5-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture5.jpg?fit=600%2C396&amp;ssl=1\" data-orig-size=\"600,396\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Picture5\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Valeria Seciu (Ranyevskaya) with director Alexandru Lustig&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture5.jpg?fit=300%2C198&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Picture5.jpg?fit=600%2C396&amp;ssl=1\" class=\"alignnone size-medium wp-image-553\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/International-Classic-Theatre-Festival-of-Almagro-300x177.jpg?resize=300%2C177&#038;ssl=1\" alt=\"International Classic Theatre Festival of Almagro\" width=\"300\" height=\"177\" \/><\/p>\n<p>Madrid\/Spain<br \/>\n<a href=\"http:\/\/www.festivaldealmagro.com\">http:\/\/www.festivaldealmagro.com<\/a><br \/>\nContact: +34 915 210720<br \/>\nFocus: national and international participants, classical theatre, children\u2019s theatre, street theatre, exhibitions, seminars and courses, meetings, concerts, workshops, a craft fair, gastronomic sessions, film seasons<\/p>\n<hr \/>\n<h4><strong>Festival de Teatro Romano de M\u00e9rida<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-554\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-de-Teatro-Romano-de-M%CF%83rida.jpg?resize=225%2C225&#038;ssl=1\" alt=\"Festival de Teatro Romano de M+\u03c3rida\" width=\"225\" height=\"225\" \/><\/p>\n<p>M\u00e9rida\/Spain<br \/>\n<a href=\"http:\/\/www.festivaldemerida.es\">http:\/\/www.festivaldemerida.es<\/a><br \/>\nContact: +34 924 004 930<br \/>\nFocus: the great comedies, Greek and Roman tragedies, professional theater-actors, actresses, musicians, directors, writers, illuminators, national and international figurinistas<\/p>\n<hr \/>\n<h4><strong>Ko Festival of Performance<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-555\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Ko-Festival-of-Performance-278x300.jpg?resize=278%2C300&#038;ssl=1\" alt=\"Ko Festival of Performance\" width=\"278\" height=\"300\" \/><\/p>\n<p>Amherst\/MA\/Unites States of America<br \/>\n<a href=\"http:\/\/www.kofest.com\">http:\/\/www.kofest.com<\/a><br \/>\nContact: +413 427 6147<br \/>\nFocus: original works, collaborations and experiments, new creative relationships among the diverse community of innovative local, national and international artists, workshops<\/p>\n<hr \/>\n<h4><strong>California International Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-556\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/California-International-Theatre-Festival-300x223.gif?resize=300%2C223&#038;ssl=1\" alt=\"California International Theatre Festival\" width=\"300\" height=\"223\" \/><\/p>\n<p>Calabasas\/CA\/Unites States of America<br \/>\n<a href=\"http:\/\/www.citfestival.org\">http:\/\/www.citfestival.org<\/a><br \/>\nContact: +818 783 3576<br \/>\nFocus: international presentations, cultural understanding by means of community outreach, student training, and cultural exchange through the performing arts<\/p>\n<hr \/>\n<h4><strong>International Hispanic Theatre Festival <\/strong><\/h4>\n<p>Miami\/FL\/Unites States of America<br \/>\n<a href=\"http:\/\/www.teatroavante.com\">http:\/\/www.teatroavante.com<\/a><br \/>\nContact: +305 445 8877<br \/>\nFocus: theatre companies from Latin America, Europe and the United States, preservation of Hispanic theatre and culture<\/p>\n<hr \/>\n<h4><strong>Contemporary American Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-557\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Contemporary-American-Theater-Festival-300x182.jpg?resize=300%2C182&#038;ssl=1\" alt=\"Contemporary American Theater Festival\" width=\"300\" height=\"182\" \/><\/p>\n<p>Shepherdstown\/WV\/United States of America<br \/>\n<a href=\"http:\/\/catf.org\">http:\/\/catf.org<\/a><br \/>\nContact: +304 876-3473 or +800 999-2283, email: <a href=\"mailto:info@catf.org\">info@catf.org<\/a><br \/>\nFocus: innovation, interaction between audience and work, premieres and new plays by American playwrights<\/p>\n<hr \/>\n<h4><strong>24:7 Theatre Festival<\/strong><\/h4>\n<p>Manchester\/England\/United Kingdom<br \/>\n<a href=\"http:\/\/www.247theatrefestival.co.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.247theatrefestival.co.uk\/<br \/>\n<\/a>Contact: 0845 408 4101, email: <a href=\"mailto:info@247theatrefestival.co.uk\">info@247theatrefestival.co.uk<br \/>\n<\/a>Focus: new writing, emerging artists, local, national and international participants<\/p>\n<hr \/>\n<h4><strong>ASSITEJ Korea International Summer Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"316\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/to-act-by-singing\/valentina-valentini\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Valentina-Valentini.jpg?fit=163%2C168&amp;ssl=1\" data-orig-size=\"163,168\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.6&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D700&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1211396069&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;250&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Valentina Valentini\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Valentina-Valentini.jpg?fit=163%2C168&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Valentina-Valentini.jpg?fit=163%2C168&amp;ssl=1\" class=\"alignnone size-medium wp-image-316\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/ASSITEJ-Korea-International-Summer-Festival-300x297.jpg?resize=300%2C297&#038;ssl=1\" alt=\"\" width=\"300\" height=\"297\" \/><\/p>\n<p>Seoul\/South Korea<br \/>\n<a href=\"http:\/\/assitejkorea.org\/english\/intro.php\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/assitejkorea.org\/english\/intro.php<br \/>\n<\/a>Contact: +82 2 745 5862, email: <a href=\"mailto:festival@assitejkorea.org\">festival@assitejkorea.org<br \/>\n<\/a>Focus: young audiences, national and international participants<\/p>\n<hr \/>\n<h4><strong>Baalbeck International Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-317\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Baalbeck-Festival.jpg?resize=225%2C225&#038;ssl=1\" alt=\"\" width=\"225\" height=\"225\" \/><\/p>\n<p>Beirut\/Lebanon<br \/>\n<a href=\"http:\/\/www.baalbeck.org.lb\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.baalbeck.org.lb<br \/>\n<\/a>Contact: +961 1 373150 or +961 3 041 006\/7, email: <a href=\"mailto:BAALBECK@BAALBECK.ORG.LB\">baalbeck@baalbeck.org.lb<br \/>\n<\/a>Focus:\u00a0 cross-cultural exchange, innovation, local and international artists, theatre, opera, dance and music<\/p>\n<hr \/>\n<h4><strong>Bregenz Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-318\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Bregenz-Festival-300x84.jpg?resize=300%2C84&#038;ssl=1\" alt=\"\" width=\"300\" height=\"84\" \/><\/p>\n<p>Bregenz\/Austria<br \/>\n<a href=\"http:\/\/bregenzerfestspiele.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/bregenzerfestspiele.com\/<br \/>\n<\/a>Contact: +43 5574 407 228<br \/>\nFocus: theatre, opera, workshops and exhibitions<\/p>\n<hr \/>\n<h4><strong>Everyman Summer Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"322\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/marionnette-daujourdhui-espace-changeant-corps-changeant-esprit-changeant\/laurence-pigrais_2016052920093273_marionneticdebutdesfesti\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-4-2.jpg?fit=700%2C388&amp;ssl=1\" data-orig-size=\"700,388\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;B114B&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Apr\\u00e8s son spectacle \\u00ab\\u00a0Le Temps d&#039;une Histoire\\u00a0\\u00bb, Philippe Saumont, directeur et cr\\u00e9ateur du festival Marionnet&#039;ic depuis 18 ans a d\\u00e9clar\\u00e9 lors de l&#039;inauguration\\u00a0: \\u00ab\\u00a0Je remercie au spectacle vivant d&#039;\\u00eatre vivant\\u00a0!\\u00a0\\u00bb .&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;laurence.pigrais_2016052920093273_Marionneticdebutdesfesti&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"laurence.pigrais_2016052920093273_Marionneticdebutdesfesti\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Philippe Saumont dans le spectacle Le temps d\u2019une histoire \/ The\u00e2tre \u00ab\u00a0Les Tarabates\u00a0\u00bb \/ \u00a9 B.Cousseau&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-4-2.jpg?fit=300%2C166&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-4-2.jpg?fit=700%2C388&amp;ssl=1\" class=\"alignnone size-full wp-image-322\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Everyman-Theatre.jpg?resize=200%2C174&#038;ssl=1\" alt=\"\" width=\"200\" height=\"174\" \/><\/p>\n<p>Cardiff\/Wales\/United Kingdom<br \/>\n<a href=\"http:\/\/cardiffopenairtheatrefestival.co.uk\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/cardiffopenairtheatrefestival.co.uk<br \/>\n<\/a>Contact: 0333 666 3366, email: <a href=\"mailto:festivalchairman@everymantheatre.co.uk\">festivalchairman@everymantheatre.co.uk<\/a><br \/>\nFocus: innovation, Shakespeare, musical, family shows, comedy<\/p>\n<hr \/>\n<h4><strong>Festival Internacional de Teatro<\/strong><\/h4>\n<p>Managua\/Nicaragua<br \/>\n<a href=\"http:\/\/www.rufinos.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.rufinos.org\/<br \/>\n<\/a>Contact: (+505) 22663714 or 22640103, email: <a href=\"mailto:teatro@rufinos.org\">teatro@rufinos.org<br \/>\n<\/a>Focus: contemporary performing arts, arts of Nicaragua, local and international participants<\/p>\n<hr \/>\n<h4><strong>International Arts Carnival<\/strong><\/h4>\n<p>Hong Kong\/China<br \/>\n<a href=\"http:\/\/www.hkiac.gov.hk\/2017\/en\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.hkiac.gov.hk\/2017\/en\/index.html<br \/>\n<\/a>Focus: contemporary performing arts and traditional arts, overseas and local shows, workshops, exhibition, and outreach programmes<\/p>\n<hr \/>\n<h4><strong>International Festival of Theatre \u201cButrinti 2000\u201d<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"320\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/marionnette-daujourdhui-espace-changeant-corps-changeant-esprit-changeant\/photo-2-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-2-2.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 2\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;La philosophie dans le boudoir \/ Cie \u00ab\u00a0Pigmali\u00e3o Escultura Que mexe\u00a0\u00bb&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-2-2.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-2-2.