{"id":36,"date":"2017-09-30T14:10:31","date_gmt":"2017-09-30T14:10:31","guid":{"rendered":"https:\/\/www.critical-stages.org\/16\/?page_id=36"},"modified":"2017-11-19T10:54:25","modified_gmt":"2017-11-19T10:54:25","slug":"book-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/16\/book-reviews\/","title":{"rendered":"Book Reviews"},"content":{"rendered":"<p>Section Editor:\u00a0<strong>Don Rubin<\/strong>\u00a0(Canada)<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-255\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300.jpg?resize=167%2C250&#038;ssl=1\" alt=\"don-rubin-200x300\" width=\"167\" height=\"250\" data-attachment-id=\"255\" data-permalink=\"https:\/\/www.critical-stages.org\/14\/book-reviews\/don-rubin-200x300\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300.jpg\" data-orig-size=\"200,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"don-rubin-200\u00d7300\" data-image-description=\"\" data-medium-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300-200x300.jpg\" data-large-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300.jpg\" \/><\/p>\n<p><strong>Don Rubin<\/strong>\u00a0is Editor of the six-volume\u00a0<em>World Encyclopedia of Contemporary Theatre<\/em>. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate Program in Theatre Studies.<\/p>\n<hr \/>\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-664c3cbbmw\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/16\/theatre-criticism-changing-landscapes\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"191\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Cover.jpg?fit=191%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Cover.jpg?w=254&amp;ssl=1 254w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Cover.jpg?resize=191%2C300&amp;ssl=1 191w\" sizes=\"auto, (max-width: 191px) 100vw, 191px\" data-attachment-id=\"775\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/theatre-criticism-changing-landscapes\/cover-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Cover.jpg?fit=254%2C400&amp;ssl=1\" data-orig-size=\"254,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Cover\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Cover.jpg?fit=191%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Cover.jpg?fit=254%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/16\/theatre-criticism-changing-landscapes\/\" class=\"_self\" target=\"_self\" >Theatre Criticism: Changing Landscapes<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/16\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/16\/tag\/by-katerina-delikonstantinidou\/' title='by Katerina Delikonstantinidou' class='pt-cv-tax-by-katerina-delikonstantinidou'>by Katerina Delikonstantinidou<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/16\/noted-by-the-editor-the-routledge-companion-to-michael-chekhov\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"208\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Chekhov.jpg?fit=208%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Chekhov.jpg?w=277&amp;ssl=1 277w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Chekhov.jpg?resize=208%2C300&amp;ssl=1 208w\" sizes=\"auto, (max-width: 208px) 100vw, 208px\" data-attachment-id=\"691\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/noted-by-the-editor-the-routledge-companion-to-michael-chekhov\/chekhov\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Chekhov.jpg?fit=277%2C400&amp;ssl=1\" data-orig-size=\"277,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Chekhov\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Chekhov.jpg?fit=208%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Chekhov.jpg?fit=277%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/16\/noted-by-the-editor-the-routledge-companion-to-michael-chekhov\/\" class=\"_self\" target=\"_self\" ><em>Noted By the Editor*<\/em>: The Routledge Companion to Michael Chekhov<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/16\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/16\/tag\/by-don-rubin\/' title='by Don Rubin' class='pt-cv-tax-by-don-rubin'>by Don Rubin<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/16\/the-robben-island-shakespeare\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"187\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/RobbenCover.jpg?fit=187%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/RobbenCover.jpg?w=249&amp;ssl=1 249w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/RobbenCover.jpg?resize=187%2C300&amp;ssl=1 187w\" sizes=\"auto, (max-width: 187px) 100vw, 187px\" data-attachment-id=\"681\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/the-robben-island-shakespeare\/robbencover\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/RobbenCover.jpg?fit=249%2C400&amp;ssl=1\" data-orig-size=\"249,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"RobbenCover\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/RobbenCover.jpg?fit=187%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/RobbenCover.jpg?fit=249%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/16\/the-robben-island-shakespeare\/\" class=\"_self\" target=\"_self\" >The Robben Island Shakespeare<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/16\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/16\/tag\/by-patricia-keeney\/' title='by Patricia Keeney' class='pt-cv-tax-by-patricia-keeney'>by Patricia Keeney<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/16\/double-exposure-plays-of-the-jewish-and-palestinian-diasporas\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Double-exposure-cover.jpg?fit=200%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Double-exposure-cover.jpg?w=267&amp;ssl=1 267w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Double-exposure-cover.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" data-attachment-id=\"665\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/double-exposure-plays-of-the-jewish-and-palestinian-diasporas\/double-exposure-cover\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Double-exposure-cover.jpg?fit=267%2C400&amp;ssl=1\" data-orig-size=\"267,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Double exposure cover\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Double-exposure-cover.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/Double-exposure-cover.jpg?fit=267%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/16\/double-exposure-plays-of-the-jewish-and-palestinian-diasporas\/\" class=\"_self\" target=\"_self\" >Double Exposure: Plays of the Jewish and Palestinian Diasporas<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/16\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/16\/tag\/by-mary-lou-zeitoun\/' title='by Mary-Lou Zeitoun' class='pt-cv-tax-by-mary-lou-zeitoun'>by Mary-Lou Zeitoun<\/a><\/span><\/div><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/16\/la-escena-del-siglo-xxi-la-scene-du-xxie-sieclethe-21st-century-stage\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/la-escena-copy.jpg?fit=200%2C300&amp;ssl=1\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/la-escena-copy.jpg?w=266&amp;ssl=1 266w, https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/la-escena-copy.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" data-attachment-id=\"672\" data-permalink=\"https:\/\/www.critical-stages.org\/16\/la-escena-del-siglo-xxi-la-scene-du-xxie-sieclethe-21st-century-stage\/la-escena-copy\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/la-escena-copy.jpg?fit=266%2C400&amp;ssl=1\" data-orig-size=\"266,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1502973155&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"la escena copy\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/la-escena-copy.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.critical-stages.org\/16\/wp-content\/uploads\/sites\/17\/2017\/11\/la-escena-copy.jpg?fit=266%2C400&amp;ssl=1\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/16\/la-escena-del-siglo-xxi-la-scene-du-xxie-sieclethe-21st-century-stage\/\" class=\"_self\" target=\"_self\" >La escena del siglo XXI (La sc\u00e8ne du XXIe si\u00e8cle\/The 21st Century Stage)<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/16\/category\/book-reviews\/' title='Book Reviews' class='pt-cv-tax-book-reviews'>Book Reviews<\/a>, <a href='https:\/\/www.critical-stages.org\/16\/tag\/par-irene-sadowska-guillon\/' title='par Ir\u00e8ne Sadowska-Guillon' class='pt-cv-tax-par-irene-sadowska-guillon'>par Ir\u00e8ne Sadowska-Guillon<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Section Editor:\u00a0Don Rubin\u00a0(Canada) Don Rubin\u00a0is Editor of the six-volume\u00a0World Encyclopedia of Contemporary Theatre. He is a Professor Emeritus of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9iUM2-A","jetpack_likes_enabled":false,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/pages\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/pages\/36\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/media?parent=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}