{"id":111,"date":"2016-10-30T13:32:46","date_gmt":"2016-10-30T13:32:46","guid":{"rendered":"https:\/\/www.critical-stages.org\/14\/?page_id=111"},"modified":"2016-12-14T19:06:38","modified_gmt":"2016-12-14T19:06:38","slug":"book-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/14\/book-reviews\/","title":{"rendered":"Book Reviews"},"content":{"rendered":"<p>Section Editor: <strong>Don Rubin<\/strong> (Canada)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"255\" data-permalink=\"https:\/\/www.critical-stages.org\/14\/book-reviews\/don-rubin-200x300\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300.jpg\" data-orig-size=\"200,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"don-rubin-200&amp;#215;300\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Prof. Don Rubin&lt;\/p&gt;\n\" data-large-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300.jpg\" class=\"alignnone wp-image-255\" src=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Don-Rubin-200x300.jpg\" alt=\"don-rubin-200x300\" width=\"167\" height=\"250\" \/><\/p>\n<p><strong>Don Rubin<\/strong> is Editor of the six-volume <em>World Encyclopedia of Contemporary Theatre<\/em>. He is a Professor of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre and its Graduate Program in Theatre Studies.<\/p>\n<hr \/>\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-38c1634amc\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/14\/deleuze-and-beckett\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/DeleuzeBeckettCover-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/DeleuzeBeckettCover-150x150.jpg 150w, https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/DeleuzeBeckettCover-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"73\" data-permalink=\"https:\/\/www.critical-stages.org\/14\/deleuze-and-beckett\/deleuzebeckettcover\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/DeleuzeBeckettCover.jpg\" data-orig-size=\"258,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"deleuzebeckettcover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/DeleuzeBeckettCover.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/14\/deleuze-and-beckett\/\" class=\"_self\" target=\"_self\" >Deleuze and Beckett<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/14\/3-jamaican-plays-a-postcolonial-anthology-1977-87\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Jamaica-Cover-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Jamaica-Cover-150x150.jpg 150w, https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Jamaica-Cover-270x270.jpg 270w, https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Jamaica-Cover-298x300.jpg 298w, https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Jamaica-Cover-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"79\" data-permalink=\"https:\/\/www.critical-stages.org\/14\/3-jamaican-plays-a-postcolonial-anthology-1977-87\/jamaica-cover\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Jamaica-Cover.jpg\" data-orig-size=\"298,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"jamaica-cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Jamaica-Cover.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/14\/3-jamaican-plays-a-postcolonial-anthology-1977-87\/\" class=\"_self\" target=\"_self\" >3 Jamaican Plays: A Postcolonial Anthology (1977-87)<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/14\/this-bizarre-circus-is-life-itself-beckett-performance-in-greece-1960-2010\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Kokori-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Kokori-150x150.jpg 150w, https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Kokori-270x270.jpg 270w, https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Kokori-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"123\" data-permalink=\"https:\/\/www.critical-stages.org\/14\/this-bizarre-circus-is-life-itself-beckett-performance-in-greece-1960-2010\/kokori\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Kokori.jpg\" data-orig-size=\"282,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"kokori\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/Kokori.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/14\/this-bizarre-circus-is-life-itself-beckett-performance-in-greece-1960-2010\/\" class=\"_self\" target=\"_self\" >This Bizarre Circus Is Life Itself: Beckett Performance in Greece (1960-2010)<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/14\/hamlet-and-the-madness-of-the-world\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/cover-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/cover-150x150.jpg 150w, https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/cover-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"86\" data-permalink=\"https:\/\/www.critical-stages.org\/14\/hamlet-and-the-madness-of-the-world\/cover\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/cover.jpg\" data-orig-size=\"232,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/cover.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/14\/hamlet-and-the-madness-of-the-world\/\" class=\"_self\" target=\"_self\" >Hamlet and the Madness of the World<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/14\/political-performance-in-syria-from-the-six-day-war-to-the-syrian-uprising\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/GetFileAttachment-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/GetFileAttachment-150x150.jpg 150w, https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/GetFileAttachment-268x270.jpg 268w, https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/GetFileAttachment-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"90\" data-permalink=\"https:\/\/www.critical-stages.org\/14\/political-performance-in-syria-from-the-six-day-war-to-the-syrian-uprising\/getfileattachment\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/GetFileAttachment.jpg\" data-orig-size=\"268,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1452257551&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"getfileattachment\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/14\/wp-content\/uploads\/sites\/15\/2016\/10\/GetFileAttachment.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/14\/political-performance-in-syria-from-the-six-day-war-to-the-syrian-uprising\/\" class=\"_self\" target=\"_self\" >Political Performance in Syria: From the Six-Day War to the Syrian Uprising<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Section Editor: Don Rubin (Canada) Don Rubin is Editor of the six-volume World Encyclopedia of Contemporary Theatre. He is a Professor of Theatre at York University in Toronto and Founding Director and Former Chair of both York\u2019s Department of Theatre<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-111","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P83Osv-1N","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/14\/wp-json\/wp\/v2\/pages\/111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/14\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/14\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/14\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/14\/wp-json\/wp\/v2\/comments?post=111"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/14\/wp-json\/wp\/v2\/pages\/111\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/14\/wp-json\/wp\/v2\/media?parent=111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}