{"id":17,"date":"2015-12-21T18:44:56","date_gmt":"2015-12-21T18:44:56","guid":{"rendered":"http:\/\/cs2.enl.auth.gr\/12\/?page_id=17"},"modified":"2015-12-22T14:44:35","modified_gmt":"2015-12-22T14:44:35","slug":"appel-de-textes-numero-13","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/12\/appel-de-textes-numero-13\/","title":{"rendered":"Appel de Textes &#8211; Num\u00e9ro 13"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/www.aict-iatc.org\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"448\" data-permalink=\"https:\/\/www.critical-stages.org\/12\/appel-de-textes-numero-13\/iatc\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/IATC.jpg\" data-orig-size=\"300,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IATC\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/IATC.jpg\" class=\"alignnone size-full wp-image-448\" src=\"https:\/\/www.critical-stages.org\/21\/wp-content\/uploads\/sites\/22\/2020\/03\/IATC.jpg\" alt=\"IATC\" width=\"300\" height=\"300\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>CRITICAL STAGES\/SC\u00c8NES CRITIQUES<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.critical-stages.org\/\">www.critical-stages.org<br \/>\n<\/a>International Association of Theatre Critics<br \/>\nAssociation internationale des critiques de th\u00e9\u00e2tre<br \/>\na\/s Jean-Pierre Han, 27, rue Beaunier, 75014 Paris, France<br \/>\n<a href=\"http:\/\/www.aict-iatc.org\/\">www.aict-iatc.org<\/a><\/p>\n<p style=\"text-align: center;\">ISSN <strong>2409-7411<\/strong><\/p>\n<h2><strong>DANSERONS-NOUS ?<\/strong><\/h2>\n<p>Le num\u00e9ro 13 de <em>Critical Stages\/Sc\u00e8nes critiques<\/em> (\u00e0 para\u00eetre en juin 2016) portera sur la danse, domaine des arts du spectacle vivant qui a beaucoup influenc\u00e9 le th\u00e9\u00e2tre au cours des derni\u00e8res d\u00e9cennies du 20<sup>e<\/sup> si\u00e8cle. Ce qui est int\u00e9ressant et pertinent \u00e0 analyser, c\u2019est que, alors que la danse et la performance ont tendance \u00e0 prendre plus de place dans les festivals de th\u00e9\u00e2tre contemporains, les critiques continuent \u00e0 s\u00e9parer la critique dramatique de celle de la danse. Voil\u00e0 pourquoi <em>Critical Stages\/Sc\u00e8nes critiques<\/em>, afin d\u2019\u00e9largir le terrain d\u2019enqu\u00eate, lance un appel de textes qui feraient \u00e9cho, de fa\u00e7on nouvelle et invitante, aux tendances contemporaines en mati\u00e8re de critique de th\u00e9\u00e2tre et de danse. Les articles de fond, plus th\u00e9oriques, sont aussi les bienvenus, tels ceux qui traiteraient du corps comme enjeu de n\u00e9gociation artistique et socioculturelle, ou comme dispositif pour les questions de genres.<\/p>\n<p>Les personnes int\u00e9ress\u00e9es \u00e0 soumettre un article sont pri\u00e9es de contacter les responsables du dossier, <strong>Margareta Sorenson<\/strong> (<a href=\"mailto:soerenson@swipnet.se\">soerenson@swipnet.se<\/a>) et <strong>Octavian Saiu<\/strong> (<a href=\"mailto:octavian_saiu@yahoo.com\">octavian_saiu@yahoo.com<\/a>).<\/p>\n<p><strong>NOTE:<\/strong> Les articles soumis ne doivent pas avoir \u00e9t\u00e9 publi\u00e9s ailleurs ou \u00eatre en attente de d\u00e9cision pour une parution alors qu\u2019elle est \u00e9valu\u00e9e par notre revue Web. Ils doivent aussi correspondre au style et \u00e0 l\u2019\u00e9thique de cette publication.<\/p>\n<p><strong>D\u00c9TAILS<\/strong><\/p>\n<p>Date de tomb\u00e9e: <strong>mi-avril 2016<\/strong><br \/>\nLongueur: <strong>4 000-4 500 mots<\/strong><br \/>\nStyle: <strong>Voir la revue sur le Web<\/strong><br \/>\nDate de parution: <strong>13. 1 (2016)<\/strong><br \/>\nFr\u00e9quence: <strong>Deux fois par an (juin et d\u00e9cembre)<\/strong><br \/>\nLangue: <strong>Anglais ou fran\u00e7ais<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CRITICAL STAGES\/SC\u00c8NES CRITIQUES www.critical-stages.org International Association of Theatre Critics Association internationale des critiques de th\u00e9\u00e2tre a\/s Jean-Pierre Han, 27, rue Beaunier, 75014 Paris, France www.aict-iatc.org ISSN 2409-7411 DANSERONS-NOUS ? Le num\u00e9ro 13 de Critical Stages\/Sc\u00e8nes critiques (\u00e0 para\u00eetre en juin<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-17","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9xLnm-h","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/pages\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/comments?post=17"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/pages\/17\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/12\/wp-json\/wp\/v2\/media?parent=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}