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-full wp-image-320\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Butrinti-2000.jpg?resize=260%2C260&#038;ssl=1\" alt=\"\" width=\"260\" height=\"260\" \/><\/p>\n<p>Saranda\/Albania<br \/>\n<a href=\"http:\/\/www.butrinti2000.com\">http:\/\/www.butrinti2000.com<br \/>\n<\/a>Focus: classical and modern theatre, European cultures, Albanian arts<\/p>\n<hr \/>\n<h4><strong>La Strada<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"324\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/marionnette-daujourdhui-espace-changeant-corps-changeant-esprit-changeant\/photo-6-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-6-1.jpg?fit=400%2C533&amp;ssl=1\" data-orig-size=\"400,533\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;DMC-FZ50&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1382275693&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;10.8&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.04&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 6\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Fr\u00e9d\u00e9ric F\u00e9liciano dans le spectacle Les Pov\u2019Gants\/ \u00a9 P. Gosselin&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-6-1.jpg?fit=225%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-6-1.jpg?fit=400%2C533&amp;ssl=1\" class=\"alignnone size-full wp-image-324\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/La-Strada.jpg?resize=220%2C150&#038;ssl=1\" alt=\"\" width=\"220\" height=\"150\" \/><\/p>\n<p>Graz\/Autria<br \/>\n<a href=\"http:\/\/www.lastrada.at\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.lastrada.at\/en\/<br \/>\n<\/a>Contact: +43 316 69 55 80, email: <a href=\"mailto:info@lastrada.at\">info@lastrada.at<br \/>\n<\/a>Focus: theatre and street theatre, European cultures, multiculturality and transculturality, renowned international artists, innovation<\/p>\n<hr \/>\n<h4><strong>Mittelfest<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-326\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Mittelfest.png?resize=200%2C141&#038;ssl=1\" alt=\"\" width=\"200\" height=\"141\" \/><\/p>\n<p>Cividale del Friuli\/Italy<br \/>\n<a href=\"https:\/\/mittelfest.org\/2016-terra\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/mittelfest.org\/2016-terra\/<br \/>\n<\/a>Contact:+39 3286785049, email: (Sain Paola) <a href=\"mailto:sain.paola@gmail.com\">sain.paola@gmail.com<br \/>\n<\/a>Focus: performing arts, renowned artists, the enhancement and preservation of natural environments<\/p>\n<hr \/>\n<h4><strong>Peer Gynt Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-329\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Peer-Gynt-Festival-300x221.jpg?resize=300%2C221&#038;ssl=1\" alt=\"\" width=\"300\" height=\"221\" \/><\/p>\n<p>Vinstra\/Norway<br \/>\n<a href=\"http:\/\/www.peergynt.no\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.peergynt.no\/<br \/>\n<\/a>Contact: +47 61 29 47 70, email: <a href=\"mailto:post@peergynt.no\">post@peergynt.no<br \/>\n<\/a>Focus: Norwegian drama, music and nature<\/p>\n<hr \/>\n<h4><strong>Samosa Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-330\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Samosa-Festival-300x129.jpg?resize=300%2C129&#038;ssl=1\" alt=\"\" width=\"300\" height=\"129\" \/><\/p>\n<p>Nairobi\/Kenya<br \/>\n<a href=\"http:\/\/samosafestival.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/samosafestival.com\/<br \/>\n<\/a>Contact:<br \/>\nFocus: performing and visual arts, Asian\/African cultural fusion, cultural awareness and interaction<\/p>\n<hr \/>\n<h4><strong>Winnipeg Fringe Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"336\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/issue6\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue6.jpg?fit=290%2C217&amp;ssl=1\" data-orig-size=\"290,217\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Issue6\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Issue No 6&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue6.jpg?fit=290%2C217&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue6.jpg?fit=290%2C217&amp;ssl=1\" class=\"alignnone size-medium wp-image-336\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Winnipeg-Fringe-Theatre-Festival-300x159.jpg?resize=300%2C159&#038;ssl=1\" alt=\"\" width=\"300\" height=\"159\" \/><\/p>\n<p>Winnipeg\/Canada<br \/>\n<a href=\"http:\/\/www.winnipegfringe.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.winnipegfringe.com\/<br \/>\n<\/a>Contact: 204 943 7464, email: <a href=\"mailto:info@winnipegfringe.com\">info@winnipegfringe.com<br \/>\n<\/a>Focus: performing arts, experimental work, emerging artists<\/p>\n<hr \/>\n<h4><strong>Zadar Snova International Festival of Contemporary Theatre<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"337\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/issue7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue7.jpg?fit=290%2C217&amp;ssl=1\" data-orig-size=\"290,217\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Issue7\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Issue No 7&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue7.jpg?fit=290%2C217&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue7.jpg?fit=290%2C217&amp;ssl=1\" class=\"alignnone size-full wp-image-337\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/ZADAR_SNOVA.jpg?resize=270%2C225&#038;ssl=1\" alt=\"\" width=\"270\" height=\"225\" \/><\/p>\n<p>Zadar\/Croatia<br \/>\n<a href=\"http:\/\/www.zadarsnova.hr\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.zadarsnova.hr\/<br \/>\n<\/a>Contact: +385 (0)23 250 708, email: <a href=\"mailto:info@zadarsnova.hr\">info@zadarsnova.hr<br \/>\n<\/a>Focus: contemporary theatre, dance and music productions, art performances, fusions of arts and media, international and local independent artists<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>August<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>Next Festival<\/strong><\/h4>\n<p>Gothenburg and other cities\/Sweden<br \/>\n<a href=\"http:\/\/gdtf.se\/en\/\">http:\/\/gdtf.se\/en<\/a><br \/>\nContact: email: <a href=\"mailto:info@gdtf.se\">info@gdtf.se<\/a><br \/>\nFocus: new Nordic performing arts<\/p>\n<hr \/>\n<h4><strong>Edmonton International Fringe Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"558\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-1-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-1.jpg?fit=400%2C533&amp;ssl=1\" data-orig-size=\"400,533\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;E7600&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1186845363&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;7.8&quot;,&quot;iso&quot;:&quot;50&quot;,&quot;shutter_speed&quot;:&quot;0.0030487804878049&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Photo 1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-1.jpg?fit=225%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-1.jpg?fit=400%2C533&amp;ssl=1\" class=\"alignnone size-full wp-image-558\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Edmonton-International-Fringe-Theatre-Festival.jpg?resize=200%2C240&#038;ssl=1\" alt=\"Edmonton International Fringe Theatre Festival\" width=\"200\" height=\"240\" \/><\/p>\n<p>Edmonton\/Canada<br \/>\n<a href=\"https:\/\/www.fringetheatre.ca\">https:\/\/www.fringetheatre.ca<\/a><br \/>\nContact: 780 448 9000<br \/>\nFocus: local, national, and international performers, emphasis mainly (but not exclusively) on theatre<\/p>\n<hr \/>\n<h4><strong>BuskerFest<\/strong><\/h4>\n<p>Toronto\/Canada<br \/>\n<a href=\"http:\/\/torontobuskerfest.com\">http:\/\/torontobuskerfest.com<\/a><br \/>\nContact: email: <a href=\"mailto:info@torontobuskerfest.com\">info@torontobuskerfest.com<\/a><br \/>\nFocus: street performance work, fundraiser for Epilepsy Toronto<\/p>\n<hr \/>\n<h4><strong>International Puppet Theatre Festival (PIF)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"559\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-2-6\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2.jpg?fit=400%2C300&amp;ssl=1\" data-orig-size=\"400,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 2\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Aural choreography, University of Roehampton, London 2016. Photo by Joe Kelleher&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2.jpg?fit=400%2C300&amp;ssl=1\" class=\"alignnone size-full wp-image-559\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/International-Puppet-Theatre-Festival-PIF.jpg?resize=200%2C130&#038;ssl=1\" alt=\"International Puppet Theatre Festival (PIF)\" width=\"200\" height=\"130\" \/><\/p>\n<p>Zagreb\/Croatia<br \/>\n<a href=\"http:\/\/public.carnet.hr\/pif-festival\">http:\/\/public.carnet.hr\/pif-festival<\/a><br \/>\nContact: +385 1 66 01 626<br \/>\nFocus: national and international performers, adult and children plays, seminars, puppet exhibitions, and puppet shows<\/p>\n<hr \/>\n<h4><strong>Helsinki Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"560\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-3-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3.jpg?fit=400%2C362&amp;ssl=1\" data-orig-size=\"400,362\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 3\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Testing asymmetric hearing, part of Process 4-Intuition Group research. Middlesex University, Trent Park, London 2007. Photo by Carla Vendramin&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3.jpg?fit=300%2C272&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3.jpg?fit=400%2C362&amp;ssl=1\" class=\"alignnone size-medium wp-image-560\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Helsinki-Festival-300x300.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Helsinki Festival\" width=\"300\" height=\"300\" \/><\/p>\n<p>Helsinki\/Finland<br \/>\n<a href=\"http:\/\/www.helsinginjuhlaviikot.fi\">http:\/\/www.helsinginjuhlaviikot.fi<\/a><br \/>\nContact: +358 9 61 26 5100<br \/>\nFocus: multi-arts festival, theater, music, dance, art exhibitions, circus, movies, children&#8217;s programs<\/p>\n<hr \/>\n<h4><strong>Tampere Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"561\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-4-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4.jpg?fit=400%2C283&amp;ssl=1\" data-orig-size=\"400,283\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 4\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Performance research in Ugento, 2007. Part of Klohi, performance research in archaeological and other sites, Salento region, Italy (2005-ongoing). Photo by Fausta Muci&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4.jpg?fit=300%2C212&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4.jpg?fit=400%2C283&amp;ssl=1\" class=\"alignnone size-medium wp-image-561\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Tampere-Theatre-Festival-300x114.jpg?resize=300%2C114&#038;ssl=1\" alt=\"Tampere Theatre Festival\" width=\"300\" height=\"114\" \/><\/p>\n<p>Tampere\/Finland<br \/>\n<a href=\"http:\/\/www.teatterikesa.fi\">http:\/\/www.teatterikesa.fi<\/a><br \/>\nContact: +358 3 222 8536<br \/>\nFocus: national and international, professional and amateur theatres, dance theatre, street performances, club and restaurant shows, workshops, seminars, exhibitions and meetings<\/p>\n<hr \/>\n<h4><strong>Reims Sc\u00e8nes d&#8217;Europe<\/strong><\/h4>\n<p>Reims\/France<br \/>\n<a href=\"http:\/\/www.scenesdeurope.eu\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.scenesdeurope.eu\/<\/a><br \/>\nContact: 03 26 48 49 10, email: <a href=\"mailto:a.goalard@gmail.com\">a.goalard@gmail.com<\/a>, <a href=\"mailto:s.walbaum@lacomediedereims.fr\">s.walbaum@lacomediedereims.fr<\/a><br \/>\nFocus:performing arts, international participants, younger audiences<\/p>\n<hr \/>\n<h4><strong>L\u00d3KAL &#8211; International Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"562\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-5-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-5.jpg?fit=500%2C499&amp;ssl=1\" data-orig-size=\"500,499\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 5\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u201cFramed Field,\u201d sketch for installation How to Explain a Field to a Dead Magpie (?).2012. Photo by Fabrizio Manco&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-5.jpg?fit=300%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-5.jpg?fit=500%2C499&amp;ssl=1\" class=\"alignnone size-medium wp-image-562\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/L%C3%93KAL-%E2%80%93-International-Theatre-Festival-300x103.jpg?resize=300%2C103&#038;ssl=1\" alt=\"L\u00d3KAL \u2013 International Theatre Festival\" width=\"300\" height=\"103\" \/><\/p>\n<p>Reykjav\u00edk\/Iceland<br \/>\n<a href=\"http:\/\/lokal.is\">http:\/\/lokal.is<\/a><br \/>\nContact: +354 895 6871, email: <a href=\"mailto:lokal@lokal.is\">lokal@lokal.is<\/a><br \/>\nFocus: cutting-edge drama, local performance practitioners and artists\/presenters from abroad, storytelling and the use of both out-of-date and state-of-the-art technology<\/p>\n<hr \/>\n<h4><strong>Kilkenny Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"563\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-6-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-6.jpg?fit=500%2C163&amp;ssl=1\" data-orig-size=\"500,163\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 