{"id":191,"date":"2016-05-12T18:44:28","date_gmt":"2016-05-12T18:44:28","guid":{"rendered":"https:\/\/www.critical-stages.org\/13\/?page_id=191"},"modified":"2017-12-22T19:57:14","modified_gmt":"2017-12-22T19:57:14","slug":"performance-reviews","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/13\/performance-reviews\/","title":{"rendered":"Performance Reviews: North-South, East-West"},"content":{"rendered":"<p>Section Editor: <strong>Savas Patsalidis<\/strong> (Greece)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"547\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/interconnecting-artistic-landscapes-the-fujairah-international-arts-festival-february-20-30-2016\/patsalidis-2\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Patsalidis.jpeg\" data-orig-size=\"140,210\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.66&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 60D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1371375526&quot;,&quot;copyright&quot;:&quot;\\u039a&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;250&quot;,&quot;shutter_speed&quot;:&quot;0.003906&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Patsalidis\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Patsalidis.jpeg\" class=\"alignnone size-full wp-image-547\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Patsalidis.jpeg\" alt=\"Patsalidis\" width=\"140\" height=\"210\" \/><\/p>\n<p><strong>Savas Patsalidis<\/strong>\u00a0is Professor of theatre and performance history and theory in the School of English (Aristotle University, Thessaloniki), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is also a regular lecturer on the Graduate Programme of the Theatre Department at Aristotle University. He is the author of thirteen books on theatre and performance criticism\/theory and co-editor of another thirteen. His two-volume study,\u00a0<em>Theatre, Society, Nation<\/em>\u00a0(2010), was awarded first prize for best theatre study of the year. In addition to his academic activities, he works as a theatre reviewer for the ejournals\u00a0<em>lavart<\/em>,\u00a0<em>parallaxi<\/em>, and\u00a0<em>the greekplay project<\/em>. He is currently the president of the Hellenic Association of Theatre and Performing Arts Critics and the editor-in-chief of\u00a0<em>Critical Stages\/Sc\u00e8nes Critiques<\/em>, the journal of the International Association of Theatre Critics.<\/p>\n<hr \/>\n<h5>Festivals Around the Globe<\/h5>\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-7e8f1a7122\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/crossing-europe-in-one-night-best-of-be-festival-2015\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Picture1-2-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Picture1-2-150x150.jpg 150w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Picture1-2-270x270.jpg 270w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Picture1-2-300x300.jpg 300w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Picture1-2-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"177\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/crossing-europe-in-one-night-best-of-be-festival-2015\/picture1-3\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Picture1-2.jpg\" data-orig-size=\"300,309\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Picture1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Picture1-2.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/crossing-europe-in-one-night-best-of-be-festival-2015\/\" class=\"_self\" target=\"_self\" >\u201cCrossing Europe in One Night\u201d: Best of BE Festival 2015<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/theatre-of-the-world-in-the-argentine-capital-x-buenos-aires-international-festival\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/foto-Alina-Mazzaferro-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/foto-Alina-Mazzaferro-150x150.jpg 150w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/foto-Alina-Mazzaferro-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"487\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/theatre-of-the-world-in-the-argentine-capital-x-buenos-aires-international-festival\/foto-alina-mazzaferro\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/foto-Alina-Mazzaferro.jpg\" data-orig-size=\"256,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"foto Alina Mazzaferro\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/foto-Alina-Mazzaferro.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/theatre-of-the-world-in-the-argentine-capital-x-buenos-aires-international-festival\/\" class=\"_self\" target=\"_self\" >Theatre of the World in the Argentine Capital<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/interconnecting-artistic-landscapes-the-fujairah-international-arts-festival-february-20-30-2016\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Patsalidis-140x150.jpeg\" class=\"pt-cv-thumbnail\" alt=\"\" data-attachment-id=\"547\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/interconnecting-artistic-landscapes-the-fujairah-international-arts-festival-february-20-30-2016\/patsalidis-2\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Patsalidis.jpeg\" data-orig-size=\"140,210\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.66&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 60D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1371375526&quot;,&quot;copyright&quot;:&quot;\\u039a&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;250&quot;,&quot;shutter_speed&quot;:&quot;0.003906&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Patsalidis\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Patsalidis.jpeg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/interconnecting-artistic-landscapes-the-fujairah-international-arts-festival-february-20-30-2016\/\" class=\"_self\" target=\"_self\" >Interconnecting