{"id":84,"date":"2016-04-06T14:23:10","date_gmt":"2016-04-06T14:23:10","guid":{"rendered":"https:\/\/www.critical-stages.org\/10\/?page_id=84"},"modified":"2016-04-10T13:29:50","modified_gmt":"2016-04-10T13:29:50","slug":"dossier-sur-la-mise-en-scene","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/10\/dossier-sur-la-mise-en-scene\/","title":{"rendered":"Dossier sur la mise en sc\u00e8ne"},"content":{"rendered":"

Patrice Pavis<\/strong>[1]<\/sup><\/a><\/p>\n

\"Pavis\"<\/p>\n

O\u00f9 en est la notion de mise en sc\u00e8ne aujourd\u2019hui ? Est-elle encore utile pour caract\u00e9riser les productions, performances ou actions sc\u00e9niques ? Peut-on encore utiliser cette notion venue du dix-neuvi\u00e8me si\u00e8cle, con\u00e7ue pour observer le passage d\u2019un texte \u00e0 la sc\u00e8ne ou le c\u00f4t\u00e9 spectaculaire du th\u00e9\u00e2tre ?<\/p>\n

Ce dossier coordonn\u00e9 par Patrice Pavis fait appel \u00e0 quelques praticiens et th\u00e9oriciens qui rencontrent la mise en sc\u00e8ne dans leur cr\u00e9ation ou leur r\u00e9flexion th\u00e9orique. Tous donnent leur point de vue sur leur th\u00e9\u00e2tre mis sur les sc\u00e8nes, ou non-sc\u00e8nes, les plus diverses.<\/p>\n

\n

[1]<\/a> Patrice Pavis<\/strong> is professor at the School of Arts, University of Kent. Last book: Dictionnaire de la performance et du th\u00e9\u00e2tre contemporain (Armand Colin, 2014).<\/p>\n

\n
\"\"<\/a>\n

Mise en sc\u00e8ne et temps<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Arithm\u00e9tique th\u00e9\u00e2trale : l\u2019auteur et le metteur en sc\u00e8ne<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Mise en sc\u00e8ne: Beckett\u2019s \u201cField of Memory\u201d<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Sur l\u2019impact de la vid\u00e9o dans les derni\u00e8res mises en sc\u00e8ne de Krystian Lupa. La question du screen test<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Coming Up for Air: Director\u2019s Afterword<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Dramaturgy and mise en sc\u00e8ne<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

The Play of Regie<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

R\u00e9flexions sur la mise en sc\u00e8ne contemporaine<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Patrice Pavis[1] O\u00f9 en est la notion de mise en sc\u00e8ne aujourd\u2019hui ? Est-elle encore utile pour caract\u00e9riser les productions, performances ou actions sc\u00e9niques ? Peut-on encore utiliser cette notion venue du dix-neuvi\u00e8me si\u00e8cle, con\u00e7ue pour observer le passage d\u2019un<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-84","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7qGU1-1m","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/10\/wp-json\/wp\/v2\/pages\/84","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/10\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/10\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/10\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/10\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":0,"href":"https:\/\/www.critical-stages.org\/10\/wp-json\/wp\/v2\/pages\/84\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/10\/wp-json\/wp\/v2\/media?parent=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}