{"id":47,"date":"2016-04-13T14:21:38","date_gmt":"2016-04-13T14:21:38","guid":{"rendered":"https:\/\/www.critical-stages.org\/11\/?page_id=47"},"modified":"2019-07-03T14:54:27","modified_gmt":"2019-07-03T14:54:27","slug":"special-topics-the-new-generation-of-playwrights","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/11\/special-topics-the-new-generation-of-playwrights\/","title":{"rendered":"Special Topic: The New Generation of Playwrights"},"content":{"rendered":"

La nouvelle g\u00e9n\u00e9ration d\u2019\u00e9crivains dramaturges<\/a><\/p>\n

Section Editor: Manabu Noda<\/strong> (Japan) [1]<\/sup><\/a><\/p>\n

\"\"<\/p>\n

Has the art of playwriting already fallen victim to the postdramatic overkill? \u201cNot quite yet\u201d seems to be the answer that can be evinced from the articles contained in this issue\u2019s Special Topic Section, \u201cThe New Generation of Playwrights.\u201d The Section is devoted to playwrights from around the world who have made themselves known since the year 2001. Each article focusses on new playwrights and not directors or actors in one particular region\/country.<\/p>\n

It was evident from the start that this issue\u2019s Special Section cannot be hoped to be exhaustive. That said, it is a great pleasure to be able to publish seven articles that discuss new playwriting in Argentina<\/strong>; Quebec, Canada<\/strong>; the francophone\/creolophone Caribbean regions<\/strong>; France<\/strong>; the State of Maharashtra, India; Nigeria<\/strong>; and Spain<\/strong>.<\/p>\n

As Special Topic Section Editor for this issue, I hope Critical Stages<\/em> will follow up in future issues with more articles that will enlighten us and our readers on new playwriting in other parts of the world.<\/p>\n

\n

<\/a>[1] Manabu Noda<\/strong> is Professor at Meiji University, Tokyo, Japan. As a theatre critic and researcher, he has written on British and Japanese acting and theatre history. He is currently on the editorial board of the Theatre Arts (IATC Japan).<\/p>\n

\n
\"\"<\/a>\n

Argentina – Introduction: Dramas from the Confines of the World<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Maharashtra, India – New Generation of Playwrights in the Marathi Theatre<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Nigeria – From Page to Stage: Influences and Challenges Shaping the New Generation of Nigerian Playwrights*<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

France \u2013 Une nouvelle g\u00e9n\u00e9ration d\u2019auteurs de th\u00e9\u00e2tre en France<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Espagne – Nouvelles dramaturgies espagnoles<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Le Qu\u00e9bec, Canada – S\u2019adresser au spectateur actuel : Trois auteurs qu\u00e9b\u00e9cois dans la trentaine<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

La Cara\u00efbe francophone \/ cr\u00e9olophone – Nouvelle g\u00e9n\u00e9ration: Trois dramaturges de la Cara\u00efbe francophone \/ cr\u00e9olophone<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

La nouvelle g\u00e9n\u00e9ration d\u2019\u00e9crivains dramaturges Section Editor: Manabu Noda (Japan) [1] Has the art of playwriting already fallen victim to the postdramatic overkill? \u201cNot quite yet\u201d seems to be the answer that can be evinced from the articles contained in<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-47","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7rA5b-L","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/pages\/47","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":2,"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":742,"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/pages\/47\/revisions\/742"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}