6\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Farmers in a field just outside Melissano, Italy and nets under olive trees. Photo by Fabrizio Manco&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-6.jpg?fit=300%2C98&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-6.jpg?fit=500%2C163&amp;ssl=1\" class=\"alignnone size-medium wp-image-563\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Kilkenny-Arts-Festival-300x166.jpg?resize=300%2C166&#038;ssl=1\" alt=\"Kilkenny Arts Festival\" width=\"300\" height=\"166\" \/><\/p>\n<p>Kilkenny\/Ireland<br \/>\n<a href=\"http:\/\/www.kilkennyarts.ie\">http:\/\/www.kilkennyarts.ie<\/a><br \/>\nContact: +353 56 775 2175<br \/>\nFocus: new works from Ireland and abroad, theatre and dance, (classical) music, street art, literature, visual arts and craft<\/p>\n<hr \/>\n<h4><strong>Seoul Fringe Festival<\/strong><\/h4>\n<p>Seoul\/South Korea<br \/>\n<a href=\"http:\/\/www.seoulfringe.net\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.seoulfringe.net<\/a><br \/>\nContact: +82 2 325 8150<br \/>\nFocus: national and international participants, traditional and contemporary performing arts, alternative art and culture, ecology and eco-friendliness<\/p>\n<hr \/>\n<h4><strong>Edinburgh International Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"564\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-7-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-7-1.jpg?fit=500%2C330&amp;ssl=1\" data-orig-size=\"500,330\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 7\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Earlines performance, University of Roehampton, 2010, and workshop for London Metropolitan University students, 2012. Photo by Stella Schito and Helen Spackman&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-7-1.jpg?fit=300%2C198&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-7-1.jpg?fit=500%2C330&amp;ssl=1\" class=\"alignnone size-medium wp-image-564\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Edinburgh-International-Festival-300x119.jpg?resize=300%2C119&#038;ssl=1\" alt=\"Edinburgh International Festival\" width=\"300\" height=\"119\" \/><\/p>\n<p>Edinburgh\/Scotland\/United Kingdom<br \/>\n<a href=\"http:\/\/www.eif.co.uk\">http:\/\/www.eif.co.uk<\/a><br \/>\nContact: +44 131 473 2000<br \/>\nFocus: national and international performers of music (especially classical music), theatre, opera and dance, visual art exhibitions, talks and workshops<\/p>\n<hr \/>\n<h4><strong>The Edinburgh Festival Fringe<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"565\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-8-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-8.jpg?fit=500%2C175&amp;ssl=1\" data-orig-size=\"500,175\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 8\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Earlines performance, part three (stitching sound), University of Roehampton, London 2010. Photo by Justin Hunt&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-8.jpg?fit=300%2C105&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-8.jpg?fit=500%2C175&amp;ssl=1\" class=\"alignnone size-medium wp-image-565\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/The-Edinburgh-Festival-Fringe-300x178.jpg?resize=300%2C178&#038;ssl=1\" alt=\"The Edinburgh Festival Fringe\" width=\"300\" height=\"178\" \/><\/p>\n<p>Edinburgh\/Scotland\/United Kingdom<br \/>\n<a href=\"http:\/\/www.edfringe.com\">http:\/\/www.edfringe.com<\/a><br \/>\nContact: +44 131 226 00 26<br \/>\nFocus: un-juried performing arts event, cabaret, children\u2019s shows, comedy, dance, physical theatre and circus, events, exhibitions, music, musicals and opera, domestic and foreign, experimental and less-experimental works<\/p>\n<hr \/>\n<h4><strong>Boulder International Fringe Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"567\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-10-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-10.jpg?fit=500%2C342&amp;ssl=1\" data-orig-size=\"500,342\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 10\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Performance Dark Matter, Live Art Development Agency, London 2010. Photo by Hugo Glendinning&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-10.jpg?fit=300%2C205&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-10.jpg?fit=500%2C342&amp;ssl=1\" class=\"alignnone size-full wp-image-567\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Boulder-International-Fringe-Festival.gif?resize=254%2C151&#038;ssl=1\" alt=\"Boulder International Fringe Festival\" width=\"254\" height=\"151\" \/><\/p>\n<p>Boulder\/ CO\/Unites States of America<br \/>\n<a href=\"http:\/\/www.boulderfringe.org\">http:\/\/www.boulderfringe.org<\/a><br \/>\nContact: +720 563 9950<br \/>\nFocus: un-juried arts event featuring local and international artists, live theatre, dance, music, media art, cinema, circus art, visual art, spoken word, puppetry, workshops, special events and parties, community engagement<\/p>\n<hr \/>\n<h4><strong>Icicle Creek Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"568\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/aural-choreography-as-composed-performance\/photo-11\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-11.jpg?fit=500%2C351&amp;ssl=1\" data-orig-size=\"500,351\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 11\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;An earlines drawing while walking (initially performed in 1997 at the Helsinki Academy of Fine Art, Finland). London 2010. Photo by Hannes Gu\u00f0mundsson&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-11.jpg?fit=300%2C211&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-11.jpg?fit=500%2C351&amp;ssl=1\" class=\"alignnone size-full wp-image-568\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Icicle-Creek-Theatre-Festival.jpg?resize=199%2C199&#038;ssl=1\" alt=\"Icicle Creek Theatre Festival\" width=\"199\" height=\"199\" \/><\/p>\n<p>Leavenworth and Seattle\/WA\/Unites States of America<br \/>\n<a href=\"http:\/\/www.iciclecreekact.com\">http:\/\/www.iciclecreekact.com<\/a><br \/>\nContact: +877 576 6010<br \/>\nFocus: development of new plays by emerging playwrights in collaboration with professional actors and directors, presentation of new plays<\/p>\n<hr \/>\n<h4><strong>The New York International Fringe Festival (FringeNYC)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-569\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/The-New-York-International-Fringe-Festival-FringeNYC-300x88.jpg?resize=300%2C88&#038;ssl=1\" alt=\"The New York International Fringe Festival (FringeNYC)\" width=\"300\" height=\"88\" \/><\/p>\n<p>New York City\/NY\/Unites States of America<br \/>\n<a href=\"http:\/\/www.fringenyc.org\">http:\/\/www.fringenyc.org<\/a><br \/>\nContact: +212 279 4488, email: <a href=\"mailto:webmaster@fringenyc.org\">webmaster@fringenyc.org<\/a><br \/>\nFocus: multi-arts festival, national and international theatre companies, educational, free outdoor<\/p>\n<hr \/>\n<h4><strong>Festival Internacional de Londrina<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-528\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-Internacional-de-Londrina-300x131.jpg?resize=300%2C131&#038;ssl=1\" alt=\"Festival Internacional de Londrina\" width=\"300\" height=\"131\" \/><\/p>\n<p>Londrina\/Brazil<br \/>\n<a href=\"http:\/\/www.filo.art.br\">http:\/\/www.filo.art.br<\/a><br \/>\nContact: +55 43 3322 1787<br \/>\nFocus: national and international theatre companies, discussions, workshops, dance performances and concerts, large theater shows<\/p>\n<hr \/>\n<h4><strong>\u201cAct First\u201d Youth Creative Arts Festival<\/strong><\/h4>\n<p>Shanghai\/China<br \/>\n<a href=\"http:\/\/www.china-drama.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.china-drama.com\/<br \/>\n<\/a>Contact: 6473 0123, 64734567<br \/>\nFocus: performing and visual arts, emerging artists, experimental and innovative work<\/p>\n<hr \/>\n<h4><strong>Darwin Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"321\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/marionnette-daujourdhui-espace-changeant-corps-changeant-esprit-changeant\/photo-3-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-3-1.jpg?fit=400%2C565&amp;ssl=1\" data-orig-size=\"400,565\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Photo 3\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pink Lady, quelques minutes\u00a0avant de finir en compote&amp;#8230; \u00bb \/ Pauline Delerue&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-3-1.jpg?fit=212%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Photo-3-1.jpg?fit=400%2C565&amp;ssl=1\" class=\"alignnone size-full wp-image-321\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Darwin-Festival.png?resize=283%2C178&#038;ssl=1\" alt=\"\" width=\"283\" height=\"178\" \/><\/p>\n<p>Darwin\/Australia<br \/>\n<a href=\"http:\/\/www.darwinfestival.org.au\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.darwinfestival.org.au<br \/>\n<\/a>Contact: +61 (8) 8943 4200, email: <a href=\"mailto:contact@darwinfestival.org.au\">contact@darwinfestival.org.au<br \/>\n<\/a>Focus: performing and visual arts, various venues, urban atmosphere<\/p>\n<hr \/>\n<h4><strong>Het Theaterfestival<\/strong><\/h4>\n<p>Brussels\/Belgium<br \/>\n<a href=\"https:\/\/www.theaterfestival.be\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.theaterfestival.be\/<br \/>\n<\/a>Contact: +32 474 57 17 18, email: <a href=\"mailto:info@theaterfestival.be\">info@theaterfestival.be<br \/>\n<\/a>Focus: theatre, awards, artistic and social relevance, renowned and young theatre makers<\/p>\n<hr \/>\n<h4><strong>Latitude Festival<\/strong><\/h4>\n<p>England\/United Kingdom<br \/>\n<a href=\"http:\/\/www.latitudefestival.com\/stage\/theatre\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.latitudefestival.com\/stage\/theatre<br \/>\n<\/a>Contact: 020 7009 3001, email: <a href=\"mailto:info@latitudefestival.co.uk\">info@latitudefestival.co.uk<\/a><br \/>\nFocus: performing arts, innovation, national and international participants<\/p>\n<hr \/>\n<h4><strong>Mwezi Wawala International Arts and Theatre Festival<\/strong><\/h4>\n<p>Nanzikambe\/Malawi<br \/>\n<a href=\"http:\/\/www.nanzikambearts.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.nanzikambearts.org\/<br \/>\n<\/a>Contact: +265 (0) 999 951 273 or +265 (0) 111 611 410, email: <a href=\"mailto:chrisnditani@nanzikambemw.org\">chrisnditani@nanzikambemw.org<br \/>\n<\/a>Focus: theatre, film and radio drama, social action<\/p>\n<hr \/>\n<h4><strong>Noorderzon Performing Arts\u00a0 Festival Groningen<\/strong><\/h4>\n<p>Groningen\/Netherlands<br \/>\n<a href=\"https:\/\/www.noorderzon.nl\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.noorderzon.nl\/<br \/>\n<\/a>Contact: +31 (0)50 314 02 78, email: <a href=\"mailto:info@noorderzon.nl\">info@noorderzon.nl<br \/>\n<\/a>Focus: cutting-edge performing arts work, visual arts, literature, social encounters<\/p>\n<hr \/>\n<h4><strong>Shakespeare at Hamlet\u2019s Castle<\/strong><\/h4>\n<p>Helsing\u00f8r\/ Denmark<br \/>\n<a href=\"http:\/\/hamletscenen.dk\/en\/homepage\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/hamletscenen.dk\/en\/homepage\/<br \/>\n<\/a>Contact: (+45) 4921 6979, email: <a href=\"mailto:info@hamletscenen.dk\">info@hamletscenen.dk<br \/>\n<\/a>Focus: open air theatre, puppetry, Shakespeare, Hamlet Interactive<\/p>\n<hr \/>\n<h4><strong>Stockholm Fringe Fest<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"332\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/issue2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue2.jpg?fit=290%2C217&amp;ssl=1\" data-orig-size=\"290,217\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Issue2\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Issue No 2&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue2.jpg?fit=290%2C217&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue2.jpg?fit=290%2C217&amp;ssl=1\" class=\"alignnone size-medium wp-image-332\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/Stockholm-Fringe-Fest-300x79.jpg?resize=300%2C79&#038;ssl=1\" alt=\"\" width=\"300\" height=\"79\" \/><\/p>\n<p>Stockholm\/Sweden<br \/>\n<a href=\"http:\/\/www.stockholmfringe.