{"id":41,"date":"2015-12-21T18:51:32","date_gmt":"2015-12-21T18:51:32","guid":{"rendered":"http:\/\/cs2.enl.auth.gr\/12\/?page_id=41"},"modified":"2015-12-22T14:54:56","modified_gmt":"2015-12-22T14:54:56","slug":"performance-reviews-international-reviewing","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/12\/performance-reviews-international-reviewing\/","title":{"rendered":"Performance Reviews: (Inter)national (Re)viewing"},"content":{"rendered":"

Section Editor: Matti Linnavuori<\/strong> (Finland) (in collaboration with Savas Patsalidis<\/strong>, Greece)<\/p>\n

\"OLYMPUS<\/p>\n

Matti Linnavuori<\/strong> wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London. Since 1998, he has presented papers at numerous IATC events. In the 2000s, he wrote for Teatra Vestnesis in Latvia. Since 1992, he has written and directed several radio plays for YLE the Finnish Broadcasting Company. In October 2015, his play Ta mig till er ledare (\u201c<\/em>Take me to your leader\u201d) tied the victory in the playwriting competition of Lilla Teatern in Helsinki.<\/p>\n

\n
\n
Critics Abroad<\/h5>\n<\/blockquote>\n
\"\"<\/a>\n

S\u0153urs de Wajdi Mouawad : Apocalypse dans une chambre d\u2019h\u00f4tel<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Genet and Euripides Done Excellent Justice in Tbilisi<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Harsh Criticism of the European Fortress<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

The Ship May Be Sinking But in the Czech Republic the Band Plays On<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Un panorama partiel du Festival de Tbilissi en G\u00e9orgie<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Dancing on the Edge of the Abyss\u2014Russian Theatre’s Risky Response to Repression<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Circus Cirk\u00f6r Goes beyond Thrills at Swedish Biennale<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n
\n
Critics at Home<\/h5>\n<\/blockquote>\n
\"\"<\/a>\n

From Lapland to Spitzbergen with Juha Hurme<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Caramitru-Prospero and the Apocalypse Generation<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

NETA Festival\u2014A Hero of a Hot Summer<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Un match du si\u00e8cle sur l\u2019\u00e9chiquier du monde<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Transgressing Spaces, Genres and Gender<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Where is Here: Reconstructing the Canadian Immigrant Experience<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Section Editor: Matti Linnavuori (Finland) (in collaboration with Savas Patsalidis, Greece) Matti Linnavuori wrote theatre criticism between 1978 and 2013 for various newspapers and weeklies in his native Finland. In 1985, he worked for the BBC World Service in London.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-41","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9xLnm-F","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/pages\/41","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/pages\/41\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/media?parent=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}