{"id":967,"date":"2017-07-02T16:59:39","date_gmt":"2017-07-02T16:59:39","guid":{"rendered":"https:\/\/www.critical-stages.org\/15\/?page_id=967"},"modified":"2017-07-05T14:05:40","modified_gmt":"2017-07-05T14:05:40","slug":"critics-on-criticism","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/15\/critics-on-criticism\/","title":{"rendered":"Critics on Criticism"},"content":{"rendered":"<p>Section Editor:\u00a0<strong>Diana Damian Martin<\/strong>\u00a0(UK)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"968\" data-permalink=\"https:\/\/www.critical-stages.org\/15\/critics-on-criticism\/diana-damian\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/07\/DIANA-DAMIAN.jpg\" data-orig-size=\"514,643\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"DIANA DAMIAN\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/07\/DIANA-DAMIAN.jpg\" class=\"alignnone size-medium wp-image-968\" src=\"https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/07\/DIANA-DAMIAN-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/07\/DIANA-DAMIAN-240x300.jpg 240w, https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/07\/DIANA-DAMIAN.jpg 514w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/p>\n<p><strong>Diana Damian Martin<\/strong> is a performance writer, critic and theorist. She is Lecturer in Performance Arts at Royal Central School of Speech and Drama, a co-founder and member of <a href=\"http:\/\/www.generativeconstraints.com\/\" target=\"_blank\" rel=\"noopener\">Generative Constraints<\/a> committee and the <a href=\"https:\/\/medium.com\/department-of-feminist-conversations\" target=\"_blank\" rel=\"noopener\">Department of Feminist Conversations<\/a> and co-editor of <a href=\"http:\/\/www.somethingother.io\" target=\"_blank\" rel=\"noopener\">Something Other<\/a>. She works with long-time collaborators Pacitti Company on <em><a href=\"https:\/\/spillfestival.com\/spill-writing\/\" target=\"_blank\" rel=\"noopener\">Spill Writing<\/a><\/em><em>,<\/em> an embedded residency programme that experiments with forms of critical writing in dialogue with radical work , and also works with Bojana Jankovic on <em><a href=\"http:\/\/criticalinterruptions.com\/\" target=\"_blank\" rel=\"noopener\">Critical Interruptions<\/a><\/em><em>.<\/em><\/p>\n<p>Email: <a href=\"mailto:Diana.Damian@cssd.ac.uk\">Diana.Damian@cssd.ac.uk<\/a><\/p>\n<hr \/>\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-8d078c46jw\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/15\/criticism-in-a-time-of-crisis\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"195\" src=\"https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/06\/Picture12-300x195.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/06\/Picture12-300x195.jpg 300w, https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/06\/Picture12.jpg 700w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" data-attachment-id=\"942\" data-permalink=\"https:\/\/www.critical-stages.org\/15\/criticism-in-a-time-of-crisis\/picture12\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/06\/Picture12.jpg\" data-orig-size=\"700,454\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Picture12\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ya\u00ebl Farber\u2019s Salom\u00e9, National Theatre, 2017. Photo: Tristram Kenton&lt;\/p&gt;\n\" data-large-file=\"https:\/\/www.critical-stages.org\/15\/wp-content\/uploads\/sites\/16\/2017\/06\/Picture12.jpg\" \/><\/a>\n<p class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/15\/criticism-in-a-time-of-crisis\/\" class=\"_self\" target=\"_self\" >Criticism in a Time of Crisis<\/a><\/p>\n<div class=\"pt-cv-meta-fields\"><span class=\"terms\"> <a href='https:\/\/www.critical-stages.org\/15\/tag\/by-sam-williams\/' title='by Sam Williams' class='pt-cv-tax-by-sam-williams'>by Sam Williams<\/a>, <a href='https:\/\/www.critical-stages.org\/15\/category\/critics-on-criticism\/' title='Critics on Criticism' class='pt-cv-tax-critics-on-criticism'>Critics on Criticism<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Section Editor:\u00a0Diana Damian Martin\u00a0(UK) Diana Damian Martin is a performance writer, critic and theorist. She is Lecturer in Performance Arts at Royal Central School of Speech and Drama, a co-founder and member of Generative Constraints committee and the Department of<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-967","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8ugAy-fB","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/comments?post=967"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/967\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/media?parent=967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}