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.stockholmfringe.com\/<br \/>\n<\/a>Contact: email: <a href=\"mailto:info@stockholmfringe.com\">info@stockholmfringe.com<br \/>\n<\/a>Focus: performing and visual arts, festival networking<\/p>\n<hr \/>\n<h4><strong>SummerWorks Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"333\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/issue3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue3.jpg?fit=290%2C217&amp;ssl=1\" data-orig-size=\"290,217\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1236522939&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Issue3\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Issue No 3&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue3.jpg?fit=290%2C217&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/10\/Issue3.jpg?fit=290%2C217&amp;ssl=1\" class=\"alignnone size-full wp-image-333\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/SummerWorks-Festival.png?resize=290%2C296&#038;ssl=1\" alt=\"\" width=\"290\" height=\"296\" \/><\/p>\n<p>Toronto\/Canada<br \/>\n<a href=\"http:\/\/summerworks.ca\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/summerworks.ca\/<br \/>\n<\/a>Contact: 416 628 8216, email: (Laura Nanni) <a href=\"mailto:laura@summerworks.ca\">laura@summerworks.ca<\/a>, (Peter Eaton) <a href=\"mailto:peter@summerworks.ca\">peter@summerworks.ca<\/a><br \/>\nFocus: theatre and performance art, national and international artists, emerging and established artists<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>September<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>Festival Internacional De Buenos Aires (Fiba) (Bieenial)<\/strong><\/h4>\n<p>Buenos Aires\/Argentina<br \/>\n<a href=\"http:\/\/festivales.buenosaires.gob.ar\/fiba\">http:\/\/festivales.buenosaires.gob.ar\/fiba<\/a><br \/>\nContact: 00 54 11 43934673<br \/>\nFocus: performing arts, music, and visual arts, shows, activities, and meetings, national and international works<\/p>\n<hr \/>\n<h4><strong>Brisbane Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-570\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Brisbane-Festival.png?resize=200%2C168&#038;ssl=1\" alt=\"Brisbane Festival\" width=\"200\" height=\"168\" \/><\/p>\n<p>South Brisbane\/Australia<br \/>\n<a href=\"http:\/\/www.brisbanefestival.com.au\">http:\/\/www.brisbanefestival.com.au<\/a><br \/>\nContact: +61 7 3833 5400<br \/>\nFocus: classical and contemporary music, theatre, dance, comedy, opera, circus, local, national and international acts, strong community involvement<\/p>\n<hr \/>\n<h4><strong>Festival Internacional de Teatro de Bonecos<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-571\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-Internacional-de-Bonecos-de-Brasilia-300x300.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Festival Internacional de Bonecos de Brasilia\" width=\"300\" height=\"300\" \/><\/p>\n<p>Belo Horizonte\/Brazil<br \/>\n<a href=\"http:\/\/www.festivaldebonecos.com.br\">http:\/\/www.festivaldebonecos.com.br<\/a><br \/>\nContact: +55 31 3411 2103<br \/>\nFocus: national and international companies, puppet theatre, global trends of animation theatre, children\u2019s audiences, young and adult<\/p>\n<hr \/>\n<h4><strong>Vancouver Fringe Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-572\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Vancouver-Fringe-Festival-300x225.jpg?resize=300%2C225&#038;ssl=1\" alt=\"Vancouver Fringe Festival\" width=\"300\" height=\"225\" \/><\/p>\n<p>Vancouver\/Canada<br \/>\n<a href=\"http:\/\/www.vancouverfringe.com\">http:\/\/www.vancouverfringe.com<\/a><br \/>\nContact: +604 257 0350<br \/>\nFocus: alternative theatre festival, &#8220;bring your own venue&#8221; philosophy<\/p>\n<hr \/>\n<h4><strong>Festival Mindelact<\/strong><\/h4>\n<p>Ilha de S. Vicente\/Cape Verde<br \/>\n<a href=\"http:\/\/mindelact.org\/?page_id=225\">http:\/\/mindelact.org\/?page_id=225<\/a><br \/>\nContact: +238 232 41 11<br \/>\nFocus: national and international participants, theater, music concerts, design exhibitions, and visual arts, <em>Theatreland<\/em> \u201cFestival off\u201d alternative aiming at children<\/p>\n<hr \/>\n<h4><strong>Mezinarodni Festival Divadlo Theatre<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"573\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/sound-in-motion-bill-t-jones-repurposes-john-cage\/photo-1-6\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-2.jpg?fit=703%2C713&amp;ssl=1\" data-orig-size=\"703,713\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1495896033&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-2.jpg?fit=296%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-2.jpg?fit=703%2C713&amp;ssl=1\" class=\"alignnone size-medium wp-image-573\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Mezinarodni-Festival-Divadlo-Theatre-230x300.jpg?resize=230%2C300&#038;ssl=1\" alt=\"Mezinarodni Festival Divadlo Theatre\" width=\"230\" height=\"300\" \/><\/p>\n<p>Pilsen\/Czech Republic<br \/>\n<a href=\"http:\/\/www.festivaltheatre.cz\">http:\/\/www.festivaltheatre.cz<\/a> <a href=\"http:\/\/www.festivaldivadlo.cz\">http:\/\/www.festivaldivadlo.cz<\/a><br \/>\nContact: +420 377 227 548, email: <a href=\"mailto:festival@divadlo.cz\">festival@divadlo.cz<\/a><br \/>\nFocus: national and international (especially European) productions of drama, music, dance, puppet and street theatre, modern trends of European and world theatre, international collaboration<\/p>\n<hr \/>\n<h4><strong>Cairo International Festival for Experimental Theatre (CIFET)<\/strong><\/h4>\n<p>Cairo\/Egypt<br \/>\n<a href=\"http:\/\/www.cdf-eg.org\">http:\/\/www.cdf-eg.org<\/a><br \/>\nContact: +20 2 7364532<br \/>\nFocus: Arab and non-Arab experimental theatre<\/p>\n<hr \/>\n<h4><strong>Festival Mondial des Th\u00e9\u00e2tres de Marionnettes<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"574\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/sound-in-motion-bill-t-jones-repurposes-john-cage\/photo-2-7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2-1.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D Mark IV&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1327008921&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;80&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 2\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Bill T. Jones\/Arnie Zane Dance Company perform Story\/Time with Bill T. Jones, seated. Photo by Paul B. Goode&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2-1.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2-1.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-full wp-image-574\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-Mondial-des-Th%CF%83%CE%BBtres-de-Marionnettes.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Festival Mondial des Th+\u03c3+\u03bbtres de Marionnettes\" width=\"300\" height=\"300\" \/><\/p>\n<p>Charleville-M\u00e9zi\u00e8res\/France<br \/>\n<a href=\"http:\/\/www.festival-marionnette.com\">http:\/\/www.festival-marionnette.com<\/a><br \/>\nContact: (+33) (0)3 24 59 94 94, email: <a href=\"mailto:festival@marionnette.com\">festival@marionnette.com<\/a><br \/>\nFocus: puppet theatre, creation and research, indoor and outdoor events<\/p>\n<hr \/>\n<h4><strong>Festival International des Francophonies en Limousin<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"575\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/sound-in-motion-bill-t-jones-repurposes-john-cage\/photo-3-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3-1.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D Mark IV&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1327082004&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;90&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 3\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Bill T. Jones and I-Ling Liu perform Story\/Time. Photo by Paul B. Goode&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3-1.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3-1.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-full wp-image-575\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-International-des-Francophonies-en-Limousin.jpg?resize=158%2C130&#038;ssl=1\" alt=\"Festival International des Francophonies en Limousin\" width=\"158\" height=\"130\" \/><\/p>\n<p>Limousine (Limoges \u2013 Haute-Vienne)\/France<br \/>\n<a href=\"http:\/\/www.lesfrancophonies.fr\">http:\/\/www.lesfrancophonies.fr<\/a><br \/>\nContact: +33 (0)5 55 10 90 10, email: <a href=\"mailto:accueil@lesfrancophonies.com\">accueil@lesfrancophonies.com<\/a><br \/>\nFocus: contemporary theatre, music, dance, meetings with authors, interdisciplinarity<\/p>\n<hr \/>\n<h4><strong>Festival d\u2019Automne<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"576\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/sound-in-motion-bill-t-jones-repurposes-john-cage\/photo-4-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4-1.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D Mark IV&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1327009155&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;125&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 4\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jennifer Nugent (foreground), Erick Mont\u00e9s Chavero, and Bill T. Jones perform Story\/Time. Photog by Paul B. Goode&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4-1.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4-1.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-medium wp-image-576\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-d%E2%80%99Automne-300x158.jpg?resize=300%2C158&#038;ssl=1\" alt=\"Festival d\u2019Automne\" width=\"300\" height=\"158\" \/><\/p>\n<p>Paris\/ France<br \/>\n<a href=\"http:\/\/www.festival-automne.com\">http:\/\/www.festival-automne.com<\/a><br \/>\nContact: 01 53 45 17 00<br \/>\nFocus: visual arts, theatre, dance, music, cinema, theatre artists\u2019 special portraits<\/p>\n<hr \/>\n<p><strong>Festival Musica \u2013 Th\u00e9\u00e2tre de Hautepierre<\/strong><\/p>\n<p>Strasbourg\/France<br \/>\n<a href=\"http:\/\/www.festivalmusica.org\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.festivalmusica.org\/<\/a><br \/>\nContact: email: <a href=\"mailto:contact@festivalmusica.org\">contact@festivalmusica.org<\/a><br \/>\nFocus: music projects, experimentation, international participants, emerging and renowned artists, workshops<\/p>\n<hr \/>\n<h4><strong>Tbilisi International Festival of Theatre<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"577\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/sound-in-motion-bill-t-jones-repurposes-john-cage\/slide8\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Slide8.jpg?fit=1400%2C480&amp;ssl=1\" data-orig-size=\"1400,480\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1D Mark IV&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1327009155&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;125&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Slide8\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Slide8.jpg?fit=300%2C103&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Slide8.jpg?fit=750%2C257&amp;ssl=1\" class=\"alignnone size-medium wp-image-577\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Tbilisi-International-Festival-of-Theatre-300x150.jpg?resize=300%2C150&#038;ssl=1\" alt=\"\" width=\"300\" height=\"150\" \/><\/p>\n<p>Tbilisi\/Georgia<br \/>\n<a