Artistic Landscapes in Fujairah<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n<hr \/>\n<h5>Re-reading the Classics Around the Globe<\/h5>\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-5190bd8c10\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/silence-of-loneliness-in-the-noisy-world-of-technology\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Kamelia-Nikolova-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Kamelia-Nikolova-150x150.jpg 150w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Kamelia-Nikolova-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"148\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/silence-of-loneliness-in-the-noisy-world-of-technology\/kamelia-nikolova\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Kamelia-Nikolova.jpg\" data-orig-size=\"300,242\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;FinePix F50fd&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1281102996&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;8&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.0016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Kamelia Nikolova\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Kamelia-Nikolova.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/silence-of-loneliness-in-the-noisy-world-of-technology\/\" class=\"_self\" target=\"_self\" >Silence of Loneliness in the Noisy World of Technology<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/nohnekyia-homer-recited-in-japanese-in-an-ancient-greek-theatre\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Anna-Stavrakopoulou2-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Anna-Stavrakopoulou2-150x150.jpg 150w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Anna-Stavrakopoulou2-300x297.jpg 300w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Anna-Stavrakopoulou2-270x270.jpg 270w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Anna-Stavrakopoulou2-230x230.jpg 230w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Anna-Stavrakopoulou2.jpg 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"431\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/nohnekyia-homer-recited-in-japanese-in-an-ancient-greek-theatre\/anna-stavrakopoulou2\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Anna-Stavrakopoulou2.jpg\" data-orig-size=\"500,495\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Anna Stavrakopoulou2\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Anna-Stavrakopoulou2.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/nohnekyia-homer-recited-in-japanese-in-an-ancient-greek-theatre\/\" class=\"_self\" target=\"_self\" >Noh\/Nekyia: Homer Recited in Japanese in an Ancient Greek Theatre<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/quand-la-tourmente-sapaise\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Irene-Sadowska-Guillon-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" data-attachment-id=\"46\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/migrations-theatrales-les-apports-des-createurs-de-theatre-etrangers-vers-et-hors-despagne\/irene-sadowska-guillon\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Irene-Sadowska-Guillon.jpg\" data-orig-size=\"245,208\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Tasos&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Irene Sadowska Guillon\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Irene-Sadowska-Guillon.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/quand-la-tourmente-sapaise\/\" class=\"_self\" target=\"_self\" >Quand la tourmente s&#8217;apaise\u2026 (Le conte d\u2019hiver-The Winter\u2019s Tale)<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/a-sinewy-directorial-reading-wins-the-winters-tale\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Soon-ja-Hur-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" data-attachment-id=\"514\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/a-sinewy-directorial-reading-wins-the-winters-tale\/soon-ja-hur\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Soon-ja-Hur.png\" data-orig-size=\"300,199\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Soon-ja Hur\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Soon-ja-Hur.png\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/a-sinewy-directorial-reading-wins-the-winters-tale\/\" class=\"_self\" target=\"_self\" >A Sinewy Directorial Reading Wins: The Winter\u2019s Tale<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/jan-fabres-mount-olympus-or-how-to-conceive-culture-in-transitional-times\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Freddy-Decreus-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" data-attachment-id=\"715\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/jan-fabres-mount-olympus-or-how-to-conceive-culture-in-transitional-times\/freddy-decreus\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Freddy-Decreus.jpg\" data-orig-size=\"176,286\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Freddy Decreus\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/06\/Freddy-Decreus.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/jan-fabres-mount-olympus-or-how-to-conceive-culture-in-transitional-times\/\" class=\"_self\" target=\"_self\" >Jan Fabre&#8217;s Mount Olympus, or How to Conceive Culture in Transitional Times?