{"id":72,"date":"2017-03-11T14:56:56","date_gmt":"2017-03-11T14:56:56","guid":{"rendered":"https:\/\/www.critical-stages.org\/15\/?page_id=72"},"modified":"2017-07-05T14:01:24","modified_gmt":"2017-07-05T14:01:24","slug":"essays","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/15\/essays\/","title":{"rendered":"Essays \u2013 Michael Chekhov: Pedagogy Today"},"content":{"rendered":"

\"\"<\/p>\n

Michael Chekhov’s Theatre Pedagogy in the Age of Cosmopolitanism<\/b><\/a>
\nGuest Editor: Yana Meerzon<\/strong>\u00a0(Canada)<\/p>\n

\n
\"\"<\/a>\n

The Art of Michael Chekhov\u2019s Chart: A Training Sequence for Contemporary Practice in Professional Studios and Academia<\/a><\/p>\n

by Lisa Dalton<\/a>, Essays<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Performing in Mask: Michael Chekhov\u2019s Pedagogy, Commedia<\/em> and Mime<\/a><\/p>\n

by Lenka Pichl\u00edkov\u00e1<\/a>, Essays<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

ImageWork Training<\/em> and the Chekhov Technique<\/a><\/p>\n

by David Zinder<\/a>, Essays<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Musical Synthesis of the Michael Chekhov Technique: Integrated Training for the Singer \u2013 Actor<\/a><\/p>\n

by James Haffner<\/a>, Essays<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Gestures of Listening<\/a><\/p>\n

by Ulrich Meyer-Horsch<\/a>, Essays<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Presence<\/em>, Significance<\/em> and Radiation<\/em> in Acting: Creating the Psychophysical Foundation for Working on Chekhov\u2019s Atmospheres[1]<\/sup><\/a><\/p>\n

by Sol Garre<\/a>, Essays<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Michael Chekhov’s Theatre Pedagogy in the Age of Cosmopolitanism Guest Editor: Yana Meerzon\u00a0(Canada)<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-72","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8ugAy-1a","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/72","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/comments?post=72"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/72\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/media?parent=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}