{"id":78,"date":"2017-03-11T14:58:01","date_gmt":"2017-03-11T14:58:01","guid":{"rendered":"https:\/\/www.critical-stages.org\/15\/?page_id=78"},"modified":"2017-06-03T13:59:01","modified_gmt":"2017-06-03T13:59:01","slug":"book-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/15\/book-reviews\/","title":{"rendered":"Book Reviews"},"content":{"rendered":"

Section Editor: Don Rubin<\/strong> (Canada)<\/p>\n

\"don-rubin-200x300\"<\/p>\n

Don Rubin<\/strong> is Editor of the six-volume World Encyclopedia of Contemporary Theatre<\/em>. He is a Professor of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate Program in Theatre Studies.<\/p>\n

\n
\"\"<\/a>\n

The Routledge Dictionary of Performance and Contemporary Theatre<\/a><\/p>\n

Author: Patrice Pavis; Reviewer: Philippe Rouyer<\/a>, Book Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

The Methuen Drama Guide to Contemporary South African Theatre<\/a><\/p>\n

Author: Martin Middeke<\/a>, Book Reviews<\/a>, Peter Paul Schnierer and Greg Homann; Reviewer: Temple Hauptfleisch<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Inside\/Outside: Six Plays from Palestine and the Diaspora<\/a><\/p>\n

Author: Ismail Khalidi and Naomi Wallace; Reviewer: Marjan Moosavi<\/a>, Book Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

How To Write About Theatre: A Manual for Critics, Students and Bloggers<\/a><\/p>\n

Author: Mark Fisher; Reviewer: Don Rubin<\/a>, Book Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

One Man Dancing<\/a><\/p>\n

Author: Patricia Keeney; Reviewer: Octavian Saiu<\/a>, Book Reviews<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor: Don Rubin (Canada) Don Rubin is Editor of the six-volume World Encyclopedia of Contemporary Theatre. He is a Professor of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-78","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8ugAy-1g","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/78","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/comments?post=78"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/78\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/media?parent=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}