href=\"http:\/\/www.tbilisiinternational.com\/en\">http:\/\/www.tbilisiinternational.com\/en<\/a><br \/>\nContact: +995 32 295 35 82<br \/>\nFocus: international cultural events, global dramatic and performing arts, cultural cooperation and exchanges<\/p>\n<hr \/>\n<h4><strong>Dimitria Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-578\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Dimitria-Festival.gif?resize=80%2C27&#038;ssl=1\" alt=\"Dimitria Festival\" width=\"80\" height=\"27\" \/><\/p>\n<p>Thessaloniki\/Greece<br \/>\n<a href=\"http:\/\/dimitria.thessaloniki.gr\/mainpage\">http:\/\/dimitria.thessaloniki.gr\/mainpage<\/a><br \/>\nContact: +30 2313 318224<br \/>\nFocus: international and Greek participants, innovative artistic proposals, various artistic genres, music, drama and performance, dance, visual arts, masterclasses and workshops, cinema, pluralism<\/p>\n<hr \/>\n<h4><strong>International Street Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-579\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/International-Street-Theatre-Festival-1.jpg?resize=280%2C210&#038;ssl=1\" alt=\"International Street Theatre Festival\" width=\"280\" height=\"210\" \/><\/p>\n<p>Athens\/Greece<br \/>\n<a href=\"http:\/\/www.istfest.gr\/en\">http:\/\/www.istfest.gr\/en<\/a><br \/>\nContact: +30 210 98 55 699, email: <a href=\"mailto:info@istfest.gr\">info@istfest.gr<\/a><br \/>\nFocus: street theatre artists from around the world<\/p>\n<hr \/>\n<h4><strong>Tehran International Puppet Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-580\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Tehran-International-Puppet-Theatre-Festival-300x98.jpg?resize=300%2C98&#038;ssl=1\" alt=\"Tehran International Puppet Theatre Festival\" width=\"300\" height=\"98\" \/><\/p>\n<p>Tehran\/Iran<br \/>\n<a href=\"http:\/\/www.tehranmobarak.com\/en\">http:\/\/www.tehranmobarak.com\/en<\/a><br \/>\nContact: +98(21)66406465, email: <a href=\"mailto:info@tehranmobarak.com\">info@tehranmobarak.com<\/a><br \/>\nFocus: local and international puppet theatre artists, performers, and researchers, amateurs and professionals<\/p>\n<hr \/>\n<h4><strong>Dublin Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-581\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Dublin-Theatre-Festival-300x300.jpg?resize=300%2C300&#038;ssl=1\" alt=\"Dublin Theatre Festival\" width=\"300\" height=\"300\" \/><\/p>\n<p>Dublin\/Ireland<br \/>\n<a href=\"https:\/\/www.dublintheatrefestival.com\">https:\/\/www.dublintheatrefestival.com<\/a><br \/>\nContact: + 353 (0) 1 677 8899 or + 353 (0) 1 677 8439, email: <a href=\"mailto:info@dublintheatrefestival.com\">info@dublintheatrefestival.com<\/a><br \/>\nFocus: international and Irish theatre, Irish writing on the world stage, foreign artists<\/p>\n<hr \/>\n<h4><strong>Roma\/Europa Festival <\/strong><\/h4>\n<p>Rome\/Italy<br \/>\n<a href=\"http:\/\/romaeuropa.net\/festival\">http:\/\/romaeuropa.net\/festival<\/a><br \/>\nContact: +39 06 45553000, email: <a href=\"mailto:romaeuropa@romaeuropa.net\">romaeuropa@romaeuropa.net<\/a><br \/>\nFocus: international and local networks, Italian and European performing arts, theatre, visual arts, digital media, dance, and contemporary music<\/p>\n<hr \/>\n<h4><strong>Sirenos Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-582\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Sirenos-Festival-300x267.jpg?resize=300%2C267&#038;ssl=1\" alt=\"Sirenos Festival\" width=\"300\" height=\"267\" \/><\/p>\n<p>Vilnius\/Lithuania<br \/>\n<a href=\"http:\/\/www.sirenos.lt\">http:\/\/www.sirenos.lt<\/a><br \/>\nContact: +37061497424, email: <a href=\"mailto:sirenos@sirenos.lt\">sirenos@sirenos.lt<\/a><br \/>\nFocus: European theatre artists, recent developments in Lithuanian and European theatre<\/p>\n<hr \/>\n<h4><strong>Belgrade International Theatre Festival (Bitef Teatar\/Bitef Festival)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-583\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Belgrade-International-Theatre-Festival-Bitef-TeatarBitef-Festival.gif?resize=250%2C140&#038;ssl=1\" alt=\"Belgrade International Theatre Festival (Bitef TeatarBitef Festival)\" width=\"250\" height=\"140\" \/><\/p>\n<p>Belgrade\/Serbia<br \/>\n<a href=\"http:\/\/www.bitef.rs\">http:\/\/www.bitef.rs<\/a><br \/>\nContact: +381 11 32 43 108, email: <a href=\"mailto:bitef@bitef.rs\">bitef@bitef.rs<\/a><br \/>\nFocus: latest theatre trends, events in global theatre, avant-garde explorations, experimental forms and significant classic achievements<\/p>\n<hr \/>\n<h4><strong>International Theatre Festival Divadeln\u00e1 Nitra<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-584\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/International-Theatre-Festival-Divadeln%CE%BA-Nitra-300x225.jpg?resize=300%2C225&#038;ssl=1\" alt=\"International Theatre Festival Divadeln+\u03ba Nitra\" width=\"300\" height=\"225\" \/><\/p>\n<p>Nitra\/Slovakia<br \/>\n<a href=\"http:\/\/www.nitrafest.sk\/home\/news\">http:\/\/www.nitrafest.sk\/home\/news<\/a><br \/>\nContact: +421 37 652 4 870 or +421 903 55 44 75, email: <a href=\"mailto:nitrafest@nitrafest.sk\">nitrafest@nitrafest.sk<\/a><br \/>\nFocus: national and international events, drama\/play, dance, music, puppet theatre, and the visual theatre, non-traditional, innovative scenic theatre, new tendencies, representation of regional cultural activities<\/p>\n<hr \/>\n<h4><strong>Chuncheon International Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"585\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/soundscapes-of-narco-silence-in-u-s-mexico-borderlands-performance\/photo-1-7\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-3.jpg?fit=393%2C514&amp;ssl=1\" data-orig-size=\"393,514\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-3.jpg?fit=229%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-3.jpg?fit=393%2C514&amp;ssl=1\" class=\"alignnone size-full wp-image-585\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Chuncheon-International-Theatre-Festival.jpg?resize=297%2C170&#038;ssl=1\" alt=\"Chuncheon International Theatre Festival\" width=\"297\" height=\"170\" \/><\/p>\n<p>Chuncheon-si\/South Korea<br \/>\n<a href=\"http:\/\/www.citf.or.kr\">http:\/\/www.citf.or.kr<\/a><br \/>\nContact: +82 033 241 4345<br \/>\nFocus: domestic and global performance works, various performing arts, performance-on-demand<\/p>\n<hr \/>\n<h4><strong>FiraT\u00e0rrega Teatre al Carrer<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"586\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/soundscapes-of-narco-silence-in-u-s-mexico-borderlands-performance\/photo-2-8\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2-2.jpg?fit=500%2C330&amp;ssl=1\" data-orig-size=\"500,330\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Photo 2\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Luz Mar\u00eda S\u00e1nchez, V. F(i)n_1, Gun-Shaped Speakers. Studio shoot. Mexico City, Mexico. Photo by Cecilia Hurtado&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2-2.jpg?fit=300%2C198&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2-2.jpg?fit=500%2C330&amp;ssl=1\" class=\"alignnone size-medium wp-image-586\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/FiraT%CE%B9rrega-Teatre-al-Carrer-245x300.jpg?resize=245%2C300&#038;ssl=1\" alt=\"FiraT+\u03b9rrega Teatre al Carrer\" width=\"245\" height=\"300\" \/><\/p>\n<p>T\u00e0rrega\/Catalonia\/Spain<br \/>\n<a href=\"http:\/\/www.firatarrega.cat\/en_index\">http:\/\/www.firatarrega.cat\/en_index<\/a><br \/>\nContact: +34 973 310 854, email: <a href=\"mailto:info@firatarrega.com\">info@firatarrega.com<\/a><br \/>\nFocus: street arts and non-conventional venues, different stage disciplines, up-and-coming talents, national and international creative avant-gardes<\/p>\n<hr \/>\n<h4><strong>Bayimba International Festival of Music and Arts<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"587\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/soundscapes-of-narco-silence-in-u-s-mexico-borderlands-performance\/photo-3-6\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3-2.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1508375982&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Photo 3\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Crawling with Monsters Now, Rudder Forum, Texas A&amp;#038;M University, College Station, 2017. \u00a0Photo: Staff photo, courtesy of Latino Theatre Initiative&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3-2.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3-2.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-medium wp-image-587\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Bayimba-International-Festival-of-Music-and-Arts-2-300x259.png?resize=300%2C259&#038;ssl=1\" alt=\"Bayimba International Festival of Music and Arts (2)\" width=\"300\" height=\"259\" \/><\/p>\n<p>Kampala\/Uganda<br \/>\n<a href=\"http:\/\/www.bayimba.org\">http:\/\/www.bayimba.org<\/a><br \/>\nContact: +256 414 591 670<br \/>\nFocus: music, dance, theatre, film, and visual arts, renowned and upcoming local and foreign artists<\/p>\n<hr \/>\n<h4><strong>San Francisco Fringe Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"588\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/soundscapes-of-narco-silence-in-u-s-mexico-borderlands-performance\/photo-4-6\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4-2.jpg?fit=700%2C463&amp;ssl=1\" data-orig-size=\"700,463\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Photo 4\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;STC Theater Production of El Nogalar. Photo by Miguel Salazar&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4-2.jpg?fit=300%2C198&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4-2.jpg?fit=700%2C463&amp;ssl=1\" class=\"alignnone size-full wp-image-588\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/San-Francisco-Fringe-Festival.jpg?resize=236%2C295&#038;ssl=1\" alt=\"San Francisco Fringe Festival\" width=\"236\" height=\"295\" \/><\/p>\n<p>San Francisco\/CA\/Unites States of America<br \/>\n<a href=\"http:\/\/www.sffringe.org\">http:\/\/www.sffringe.org<\/a><br \/>\nContact: +415 931 1094<br \/>\nFocus: local and foreign performers, non-censored and non-curated small theater festival<\/p>\n<hr \/>\n<h4><strong>Hi Seoul Festival<\/strong><\/h4>\n<p>Seoul\/South Korea<br \/>\n<a href=\"http:\/\/www.festivalseoul.or.kr\/html_eng\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.festivalseoul.or.kr\/html_eng\/<br \/>\n<\/a>Contact: +82 2 3290 7089, email: <a href=\"mailto:festivalseoul@gmail.com\">festivalseoul@gmail.com<br \/>\n<\/a>Focus: street arts, urban environment<\/p>\n<hr \/>\n<h4><strong>Dutch Theatre Festival<\/strong><\/h4>\n<p>Amsterdam\/Netherlands<br \/>\n<a href=\"http:\/\/tf.nl\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/tf.nl\/en\/<br \/>\n<\/a>Contact: <a href=\"mailto:kantoor@tf.nl\">kantoor@tf.nl<\/a><br \/>\nFocus: theatre and performance art, national and international artists<\/p>\n<hr \/>\n<h4><strong>\u00a0<\/strong><strong>OzAsia Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-328\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/03\/OzAsia-Festival.jpg?resize=225%2C225&#038;ssl=1\" alt=\"\" width=\"225\" height=\"225\" \/><\/p>\n<p>Adelaide\/Australia<br \/>\nContact: +61 8 8216 8600, email: <a href=\"mailto:feedback@adelaidefestivalcentre.com.au\">feedback@adelaidefestivalcentre.com.au<br \/>\n<\/a>Focus: performing and visual arts, engagement with Asia<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>October<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>TEMPO Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"985\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/tempo-festival\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Tempo-Festival.jpg?fit=300%2C300&amp;ssl=1\" data-orig-size=\"300,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tempo Festival\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Tempo-Festival.jpg?fit=300%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Tempo-Festival.jpg?fit=300%2C300&amp;ssl=1\" class=\"alignnone size-full wp-image-985\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Tempo-Festival.