{"id":76,"date":"2017-03-11T14:57:40","date_gmt":"2017-03-11T14:57:40","guid":{"rendered":"https:\/\/www.critical-stages.org\/15\/?page_id=76"},"modified":"2017-05-14T19:08:03","modified_gmt":"2017-05-14T19:08:03","slug":"performance-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/15\/performance-reviews\/","title":{"rendered":"Performance Reviews"},"content":{"rendered":"

Section Editor:\u00a0Matti Linnavuori\u00a0<\/strong>(Finland)<\/p>\n

\"OLYMPUS<\/p>\n

Matti Linnavuori<\/strong> wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London. Since 1998, he has presented papers at numerous IATC events. In the 2000s, he wrote for Teatra Vestnesis in Latvia. Since 1992, he has written and directed several radio plays for YLE the Finnish Broadcasting Company. In March 2016, his play Ta mig till er ledare (<\/em>Take me to your leader<\/em>) premiered at Lilla Teatern in Helsinki.<\/p>\n

\n
\"\"<\/a>\n

Les Fran\u00e7ais<\/em> : Warlikowski, agitateur de la d\u00e9cadence<\/a><\/p>\n

by Mathias Daval<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Le th\u00e9\u00e2tre comme carte de la m\u00e9moire<\/a><\/p>\n

by Ir\u00e8ne Sadowska<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Fr\u00e9n\u00e9tique Afrique !<\/a><\/p>\n

by Christiane Makward<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

How Southern Dialects Convey the Sense of Theatre in Italy<\/a><\/p>\n

by Claudia Provvedini<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

The Present Meaning of “Stranger” Revealed in Cluj<\/a><\/p>\n

by Maria Z\u0103rnescu<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

The Sins of the Parents: Several Characters in Search of an Author<\/a><\/p>\n

by Soila Lehtonen<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Un formidable retour aux sources<\/a><\/p>\n

by Jean-Pierre Han<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Un th\u00e9\u00e2tre de l\u2019exc\u00e8s<\/a><\/p>\n

by Selim Lander<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Ancient Meets Cutting Edge: China\u2019s Wuzhen Theatre Festival<\/a><\/p>\n

by Lissa Tyler Renaud<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Into the Intricacies of Memory: Journey into Strelitzia<\/a><\/p>\n

by Mosunmola Omowunmi Adeojo<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Hold Up That Mirror And Preen: South African Solo Theatre At Its Finest<\/a><\/p>\n

by Robyn Sassen<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

And the Rest is Silence<\/a><\/p>\n

by Margareta S\u00f6renson<\/a>, Performance Reviews<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor:\u00a0Matti Linnavuori\u00a0(Finland) Matti Linnavuori wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London. Since 1998, he has presented papers at numerous<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-76","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8ugAy-1e","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/76","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/comments?post=76"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/76\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/media?parent=76"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}