{"id":28,"date":"2017-09-30T14:09:17","date_gmt":"2017-09-30T14:09:17","guid":{"rendered":"https:\/\/www.critical-stages.org\/16\/?page_id=28"},"modified":"2017-12-22T12:37:31","modified_gmt":"2017-12-22T12:37:31","slug":"interviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/16\/interviews\/","title":{"rendered":"Interviews"},"content":{"rendered":"

Section Editor:\u00a0Savas Patsalidis\u00a0<\/strong>(Greece)<\/p>\n

\"\"<\/p>\n

Savas Patsalidis\u00a0<\/strong>is Professor of theatre and performance history and theory in the School of English (Aristotle University), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is the author of thirteen books on theatre and performance criticism\/theory and co-editor of another thirteen. His two-volume study,\u00a0Theatre, Society, Nation<\/em>\u00a0(2010), was awarded first prize for best theatre study of the year. In addition to his academic activities, he works as a theatre reviewer for the ejournals\u00a0lavart<\/em>,\u00a0parallaxi<\/em>, and\u00a0the greekplay project<\/em>. He is currently the president of the Hellenic Association of Theatre and Performing Arts Critics and the editor-in-chief of\u00a0Critical Stages\/Sc\u00e8nes Critiques<\/em>, the web journal of the International Association of Theatre Critics.<\/p>\n

\n
\"\"<\/a>\n

The Road to Stellenbosch: Interview with Athol Fugard<\/a><\/p>\n

by Temple Hauptfleisch<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Touching\/Crossing the Border: Interview with Kamila Klamut and Ewa Pasikowska (Teatr Zar)<\/a><\/p>\n

by Tina Peric<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

About Monodrama Festivals and Other Matters: Interview with Kurt Egelhof<\/a><\/p>\n

by Olga Pozeli<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

\u00c9crire au-del\u00e0 de la langue: Entretien avec Jean-Luc Raharimanana<\/a><\/p>\n

by Alvina Ruprecht<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Le th\u00e9\u00e2tre espagnol au Japon : Entretien avec Yoichi Tajiri, traducteur du th\u00e9\u00e2tre espagnol et dramaturge de la compagnie Ksec Act<\/a><\/p>\n

by Ir\u00e8ne Sadowska<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Trente ans du Prix Europe pour le th\u00e9\u00e2tre : Entrevue avec Alessandro Martinez<\/a><\/p>\n

by Jean-Pierre Han and Michel Va\u00efs<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor:\u00a0Savas Patsalidis\u00a0(Greece) Savas Patsalidis\u00a0is Professor of theatre and performance history and theory in the School of English (Aristotle University), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is the author of<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9iUM2-s","jetpack_likes_enabled":false,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/pages\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/pages\/28\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/16\/wp-json\/wp\/v2\/media?parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}