{"id":27,"date":"2016-04-13T14:16:49","date_gmt":"2016-04-13T14:16:49","guid":{"rendered":"https:\/\/www.critical-stages.org\/11\/?page_id=27"},"modified":"2021-03-07T17:19:28","modified_gmt":"2021-03-07T17:19:28","slug":"editorial-board","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/11\/editorial-board\/","title":{"rendered":"Editorial Board"},"content":{"rendered":"<h4 style=\"text-align: center;\"><strong>Editor-in-chief<\/strong><\/h4>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"160\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial\/savas_patsalidis\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Savas_Patsalidis.jpg\" data-orig-size=\"140,187\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Savas_Patsalidis\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Savas_Patsalidis.jpg\" class=\"alignnone size-full wp-image-160\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Savas_Patsalidis.jpg\" alt=\"Savas_Patsalidis\" width=\"140\" height=\"187\" \/><br \/>\n<strong>Savas<\/strong> <strong>Patsalidis<\/strong> (Greece\/Gr\u00e8ce)<br \/>\nAcademic &amp; Critic<br \/>\nspats@enl.auth.gr<\/p>\n<hr \/>\n<h4 style=\"text-align: center;\"><strong>Executive Editor<\/strong><\/h4>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"463\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/jenkins\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Jenkins.jpg\" data-orig-size=\"140,185\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Jenkins\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Jenkins.jpg\" class=\"alignnone size-full wp-image-463\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Jenkins.jpg\" alt=\"Jenkins\" width=\"140\" height=\"185\" \/><br \/>\n<strong>Jeffrey Eric Jenkins<\/strong> (USA\/\u00c9tats-Unis)<br \/>\nAcademic &amp; Critic<br \/>\neditor@bestplays.org<\/p>\n<hr \/>\n<h4 style=\"text-align: center;\"><strong>Managing Editor<\/strong><\/h4>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"418\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/book-reviews\/author-don-rubin-yu-performed-imaginaries-and-the-kwagh-hir-review\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Author-Don-Rubin-YU-Performed-Imaginaries-and-The-Kwagh-Hir-Review.jpg\" data-orig-size=\"700,1052\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;20&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D3S&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1353440533&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Author Don Rubin YU Performed Imaginaries and The Kwagh-Hir Review\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Author-Don-Rubin-YU-Performed-Imaginaries-and-The-Kwagh-Hir-Review-681x1024.jpg\" class=\"alignnone wp-image-418\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Author-Don-Rubin-YU-Performed-Imaginaries-and-The-Kwagh-Hir-Review-200x300.jpg\" alt=\"Author Don Rubin YU Performed Imaginaries and The Kwagh-Hir Review\" width=\"140\" height=\"210\" srcset=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Author-Don-Rubin-YU-Performed-Imaginaries-and-The-Kwagh-Hir-Review-200x300.jpg 200w, https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Author-Don-Rubin-YU-Performed-Imaginaries-and-The-Kwagh-Hir-Review-681x1024.jpg 681w, https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Author-Don-Rubin-YU-Performed-Imaginaries-and-The-Kwagh-Hir-Review.jpg 700w\" sizes=\"auto, (max-width: 140px) 100vw, 140px\" \/><br \/>\n<strong>Don Rubin<\/strong> (Canada)<br \/>\nAcademic &amp; Critic<br \/>\ndrubin@yorku.ca<\/p>\n<hr \/>\n<h4 style=\"text-align: center;\"><strong>Language Editors\u00a0(and Board Members)<\/strong><\/h4>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"464\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/mark_brown\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Mark_Brown.jpg\" data-orig-size=\"140,201\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Mark_Brown\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Mark_Brown.jpg\" class=\"alignnone size-full wp-image-464\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Mark_Brown.jpg\" alt=\"Mark_Brown\" width=\"140\" height=\"201\" \/><br \/>\n<strong>Mark Brown<\/strong> (Scotland\/\u00c9cosse)<br \/>\nCritic &amp; PhD Candidate<br \/>\nmarkbrown.teatro@gmail.com<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"465\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/lissa_tyler\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Lissa_Tyler-.jpg\" data-orig-size=\"140,183\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Lissa_Tyler-\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Lissa_Tyler-.jpg\" class=\"alignnone size-full wp-image-465\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Lissa_Tyler-.jpg\" alt=\"Lissa_Tyler-\" width=\"140\" height=\"183\" \/><br \/>\n<strong>Lissa Tyler Renaud<\/strong> (USA\/\u00c9tats-Unis)<br \/>\nDirector, Critic, Scholar<br \/>\nltrenaud@gmail.com<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"466\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/vais\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/vais.jpg\" data-orig-size=\"140,188\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"vais\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/vais.jpg\" class=\"alignnone size-full wp-image-466\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/vais.jpg\" alt=\"vais\" width=\"140\" height=\"188\" \/><br \/>\n<strong>Michel Vais<\/strong> (Quebec, Canada)<br \/>\nCritic &amp; Scholar<br \/>\nmichelninovais@gmail.com<\/p>\n<hr \/>\n<h4 style=\"text-align: center;\"><strong>BOARD MEMBERS<\/strong><\/h4>\n<table class=\"editors\" style=\"height: 2182px;\" width=\"754\">\n<tbody>\n<tr>\n<td