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Tempo-Festival.jpg?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Tempo-Festival.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Tempo-Festival.jpg?resize=270%2C270&amp;ssl=1 270w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Tempo-Festival.jpg?resize=230%2C230&amp;ssl=1 230w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Rio de Janeiro\/Brazil<br \/>\n<a href=\"http:\/\/tempofestival.com.br\/\">http:\/\/tempofestival.com.br<\/a><br \/>\nContact: 55 21 2507 7545, email: <a href=\"mailto:contato@tempofestival.com.br\">contato@tempofestival.com.br<\/a><br \/>\nFocus: performing arts, experimental pieces, international participants<\/p>\n<hr \/>\n<h4><strong>Spielart Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"984\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/spielart-festival-do-tank_s345x230\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/spielart-festival-do-tank_s345x230.jpg?fit=300%2C200&amp;ssl=1\" data-orig-size=\"300,200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"spielart-festival-do-tank_s345x230\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/spielart-festival-do-tank_s345x230.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/spielart-festival-do-tank_s345x230.jpg?fit=300%2C200&amp;ssl=1\" class=\"alignnone size-full wp-image-984\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/spielart-festival-do-tank_s345x230.jpg?resize=300%2C200&#038;ssl=1\" alt=\"\" width=\"300\" height=\"200\" \/><\/p>\n<p>Munich\/Germany<br \/>\n<a href=\"http:\/\/www.spielart.org\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.spielart.org<br \/>\n<\/a>Contact: 089 &#8211; 280 56 07, email: <a href=\"mailto:info@spielmotor.de\">info@spielmotor.de<\/a><br \/>\nFocus: performing arts traditions from around the world, art activism, cultural and theatrical diversity<\/p>\n<hr \/>\n<p><strong>BAD Bilbao Festival<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"982\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/bad\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/BAD.jpg?fit=300%2C147&amp;ssl=1\" data-orig-size=\"300,147\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"BAD\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/BAD.jpg?fit=300%2C147&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/BAD.jpg?fit=300%2C147&amp;ssl=1\" class=\"alignnone size-full wp-image-982\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/BAD.jpg?resize=300%2C147&#038;ssl=1\" alt=\"\" width=\"300\" height=\"147\" \/><\/p>\n<p>Bilbao\/ Basque Country\/Spain<br \/>\n<a href=\"http:\/\/badbilbao.eus\/web\/\" target=\"_blank\" rel=\"noopener\">http:\/\/badbilbao.eus\/web<\/a><br \/>\nFocus: theatre and dance, contemporary performance pieces<\/p>\n<hr \/>\n<h4><strong>Festival de Oto\u00f1o en Primavera<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"969\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/logo_0\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/logo_0.jpg?fit=300%2C152&amp;ssl=1\" data-orig-size=\"300,152\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"logo_0\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/logo_0.jpg?fit=300%2C152&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/logo_0.jpg?fit=300%2C152&amp;ssl=1\" class=\"alignnone size-medium wp-image-969\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/logo_0.jpg?resize=300%2C152&#038;ssl=1\" alt=\"\" width=\"300\" height=\"152\" \/><\/p>\n<p>Madrid\/Spain<br \/>\n<a href=\"http:\/\/www.madrid.org\/fo\/2017-2018\/programacion.html\" target=\"_blank\" rel=\"noopener\">http:\/\/www.madrid.org\/fo\/2017-2018\/programacion.html<\/a><br \/>\nContact: 620 11 31 55, email: <a href=\"mailto:luisa@theofficeco.es\">luisa@theofficeco.es<\/a>, <a href=\"mailto:maria.becerril@madrid.org\">maria.becerril@madrid.org<\/a><br \/>\nFocus: theatre, dance and performance, multidisciplinary<\/p>\n<hr \/>\n<h4><strong>Festival Internacional De Teatro Mercosur<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-590\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-Internacional-De-Teatro-Mercosur-300x141.jpg?resize=300%2C141&#038;ssl=1\" alt=\"Festival Internacional De Teatro Mercosur\" width=\"300\" height=\"141\" \/><\/p>\n<p>C\u00f3rdoba\/Argentina<br \/>\n<a href=\"http:\/\/prensa.cba.gov.ar\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/prensa.cba.gov.ar<\/a><br \/>\nContact: 00 54 (0) 351 4331668\/69<br \/>\nFocus: contemporary theatre, local and international participants, indoor and outdoor events<\/p>\n<hr \/>\n<p><strong>Wuzhen International Theatre Festival<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-591\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Wuzhen.png?resize=242%2C96&#038;ssl=1\" alt=\"Wuzhen\" width=\"242\" height=\"96\" \/><\/p>\n<p>Wuzhen\/China<br \/>\nWEB <a href=\"http:\/\/www.wuzhenfestival.com\" target=\"_blank\" rel=\"noopener noreferrer\">www.wuzhenfestival.com<br \/>\n<\/a>TEL\uff1a+86-573-88732588<br \/>\nFAX\uff1a+86-573-88732688<br \/>\nEML: <a href=\"mailto:contact@wuzhenfestival.com\">contact@wuzhenfestival.com<br \/>\n<\/a>Focus: leading Chinese and international productions, classical and cutting-edge. Young playwrights&#8217; competition, outdoor carnival, master classes, public talks. Civic and cultural development.<\/p>\n<hr \/>\n<h4><strong>HIGH FEST International Performing Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-592\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/HIGH-FEST-International-Performing-Arts-Festival-300x197.png?resize=300%2C197&#038;ssl=1\" alt=\"HIGH FEST International Performing Arts Festival\" width=\"300\" height=\"197\" \/><\/p>\n<p>Yerevan\/Armenia<br \/>\n<a href=\"http:\/\/www.highfest.am\">http:\/\/www.highfest.am<\/a><br \/>\nContact: +374 10 53 62 33, email: <a href=\"mailto:info@highfest.am\">info@highfest.am<\/a><br \/>\nFocus: international and national performing arts companies and artists, theatre, dance, music, and other forms of performing arts<\/p>\n<hr \/>\n<h4><strong>Melbourne International Festival <\/strong><\/h4>\n<p>Melbourne\/Australia<br \/>\n<a href=\"https:\/\/www.melbournefestival.com.au\">https:\/\/www.melbournefestival.com.au<\/a><br \/>\nContact: +61 3 9662 4242<br \/>\nFocus: international and national events, dance, theatre, music, visual arts, multimedia, free and outdoor events<\/p>\n<hr \/>\n<h4><strong>Mess Sarajevo Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-593\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Mess-Sarajevo-Festival-300x161.jpg?resize=300%2C161&#038;ssl=1\" alt=\"Mess Sarajevo Festival\" width=\"300\" height=\"161\" \/><\/p>\n<p>Sarajevo\u2014Zenica, Gora\u017ede, Visoko\/Bosnia and Herzegovina<br \/>\n<a href=\"http:\/\/www.mess.ba\">http:\/\/www.mess.ba<\/a><br \/>\nContact: 387 33 200 392, email: <a href=\"mailto:info@mess.ba\">info@mess.ba<\/a><br \/>\nFocus: theatrical plays of local, European, and world production, small and experimental theatre work and events<\/p>\n<hr \/>\n<h4><strong>CAFe Budapest Contemporary Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-594\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/CAFe-Budapest-Contemporary-Arts-Festival-2-300x191.jpg?resize=300%2C191&#038;ssl=1\" alt=\"CAFe Budapest Contemporary Arts Festival (2)\" width=\"300\" height=\"191\" \/><\/p>\n<p>Budapest\/Hungary<br \/>\n<a href=\"http:\/\/www.cafebudapestfest.hu\/photos\">http:\/\/www.cafebudapestfest.hu\/photos<\/a><br \/>\nContact: +36 1 555 3000 or +36 1 486 3311, email: <a href=\"mailto:info@cafebudapestfest.hu\">info@cafebudapestfest.hu<\/a><br \/>\nFocus: classical and pop music, jazz and dance, contemporary music and opera, theatre and contemporary circus, literature, visual art and design exhibits<\/p>\n<hr \/>\n<h4><strong>Prishtina International Theater Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"923\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/prishtina\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/01\/Prishtina.jpg?fit=544%2C371&amp;ssl=1\" data-orig-size=\"544,371\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;ZijaRexhepi&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1515245088&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Prishtina\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/01\/Prishtina.jpg?fit=300%2C205&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/01\/Prishtina.jpg?fit=544%2C371&amp;ssl=1\" class=\"alignnone size-medium wp-image-923\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/01\/Prishtina.jpg?resize=300%2C205&#038;ssl=1\" alt=\"\" width=\"300\" height=\"205\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/01\/Prishtina.jpg?resize=300%2C205&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/01\/Prishtina.jpg?w=544&amp;ssl=1 544w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Prishtina\/Kosovo<br \/>\n<a href=\"http:\/\/www.teatriaab.com\/pitf\/en\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.teatriaab.com\/pitf\/en\/<\/a><br \/>\nContact: +381 38 600 005, email: <a href=\"mailto:info@teatriaab.com\">info@teatriaab.com<\/a><br \/>\nFocus: theatre, international profile, cultural contact<\/p>\n<hr \/>\n<h4><strong>Demoludy<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-595\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Demoludy-300x258.jpg?resize=300%2C258&#038;ssl=1\" alt=\"Demoludy\" width=\"300\" height=\"258\" \/><\/p>\n<p>Olsztyn\/Poland<br \/>\n<a href=\"http:\/\/www.demoludy.art.pl\">http:\/\/www.demoludy.art.pl<\/a><br \/>\nContact: +48 89\/ 527 59 59, email: <a href=\"mailto:promocja@teatr.olsztyn.pl\">promocja@teatr.olsztyn.pl<\/a><br \/>\nFocus: intercultural dialogue, past heritage, Eastern European countries<\/p>\n<hr \/>\n<h4><strong>Dialog Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-596\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Dialog-Festival.jpg?resize=260%2C164&#038;ssl=1\" alt=\"Dialog Festival\" width=\"260\" height=\"164\" \/><\/p>\n<p>Wroc\u0142aw\/Poland<br \/>\n<a href=\"http:\/\/dialogfestival.pl\">http:\/\/dialogfestival.pl<\/a><br \/>\nContact: +48 71 777 87 43, email: <a href=\"mailto:office@dialogfestival.pl\">office@dialogfestival.pl<\/a><br \/>\nFocus: contemporary dramatic plays, intercultural dialogue, the idea of tolerance, performances and discussions<\/p>\n<hr \/>\n<h4><strong>National Theatre Festival \/ FNT<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"597\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/performing-the-politics-of-sound-affective-mobilization-and-the-objectivity-of-sonic-energy-on-the-human-body\/photo-1-8\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-.jpg?fit=859%2C991&amp;ssl=1\" data-orig-size=\"859,991\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1453459882&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;640&quot;,&quot;shutter_speed&quot;:&quot;0.0015625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-.jpg?fit=260%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-1-.jpg?fit=750%2C865&amp;ssl=1\" class=\"alignnone size-full wp-image-597\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/National-Theatre-Festival-FNT.jpg?resize=160%2C160&#038;ssl=1\" alt=\"National Theatre Festival FNT\" width=\"160\" height=\"160\" \/><\/p>\n<p>Bucharest\/Romania<br \/>\n<a href=\"http:\/\/www.fnt.ro\">www.fnt.ro<\/a><br \/>\nContact: + 40 21 315 36 36, email: <a href=\"mailto:office@uniter.ro\">office@uniter.ro<\/a><br \/>\nFocus: national and international theatrical performances<\/p>\n<hr \/>\n<h4><strong>Festival Maribor<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"598\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/performing-the-politics-of-sound-affective-mobilization-and-the-objectivity-of-sonic-energy-on-the-human-body\/photo-2-9_1-image\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2-9_1-image.