<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n<hr \/>\n<h5>Contemporaries Around the Globe<\/h5>\n<div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-d40f83c88a\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\"><div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/une-trop-bruyante-solitude\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Alvina-Rubrecht-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Alvina-Rubrecht-150x150.jpg 150w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Alvina-Rubrecht-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"86\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/une-trop-bruyante-solitude\/alvina-rubrecht\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Alvina-Rubrecht.jpg\" data-orig-size=\"250,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Alvina Rubrecht\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Alvina-Rubrecht.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/une-trop-bruyante-solitude\/\" class=\"_self\" target=\"_self\" >Une trop bruyante solitude<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/robert-lepage-en-marquis-de-sade-tres-convaincant\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Michel-Vais-150x150.png\" class=\"pt-cv-thumbnail\" alt=\"\" data-attachment-id=\"93\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/robert-lepage-en-marquis-de-sade-tres-convaincant\/michel-vais\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Michel-Vais.png\" data-orig-size=\"176,249\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Michel Vais\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Michel-Vais.png\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/robert-lepage-en-marquis-de-sade-tres-convaincant\/\" class=\"_self\" target=\"_self\" >Robert Lepage en marquis de Sade : tr\u00e8s convaincant !<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/the-limits-of-action\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Jaszay-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Jaszay-150x150.jpg 150w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Jaszay-230x230.jpg 230w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Jaszay.jpg 266w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"140\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/the-limits-of-action\/jaszay\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Jaszay.jpg\" data-orig-size=\"266,266\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Jaszay\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Jaszay.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/the-limits-of-action\/\" class=\"_self\" target=\"_self\" >The Limits of Action<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/teatime-europe-201415-%ce%b5urope-in-a-constant-state-of-exception\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Konomi-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" data-attachment-id=\"336\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/teatime-europe-201415-%ce%b5urope-in-a-constant-state-of-exception\/konomi\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Konomi.jpg\" data-orig-size=\"200,234\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Konomi\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/05\/Konomi.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/teatime-europe-201415-%ce%b5urope-in-a-constant-state-of-exception\/\" class=\"_self\" target=\"_self\" >Teatime Europe (2014\/15):  \u0395urope in a Constant \u201cState of Exception\u201d**<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/www.critical-stages.org\/13\/an-%ce%b5xtraordinary-%ce%b5ncounter-with-%cf%84echnology-complicite-in-edinburgh\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/07\/Brown-150x150.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/07\/Brown-150x150.jpg 150w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/07\/Brown-270x270.jpg 270w, https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/07\/Brown-230x230.jpg 230w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-attachment-id=\"915\" data-permalink=\"https:\/\/www.critical-stages.org\/13\/an-%ce%b5xtraordinary-%ce%b5ncounter-with-%cf%84echnology-complicite-in-edinburgh\/brown-2\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/07\/Brown.jpg\" data-orig-size=\"640,480\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.3&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;DMC-FS35&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1341356061&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;5&quot;,&quot;iso&quot;:&quot;1600&quot;,&quot;shutter_speed&quot;:&quot;0.2&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Brown\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/13\/wp-content\/uploads\/sites\/14\/2016\/07\/Brown.jpg\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.critical-stages.org\/13\/an-%ce%b5xtraordinary-%ce%b5ncounter-with-%cf%84echnology-complicite-in-edinburgh\/\" class=\"_self\" target=\"_self\" >An Extraordinary Encounter with Technology: Complicite in Edinburgh<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Section Editor: Savas Patsalidis (Greece) Savas Patsalidis\u00a0is Professor of theatre and performance history and theory in the School of English (Aristotle University, Thessaloniki), the Hellenic Open University and the Drama Academy of the National Theatre of Northern Greece. He is<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-191","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7Ekoe-35","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/13\/wp-json\/wp\/v2\/pages\/191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/13\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/13\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/13\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/13\/wp-json\/wp\/v2\/comments?post=191"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/13\/wp-json\/wp\/v2\/pages\/191\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/13\/wp-json\/wp\/v2\/media?parent=191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}