align=\"center\" width=\"350\"><strong><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"490\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/guay2\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/GUAY2.jpg\" data-orig-size=\"140,188\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"GUAY2\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/GUAY2.jpg\" class=\"alignnone size-full wp-image-490\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/GUAY2.jpg\" alt=\"GUAY2\" width=\"140\" height=\"188\" \/><br \/>\nHerv\u00e9 Guay<\/strong> (Quebec, Canada)<br \/>\nAcademic &amp; Critic<br \/>\nherve.guay@gmail.com<\/td>\n<td align=\"center\" width=\"350\"><strong><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"468\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/manabu_noda\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Manabu_Noda.jpg\" data-orig-size=\"140,188\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Manabu_Noda\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Manabu_Noda.jpg\" class=\"alignnone size-full wp-image-468\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Manabu_Noda.jpg\" alt=\"Manabu_Noda\" width=\"140\" height=\"188\" \/><br \/>\nManabu Noda<\/strong> (Japan\/Japon)<br \/>\nAcademic &amp; Critic<br \/>\nmanabunoda1963@hotmail.co.jp<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><strong><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"460\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/attachment\/1197068675\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/1197068675.jpg\" data-orig-size=\"302,401\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"1197068675\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/1197068675.jpg\" class=\"alignnone wp-image-460\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/1197068675-226x300.jpg\" alt=\"1197068675\" width=\"140\" height=\"186\" srcset=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/1197068675-226x300.jpg 226w, https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/1197068675.jpg 302w\" sizes=\"auto, (max-width: 140px) 100vw, 140px\" \/><br \/>\nJean Pierre Han<\/strong> (France)<br \/>\nCritic<br \/>\njp.han@free.fr<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"469\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/femi-x\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/FEMI-X.jpg\" data-orig-size=\"140,187\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"FEMI-X\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/FEMI-X.jpg\" class=\"alignnone size-full wp-image-469\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/FEMI-X.jpg\" alt=\"FEMI-X\" width=\"140\" height=\"187\" \/><br \/>\n<strong>Femi Osofisan<\/strong> (Nigeria)<br \/>\nAcademic &amp; Playwright<br \/>\nokinbalaunko@yahoo.com<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"470\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/portrat-09\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Portrat-09.jpg\" data-orig-size=\"140,186\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Portrat-09\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Portrat-09.jpg\" class=\"alignnone size-full wp-image-470\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Portrat-09.jpg\" alt=\"Portrat-09\" width=\"140\" height=\"186\" \/><br \/>\n<strong>Thomas Irmer<\/strong> (Germany\/Allemagne)<br \/>\nAcademic &amp; Critic<br \/>\ntrirmer@aol.com<\/td>\n<td align=\"center\" width=\"350\"><strong><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"461\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/aludmila-patlanjoglu-8x6\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/aLudmila-Patlanjoglu-8x6.jpg\" data-orig-size=\"543,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"aLudmila-Patlanjoglu-8&amp;#215;6\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/aLudmila-Patlanjoglu-8x6.jpg\" class=\"alignnone wp-image-461\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/aLudmila-Patlanjoglu-8x6-204x300.jpg\" alt=\"aLudmila-Patlanjoglu-8x6\" width=\"140\" height=\"206\" srcset=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/aLudmila-Patlanjoglu-8x6-204x300.jpg 204w, https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/aLudmila-Patlanjoglu-8x6.jpg 543w\" sizes=\"auto, (max-width: 140px) 100vw, 140px\" \/><br \/>\nLudmila Pantlanjoglou<\/strong> (Romania\/Roumanie)<br \/>\nAcademic &amp; Critic<br \/>\nludmilaromania@hotmail.com<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"471\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/yun-cheol_kim\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Yun-Cheol_Kim.jpg\" data-orig-size=\"140,180\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;unknown&quot;,&quot;camera&quot;:&quot;Canon EOS 20D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1222873699&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;52&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Yun-Cheol_Kim\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Yun-Cheol_Kim.jpg\" class=\"alignnone size-full wp-image-471\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Yun-Cheol_Kim.jpg\" alt=\"Yun-Cheol_Kim\" width=\"140\" height=\"180\" \/><br \/>\n<strong>Yun Cheol Kim <\/strong>(S. Korea\/Cor\u00e9e du Sud)<br \/>\nAcademic &amp; Critic<br \/>\nyckim3027@gmail.com<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"472\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/patrice_pavis\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Patrice_Pavis.jpg\" data-orig-size=\"140,188\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Patrice_Pavis\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Patrice_Pavis.jpg\" class=\"alignnone size-full wp-image-472\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Patrice_Pavis.jpg\" alt=\"Patrice_Pavis\" width=\"140\" height=\"188\" \/><br \/>\n<strong>Patrice Pavis<\/strong> (France)<br \/>\nAcademic &amp; Critic<br \/>\npatricepavis@hotmail.com<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"473\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/matti_linnavuori\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Matti_Linnavuori.jpg\" data-orig-size=\"140,188\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Matti_Linnavuori\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Matti_Linnavuori.jpg\" class=\"alignnone size-full wp-image-473\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Matti_Linnavuori.jpg\" alt=\"Matti_Linnavuori\" width=\"140\" height=\"188\" \/><br \/>\n<strong>Matti Linnavuori<\/strong> (Finland\/Finlande)<br \/>\nCritic<br \/>\nmatti.linnavuori@welho.org<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"474\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/maria_shevtsova\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Maria_Shevtsova.jpg\" data-orig-size=\"140,184\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Maria_Shevtsova\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Maria_Shevtsova.jpg\" class=\"alignnone size-full wp-image-474\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Maria_Shevtsova.jpg\" alt=\"Maria_Shevtsova\" width=\"140\" height=\"184\" \/><br \/>\n<strong>Maria Shevtsova<\/strong> (England\/Angleterre)<br \/>\nAcademic &amp; Critic<br \/>\nm.shevtsova@gold.ac.uk<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><strong><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"475\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/medenica-2\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Medenica-1.jpg\" data-orig-size=\"140,182\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Medenica\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Medenica-1.jpg\" class=\"alignnone size-full wp-image-475\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Medenica-1.jpg\" alt=\"Medenica\" width=\"140\" height=\"182\" \/><br \/>\nIvan Medenica<\/strong> (Serbia\/Serbie)<br \/>\nAcademic &amp; Critic<br \/>\nvan.medenica@gmail.com<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"476\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/halima_tahan\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Halima_Tahan.jpg\" data-orig-size=\"140,176\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Halima_Tahan\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Halima_Tahan.jpg\" class=\"alignnone size-full wp-image-476\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Halima_Tahan.jpg\" alt=\"Halima_Tahan\" width=\"140\" height=\"176\" \/><br \/>\n<strong>Halima Tahan Ferreyra<\/strong> (Argentina\/Argentine)<br \/>\nCritic<br \/>\nrevistateatroalsur@yahoo.com.ar<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><strong><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"477\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/meersman\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Meersman.jpg\" data-orig-size=\"140,193\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;14&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS-1Ds Mark II&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1293054520&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;175&quot;,&quot;iso&quot;:&quot;1600&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Meersman\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Meersman.jpg\" class=\"alignnone size-full wp-image-477\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Meersman.jpg\" alt=\"Meersman\" width=\"140\" height=\"193\" \/><br \/>\nBrent Meersman<\/strong> (S. Africa\/Afrique du Sud)<br \/>\nCritic &amp; Writer<br \/>\nmeersman@iafrica.com<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"478\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/andrea_tompa\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Andrea_Tompa.jpg\" data-orig-size=\"140,191\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Andrea_Tompa\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Andrea_Tompa.jpg\" class=\"alignnone size-full wp-image-478\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Andrea_Tompa.jpg\" alt=\"Andrea_Tompa\" width=\"140\" height=\"191\" \/><br \/>\n<strong>Andrea Tompa<\/strong> (Hungary\/Hongrie)<br \/>\nAcademic &amp; Critic<br \/>\ntompa.andrea@gmail.com<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"479\" data-permalink=\"https:\/\/www.critical-stages.org\/11\/editorial-board\/tomasz_milkowski\/\" data-orig-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Tomasz_Milkowski.jpg\" data-orig-size=\"140,183\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tomasz_Milkowski\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Tomasz_Milkowski.jpg\" class=\"alignnone size-full wp-image-479\" src=\"https:\/\/www.critical-stages.org\/11\/wp-content\/uploads\/sites\/13\/2016\/04\/Tomasz_Milkowski.jpg\" alt=\"Tomasz_Milkowski\" width=\"140\" height=\"183\" \/><br \/>\n<strong>Tomasz Milkowski<\/strong> (Poland\/Pologne)<br \/>\nCritic<br \/>\ntomasz.milkowski@gmail.com<\/td>\n<td width=\"350\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Editor-in-chief Savas Patsalidis (Greece\/Gr\u00e8ce) Academic &amp; Critic spats@enl.auth.gr Executive Editor Jeffrey Eric Jenkins (USA\/\u00c9tats-Unis) Academic &amp; Critic editor@bestplays.org Managing Editor Don Rubin (Canada) Academic &amp; Critic drubin@yorku.ca Language Editors\u00a0(and Board Members) Mark Brown (Scotland\/\u00c9cosse) Critic &amp; PhD Candidate markbrown.teatro@gmail.com Lissa<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-27","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7rA5b-r","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/pages\/27","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":1,"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":840,"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/pages\/27\/revisions\/840"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/11\/wp-json\/wp\/v2\/media?parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}