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Photo 2 9_1 image\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Lambros Pigounis, Micropolitics of Noise. Long Durational Performance Exhibition at Benaki Museum, Athens. March 2016. Photo by Natalia Tsoukala&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2-9_1-image.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-2-9_1-image.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-medium wp-image-598\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-Maribor-2-300x157.png?resize=300%2C157&#038;ssl=1\" alt=\"Festival Maribor (2)\" width=\"300\" height=\"157\" \/><br \/>\nMaribor\/Slovenia<br \/>\n<a href=\"http:\/\/www.borstnikovo.si\/en\">http:\/\/www.borstnikovo.si\/en<\/a><br \/>\nContact: +386 2 250 62 27 or +386 2 250 61 00, email: <a href=\"mailto:borstnikovo@sng-mb.si\">borstnikovo@sng-mb.si<\/a><br \/>\nFocus: national and international theatre, state\/institutional and independent theatre productions<\/p>\n<hr \/>\n<h4><strong>Seoul Performing Arts Festival<\/strong><\/h4>\n<p>Seoul\/South Korea<br \/>\n<a href=\"http:\/\/www.spaf.or.kr\">http:\/\/www.spaf.or.kr<\/a><br \/>\nContact: +82 2 3668 0101 or +82 2 3668 0102, email: <a href=\"mailto:spaf@spaf.or.kr\">spaf@spaf.or.kr<\/a><br \/>\nFocus: national and international theatre companies, theatre, dance, and experimental, multidisciplinary performance<\/p>\n<hr \/>\n<h4><strong>Musical Society of Nigeria, MUSON Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"599\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/performing-the-politics-of-sound-affective-mobilization-and-the-objectivity-of-sonic-energy-on-the-human-body\/photo-3-9_2-image\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3-9_2-Image.jpg?fit=700%2C302&amp;ssl=1\" data-orig-size=\"700,302\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;PANOS KOKKINIAS&quot;,&quot;camera&quot;:&quot;NIKON D800E&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1461526229&quot;,&quot;copyright&quot;:&quot;PANOS KOKKINIAS&quot;,&quot;focal_length&quot;:&quot;58&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 3 9_2 Image\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Lambros Pigounis, Micropolitics of Noise. Long Durational Performance Exhibition at Benaki Museum, Athens. March 2016.\u00a0 Photo by Ioanna Gko&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3-9_2-Image.jpg?fit=300%2C129&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-3-9_2-Image.jpg?fit=700%2C302&amp;ssl=1\" class=\"alignnone size-full wp-image-599\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/muson.jpg?resize=98%2C105&#038;ssl=1\" alt=\"muson\" width=\"98\" height=\"105\" \/><\/p>\n<p>MUSON Centre 8\/9 Marina, Onikan, Lagos, Nigeria<br \/>\n<a href=\"http:\/\/www.muson.org\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.muson.org<\/a><br \/>\nContact: +23481588886141\/ +23470188869125, email: <a href=\"mailto:admin@muson.org\">admin@muson.org<\/a><br \/>\nCalendar: Every third week of October annually<br \/>\nFocus: Opera &amp; Musical Concerts (Nigerian and International)<\/p>\n<hr \/>\n<h4><strong>Belfast Festival at Queen\u2019s<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"600\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/performing-the-politics-of-sound-affective-mobilization-and-the-objectivity-of-sonic-energy-on-the-human-body\/photo-4-9_3-image\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4-9_3-Image.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 6D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1461517139&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;3200&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 4 9_3 Image\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Lambros Pigounis, Micropolitics of Noise. Long Durational Performance Exhibition at Benaki Museum, Athens. March2016. Photo by Panos Kokkinias&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4-9_3-Image.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-4-9_3-Image.jpg?fit=700%2C466&amp;ssl=1\" class=\"alignnone size-full wp-image-600\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Belfast-Festival-at-Queen%CE%AD%CE%91%CE%B2s.png?resize=200%2C141&#038;ssl=1\" alt=\"Belfast Festival at Queen\u03ad\u0391\u03b2s\" width=\"200\" height=\"141\" \/><\/p>\n<p>City of Belfast\/Northern Ireland\/United Kingdom<br \/>\n<a href=\"http:\/\/www.belfastfestival.com\">http:\/\/www.belfastfestival.com<\/a><br \/>\nContact: email: <a href=\"mailto:belfastfestival@qub.ac.uk\">belfastfestival@qub.ac.uk<\/a><br \/>\nFocus: local and international artists, theatre, dance, classical, folk, and popular music, literature, jazz, comedy, visual arts<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>November<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>NEXT Arts Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"971\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/next-arts\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-arts.png?fit=300%2C346&amp;ssl=1\" data-orig-size=\"300,346\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"next arts\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-arts.png?fit=260%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-arts.png?fit=300%2C346&amp;ssl=1\" class=\"alignnone size-medium wp-image-971\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-arts.png?resize=260%2C300&#038;ssl=1\" alt=\"\" width=\"260\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-arts.png?resize=260%2C300&amp;ssl=1 260w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/next-arts.png?w=300&amp;ssl=1 300w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/p>\n<p>Multiple locations\/Belgium and France<br \/>\n<a href=\"http:\/\/www.nextfestival.eu\/en\" target=\"_blank\" rel=\"noopener\">http:\/\/www.nextfestival.eu\/en<\/a><br \/>\nContact: 0032 (0)56 22 10 01, email: <a href=\"mailto:info@nextfestival.eu\">info@nextfestival.eu<\/a><br \/>\nFocus: international dance, theatre, and performance projects<\/p>\n<hr \/>\n<h4><strong>International Istanbul Theatre Festival (Biennial)<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-524\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Istanbul-International-Theatre-Festival-300x130.jpg?resize=300%2C130&#038;ssl=1\" alt=\"Istanbul International Theatre Festival\" width=\"300\" height=\"130\" \/><\/p>\n<p>Istanbul\/Turkey<br \/>\n<a href=\"http:\/\/tiyatro.iksv.org\">http:\/\/tiyatro.iksv.org<\/a><br \/>\nContact: +90 212 334 07 77, email: <a href=\"mailto:theatre.fest@iksv.org\">theatre.fest@iksv.org<\/a><br \/>\nFocus: theatre companies and dance groups from Turkey and abroad, classical and contemporary renditions, educational activities, social awareness<\/p>\n<hr \/>\n<h4><strong>Festival de Teatro do Recife<\/strong><\/h4>\n<p>Recife\/Brazil<br \/>\n<a href=\"http:\/\/www2.uol.com.br\/JC\/teatro\">http:\/\/www2.uol.com.br\/JC\/teatro<\/a><br \/>\nContact: 3355-3119 or 9669-3193, email: <a href=\"mailto:16frtn.formacao@gmail.com\">16frtn.formacao@gmail.com<\/a><br \/>\nFocus: local and international theatre productions, workshops, lectures, and exhibitions<\/p>\n<hr \/>\n<h4><strong>Les Coups de Th\u00e9\u00e2tre \u2013 Festival International des Arts Jeune Public<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"601\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/performing-the-politics-of-sound-affective-mobilization-and-the-objectivity-of-sonic-energy-on-the-human-body\/olympus-digital-camera\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-5-9_4-Image.jpg?fit=700%2C525&amp;ssl=1\" data-orig-size=\"700,525\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;C5060WZ&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;-62169984000&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.5&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.033333333333333&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"OLYMPUS DIGITAL CAMERA\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Lambros Pigounis, Micropolitics of Noise. 2016.\u00a0 Photo by Manolis Anastasakos&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-5-9_4-Image.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-5-9_4-Image.jpg?fit=700%2C525&amp;ssl=1\" class=\"alignnone size-full wp-image-601\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Les-Coups-de-Th%CF%83%CE%BBtre-%CE%AD%CE%91%CE%A5-Festival-International-des-Arts-Jeune-Public.jpg?resize=192%2C128&#038;ssl=1\" alt=\"Les Coups de Th+\u03c3+\u03bbtre \u03ad\u0391\u03a5 Festival International des Arts Jeune Public\" width=\"192\" height=\"128\" \/><\/p>\n<p>Montreal\/Canada<br \/>\n<a href=\"http:\/\/www.coupsdetheatre.com\/site\">http:\/\/www.coupsdetheatre.com\/site<\/a><br \/>\nContact: +(514) 499-2929, email: <a href=\"mailto:coups@coupsdetheatre.com\">coups@coupsdetheatre.com<\/a><br \/>\nFocus: theatre creators from the national and international scene<\/p>\n<hr \/>\n<h4><strong>Teatro Colsubsidio Roberto Arias P\u00e9rez<\/strong><\/h4>\n<p>Bogota\/Colombia<br \/>\n<a href=\"http:\/\/www.teatrocolsubsidio.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.teatrocolsubsidio.com\/<\/a><br \/>\nContact: (571)742 0100, email: <a href=\"mailto:teatrocol@colsubsidio.com\">teatrocol@colsubsidio.com<\/a><br \/>\nFocus: scenic arts, national and international participants, outreach<\/p>\n<hr \/>\n<h4><strong>International Live Arts Festival of Loja<\/strong><\/h4>\n<p>(October and\/or November)<br \/>\nLoja\/ Ecuador<br \/>\n<a href=\"http:\/\/www.festivaldeloja.com\" target=\"_blank\" rel=\"noopener\">http:\/\/www.festivaldeloja.com<\/a><br \/>\nContact: email: <a href=\"mailto:festival@festivaldeloja.com\">festival@festivaldeloja.com<\/a><br \/>\nFocus: national and international participants, classical and new plays, solo performances<\/p>\n<hr \/>\n<h4><strong>Cairo International Festival for Contemporary and Experimental Theatre (CIFCET)<\/strong><\/h4>\n<p>Cairo\/Egypt<br \/>\nContact: email: <a href=\"mailto:info@cifcet.gov.eg\">info@cifcet.gov.eg<\/a><br \/>\nFocus: local and international performances, forums, workshops, and other public events, practice-based research projects<\/p>\n<hr \/>\n<h4><strong>Festival Quatre Chemins<\/strong><\/h4>\n<p>Port-au-prince\/Haiti<br \/>\n<a href=\"https:\/\/www.festival4chemins.