{"id":68,"date":"2017-03-11T14:56:03","date_gmt":"2017-03-11T14:56:03","guid":{"rendered":"https:\/\/www.critical-stages.org\/15\/?page_id=68"},"modified":"2017-12-22T19:52:02","modified_gmt":"2017-12-22T19:52:02","slug":"interviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/15\/interviews\/","title":{"rendered":"Interviews"},"content":{"rendered":"

Section Editor:\u00a0Savas Patsalidis\u00a0<\/strong>(Greece)<\/p>\n

\"\"<\/p>\n

Savas Patsalidis <\/strong>is Professor of theatre and performance history and theory in the School of English (Aristotle University, Thessaloniki), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is also a regular lecturer on the Graduate Programme of the Theatre Department at Aristotle University. He is the author of thirteen books on theatre and performance criticism\/theory and co-editor of another thirteen. His two-volume study,\u00a0Theatre, Society, Nation<\/em>\u00a0(2010), was awarded first prize for best theatre study of the year. In addition to his academic activities, he works as a theatre reviewer for the ejournals\u00a0lavart<\/em>,\u00a0parallaxi<\/em>, and\u00a0the greekplay project<\/em>. He is currently the president of the Hellenic Association of Theatre and Performing Arts Critics and the editor-in-chief of\u00a0Critical Stages\/Sc\u00e8nes Critiques<\/em>, the journal of the International Association of Theatre Critics.<\/p>\n

\n
\"\"<\/a>\n

Workshopping the Refugee Condition: Interview with Anina Jendreyko<\/a><\/p>\n

by Katerina Delikonstantinidou<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

Comment capter et traduire le r\u00e9el sur sc\u00e8ne: Chroniques de la soci\u00e9t\u00e9 cubaine: Entretien avec Abel Gonzalez Melo<\/a><\/p>\n

by Ir\u00e8ne Sadowska<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

L\u2019Ombre de Venceslao ou une \u00e9pop\u00e9e argentine: Entretien avec Jorge Lavelli<\/a><\/p>\n

by Ir\u00e8ne Sadowska<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

“Better Days for Ugandan Theatre”: Interview with Asiimwe Deborah GKashugi<\/a><\/p>\n

by Andrew Kaggwa<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div>\n
\"\"<\/a>\n

The Artist in Times of Crisis: Interview with Theodoros Terzopoulos<\/a><\/p>\n

by Penelope Chatzidimitriou<\/a>, Interviews<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor:\u00a0Savas Patsalidis\u00a0(Greece) Savas Patsalidis is Professor of theatre and performance history and theory in the School of English (Aristotle University, Thessaloniki), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is also<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-68","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8ugAy-16","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/pages\/68\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/15\/wp-json\/wp\/v2\/media?parent=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}