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.festival4chemins.com\/<\/a><br \/>\nContact: (509) 4891-5274, email: <a href=\"mailto:festivalquatrechemins@gmail.com\">festivalquatrechemins@gmail.com<\/a><br \/>\nFocus: intercultural contacts, performing arts, oral traditions and arts<\/p>\n<hr \/>\n<h4><strong>Contemporary Drama Festival (Biennial) <\/strong><\/h4>\n<p>Budapest\/Hungary<br \/>\n<a href=\"http:\/\/www.dramafestival.hu\/index.php?searchenginerUrl=home_1&amp;language=hu\">http:\/\/www.dramafestival.hu\/index.php?searchenginerUrl=home_1&amp;language=hu<\/a><br \/>\nContact: +36 1 7862933, email: <a href=\"mailto:office.dramafestival@gmail.com\">office.dramafestival@gmail.com<\/a><br \/>\nFocus: Hungarian and foreign dramatic works, European theatre, workshops and seminars<\/p>\n<hr \/>\n<h4><strong>Festival Tokyo (f\/t)<\/strong><\/h4>\n<p>Tokyo\/Japan<br \/>\n<a href=\"http:\/\/www.festival-tokyo.jp\">http:\/\/www.festival-tokyo.jp<\/a><br \/>\nContact: +81(3)5961-5209<br \/>\nFocus: stage performances by contemporary theatre artists from around the world, film screenings, dance, art, music, talks, symposium<\/p>\n<hr \/>\n<h4><strong>One-Actor Theatre Performances<\/strong><\/h4>\n<p>Wroclaw\/Poland<br \/>\n<a href=\"http:\/\/www.wrostja.art.pl\">http:\/\/www.wrostja.art.pl<\/a><br \/>\nContact: +48 607 717 225<br \/>\nFocus: one-person shows-monodramas, Polish plays, discussion groups and meetings<\/p>\n<hr \/>\n<h4><strong>International Festival of Classical Theatre<\/strong><\/h4>\n<p>Arad\/Romania<br \/>\n<a href=\"http:\/\/www.fitca.ro\">www.fitca.ro<\/a><br \/>\nContact: +40 257 280 016, email: <a href=\"mailto:secretariat@teatrulclasic.ro\">secretariat@teatrulclasic.ro<\/a><br \/>\nFocus: domestic and foreign productions of classical plays, conferences, book launches, exhibitions<\/p>\n<hr \/>\n<h4><strong>INTERFERENCES International Theatre Festival<\/strong><\/h4>\n<p>Cluj\/Romania<br \/>\n<a href=\"http:\/\/www.interferences-huntheater.ro\">www.interferences-huntheater.ro<\/a><br \/>\nContact: +40 264 593 468, email: <a href=\"mailto:office@huntheater.ro\">office@huntheater.ro<\/a><br \/>\nFocus: topical editions, theatrical and dance performances, exhibitions, concerts, book-launches, after-show talks<\/p>\n<hr \/>\n<h4><strong>European Theatre Festival EUROTHALIA<\/strong><\/h4>\n<p>Timi\u015foara\/Romania<br \/>\n<a href=\"http:\/\/www.eurothalia.ro\">www.eurothalia.ro<\/a><br \/>\nContact: +40 256 201 291, email: <a href=\"mailto:secretariat@dstt.ro\">secretariat@dstt.ro<\/a><br \/>\nFocus: trends and currents in European theatre, classical theatre, contemporary drama, contemporary dance<\/p>\n<hr \/>\n<h4><strong>Festival Ljubljana<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"602\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/performing-the-politics-of-sound-affective-mobilization-and-the-objectivity-of-sonic-energy-on-the-human-body\/photo-6-9_5-image\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-6-9_5-Image.jpg?fit=700%2C398&amp;ssl=1\" data-orig-size=\"700,398\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;PANOS KOKKINIAS&quot;,&quot;camera&quot;:&quot;NIKON D800E&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1461513416&quot;,&quot;copyright&quot;:&quot;PANOS KOKKINIAS&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;3200&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 6 9_5 Image\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Lambros Pigounis, Micropolitics of Noise. 2016.\u00a0 Photo by Panos Kokkinias&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-6-9_5-Image.jpg?fit=300%2C171&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-6-9_5-Image.jpg?fit=700%2C398&amp;ssl=1\" class=\"alignnone size-medium wp-image-602\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Festival-Ljubljana-300x145.png?resize=300%2C145&#038;ssl=1\" alt=\"Festival Ljubljana\" width=\"300\" height=\"145\" \/><\/p>\n<p>Ljubljana\/Slovenia<br \/>\n<a href=\"http:\/\/www.ljubljanafestival.si\">http:\/\/www.ljubljanafestival.si<\/a><br \/>\nContact: +386 (0) 1 241 60 00<br \/>\nFocus: domestic and foreign participants, music, opera, classical and contemporary ballet, musical, theatre and visual arts<\/p>\n<hr \/>\n<h4><strong>New Orleans Fringe Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"603\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/performing-the-politics-of-sound-affective-mobilization-and-the-objectivity-of-sonic-energy-on-the-human-body\/photo-7-9_6-imag\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-7-9_6-imag.jpg?fit=700%2C525&amp;ssl=1\" data-orig-size=\"700,525\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon PowerShot S95&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1505853787&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;9.636&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;0.4&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Photo 7 9_6 imag\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Lambros Pigounis, Sacrificial Mirror (The Ritual). Off Europa Festival &amp;#8211; Leipzig September 2017. Photo by Katrin Hummel&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-7-9_6-imag.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Photo-7-9_6-imag.jpg?fit=700%2C525&amp;ssl=1\" class=\"alignnone size-medium wp-image-603\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/New-Orleans-Fringe-Festival-300x179.jpeg?resize=300%2C179&#038;ssl=1\" alt=\"New Orleans Fringe Festival\" width=\"300\" height=\"179\" \/><\/p>\n<p>New Orleans\/LA\/Unites States of America<br \/>\n<a href=\"http:\/\/www.nofringe.org\">http:\/\/www.nofringe.org<\/a><br \/>\nContact: email: <a href=\"mailto:kristen@nofringe.org\">kristen@nofringe.org<\/a><br \/>\nFocus: new works of emerging playwrights, drama, comedy, dance, improvisational, pantomime, musical theater, puppetry, storytelling, and other performing arts forms<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>December<\/strong><\/h1>\n<\/blockquote>\n<p><strong>International Theatre and Scenic Arts Festival<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"983\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/international-theatre-and-performing-arts-festival-guide\/punto_de_vista\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Punto_de_Vista.jpg?fit=300%2C110&amp;ssl=1\" data-orig-size=\"300,110\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Punto_de_Vista\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Punto_de_Vista.jpg?fit=300%2C110&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Punto_de_Vista.jpg?fit=300%2C110&amp;ssl=1\" class=\"alignnone size-full wp-image-983\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2018\/02\/Punto_de_Vista.jpg?resize=300%2C110&#038;ssl=1\" alt=\"\" width=\"300\" height=\"110\" \/><\/p>\n<p>Seville\/Spain<br \/>\n<a href=\"http:\/\/www.sevillafest.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.sevillafest.com\/<\/a><br \/>\nContact: 954 22 58 44, email: <a href=\"mailto:direccion@sevillafest.com\">direccion@sevillafest.com<\/a><br \/>\nFocus: theatre, dance, circus<\/p>\n<hr \/>\n<h4><strong>SKENA UP International Students Film and Theatre Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"604\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/performing-the-politics-of-sound-affective-mobilization-and-the-objectivity-of-sonic-energy-on-the-human-body\/slide8-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Slide8-1.jpg?fit=1400%2C480&amp;ssl=1\" data-orig-size=\"1400,480\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Slide8\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Slide8-1.jpg?fit=300%2C103&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Slide8-1.jpg?fit=750%2C257&amp;ssl=1\" class=\"alignnone size-medium wp-image-604\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/SKENA-UP-International-Students-Film-and-Theatre-Festival-300x300.jpg?resize=300%2C300&#038;ssl=1\" alt=\"SKENA UP International Students Film and Theatre Festival\" width=\"300\" height=\"300\" \/><\/p>\n<p>Pristina\/Kosovo<br \/>\n<a href=\"http:\/\/www.skenaup.com\">http:\/\/www.skenaup.com<\/a><br \/>\nContact: +386 49 225 100, email: <a href=\"mailto:info@skenaup.com\">info@skenaup.com<\/a><br \/>\nFocus: film and theatre students across the Balkans, internationally renowned directors, producers, writers and actors<\/p>\n<hr \/>\n<h4><strong>Trado-Modern Cultural Festival\/ Carnival \u2013 Calabar Festival and Christmas Carnival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"605\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/performing-the-politics-of-sound-affective-mobilization-and-the-objectivity-of-sonic-energy-on-the-human-body\/slide9-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Slide9.jpg?fit=1400%2C480&amp;ssl=1\" data-orig-size=\"1400,480\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;PANOS KOKKINIAS&quot;,&quot;camera&quot;:&quot;NIKON D800E&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1461526229&quot;,&quot;copyright&quot;:&quot;PANOS KOKKINIAS&quot;,&quot;focal_length&quot;:&quot;58&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Slide9\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Slide9.jpg?fit=300%2C103&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Slide9.jpg?fit=750%2C257&amp;ssl=1\" class=\"alignnone size-full wp-image-605\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Calabar-Festival-and-Christmas-Carnival.jpg?resize=196%2C202&#038;ssl=1\" alt=\"Calabar Festival and Christmas Carnival\" width=\"196\" height=\"202\" \/><\/p>\n<p>Old Calabar Road \u2013 Calabar\/Cross River State\/Nigeria<br \/>\nContact: +234-703-136-2429, email: <a href=\"mailto:info@carnivalcalabar.com\">info@carnivalcalabar.com<\/a><br \/>\nFocus: musical theatre, folk performances<\/p>\n<hr \/>\n<h4><strong>Trado-Modern Cultural Festival\/ Carnival \u2013 CarniRiv Festival<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-606\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/CarniRiv-Festival.png?resize=250%2C116&#038;ssl=1\" alt=\"CarniRiv Festival\" width=\"250\" height=\"116\" \/><\/p>\n<p>Port Harcourt\/Rivers State\/Nigeria<br \/>\n<a href=\"http:\/\/www.carnirivnigeria.com\">http:\/\/www.carnirivnigeria.com<\/a><br \/>\nContact: (+234) 8122324239, email: <a href=\"mailto:info@carnirivnigeria.com\">info@carnirivnigeria.com<\/a><br \/>\nFocus: musical theatre, folk performances<\/p>\n<hr \/>\n<blockquote>\n<h1 style=\"text-align: center;\"><strong>Throughout the Year<\/strong><\/h1>\n<\/blockquote>\n<h4><strong>Thespian Family Theatre<\/strong><\/h4>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-607\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Thespian-Family-Theatre-300x99.jpg?resize=300%2C99&#038;ssl=1\" alt=\"ETA_029 Festival Branding_PD\" width=\"300\" height=\"99\" \/><\/p>\n<p>10, Tahiru Olubani Street, Off Kudirat Abiola Road, Oregun, Lagos<br \/>\nLagos State, Nigeria<br \/>\nWebsite: <a href=\"http:\/\/www.thespianfamilytheatre.com\" target=\"_blank\" rel=\"noopener noreferrer\">www.thespianfamilytheatre.com<\/a><br \/>\nTwitter: <a href=\"http:\/\/www.twitter.com\/thespianfamily\" target=\"_blank\" rel=\"noopener noreferrer\">www.twitter.com\/thespianfamily<\/a><br \/>\nFacebook: <a href=\"http:\/\/www.fb.com\/thespianfamily\" target=\"_blank\" rel=\"noopener noreferrer\">www.fb.com\/thespianfamily<\/a><br \/>\nInstagram: <a href=\"http:\/\/www.Instagram.com\/ThespianFamily\" target=\"_blank\" rel=\"noopener noreferrer\">www.Instagram.com\/ThespianFamily<\/a><br \/>\nContact: +234 704 638 0179, +234 818 335 5170, email: <a href=\"mailto:thespian_family_theatre@yahoo.com\">thespian_family_theatre@yahoo.com<br \/>\n<\/a>Calendar: Monthly performances all year round<br \/>\nFocus: mostly plays by contemporary Nigerian and African Playwrights<\/p>\n<hr \/>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-432\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Author-Aikaterini-Delikonstantinidou-Postdramatic-Review-150x150.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Author Aikaterini Delikonstantinidou Postdramatic Review\" width=\"150\" height=\"150\" \/><\/p>\n<p><a href=\"#_ednref1\" name=\"_edn1\">[1]<\/a><strong> Katerina Delikonstantinidou<\/strong> is a PhD student in the School of English at the Aristotle University of Thessaloniki. She is assistant editor of the academic journal <em>Gramma\/<\/em><em>\u0393\u03c1\u03ac\u03bc\u03bc\u03b1<\/em><em>: Journal of Theory and Criticism<\/em>. Her research interests include Theatre and Performing Arts, Ancient myth and religion, Greek Tragedy, and Ethnic Studies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Drafted by Katerina Delikonstantinidou[1] Although we witness an impressive increase of international festivals devoted to the work of theatre and performance\u2014a phenomenon that can be partly attributed to what cultural critics call the increasing \u201cfestivalization\u201d of public cultures\u2014a concise reference<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-854","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9iUM2-dM","jetpack_likes_enabled":false,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/pages\/854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/comments?post=854"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/pages\/854\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/media?parent=854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}