{"id":296,"date":"2016-02-05T14:45:06","date_gmt":"2016-02-05T14:45:06","guid":{"rendered":"https:\/\/www.critical-stages.org\/1\/?page_id=296"},"modified":"2021-03-07T17:14:54","modified_gmt":"2021-03-07T17:14:54","slug":"editorial-board","status":"publish","type":"page","link":"https:\/\/www.critical-stages.org\/1\/editorial-board\/","title":{"rendered":"Editorial Board"},"content":{"rendered":"<h4 style=\"text-align: center;\">Publisher<\/h4>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-289\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1262063964.jpg\" alt=\"1262063964\" width=\"140\" height=\"198\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Yun-Cheol Kim<\/strong><br \/>\nPresident, International Association of Theatre Critics<\/p>\n<hr \/>\n<h4 style=\"text-align: center;\">Editor-in-Chief<\/h4>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-213\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/Serodio-224x300.jpg\" alt=\"Serodio\" width=\"140\" height=\"187\" srcset=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/Serodio-224x300.jpg 224w, https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/Serodio.jpg 600w\" sizes=\"auto, (max-width: 140px) 100vw, 140px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Maria Helena Serodio<\/strong><br \/>\nAcademic and critic, Portugal<\/p>\n<hr \/>\n<h4 style=\"text-align: center;\">Co-Editors<\/h4>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-245\" src=\"https:\/\/www.critical-stages.org\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/Lissa-RenaudHeadshotCS12.jpg\" width=\"140\" height=\"166\" \/><br \/>\n<strong>Lissa Tyler Renaud<\/strong><br \/>\nEnglish language Director and scholar, U.S.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-617\" src=\"https:\/\/www.critical-stages.org\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/vais.jpg\" alt=\"\" width=\"140\" height=\"188\" \/><br \/>\n<strong>Michel Va\u00efs<\/strong><br \/>\nFrench language Critic, Canada<\/p>\n<hr \/>\n<h4 style=\"text-align: center;\">Editors<\/h4>\n<table class=\"editors\" width=\"754\">\n<tbody>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-303\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1264638117.jpg\" alt=\"1264638117\" width=\"140\" height=\"169\" \/><br \/>\n<strong>Randy Gener<\/strong><br \/>\nCritic, U.S.<\/td>\n<td align=\"center\" width=\"350\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-604\" src=\"https:\/\/www.critical-stages.org\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/GUAY2.jpg\" alt=\"\" width=\"140\" height=\"188\" \/><br \/>\nHerv\u00e9 Guay<\/strong><br \/>\nAcademic and critic, Canada<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-302\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1122387462.jpg\" alt=\"1122387462\" width=\"140\" height=\"191\" \/><br \/>\n<strong>Temple Hauptfleisch<\/strong><br \/>\nCritic, South Africa<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-607\" src=\"https:\/\/www.critical-stages.org\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/Manabu_Noda.jpg\" alt=\"\" width=\"140\" height=\"188\" \/><br \/>\n<strong>Manabu Noda<\/strong><br \/>\nAcademic and Critic,\u00a0Japan<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-304\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1258837276.jpg\" alt=\"1258837276\" width=\"140\" height=\"187\" \/><br \/>\n<strong>Matti Linnavuori<\/strong><br \/>\nCritic, Finland<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-301\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1335278817.jpg\" alt=\"1335278817\" width=\"140\" height=\"185\" \/><br \/>\n<strong>Tomasz Milkowski<\/strong><br \/>\nCritic, Poland<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-300\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1044111361.jpg\" alt=\"1044111361\" width=\"140\" height=\"178\" \/><br \/>\n<strong>Halima Tahan<\/strong><br \/>\nCritic, Argentina<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-299\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1203812788.jpg\" alt=\"1203812788\" width=\"140\" height=\"197\" \/><br \/>\n<strong>Rodolfo Obr\u00e9gon<\/strong><br \/>\nCritic, Mexico<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-621\" src=\"https:\/\/www.critical-stages.org\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/aLudmila-Patlanjoglu-8x6-1.jpg\" alt=\"\" width=\"140\" height=\"186\" \/><br \/>\n<strong>Ludmila Pantlanjoglou<\/strong><br \/>\nAcademic and Critic,\u00a0Romania<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-613\" src=\"https:\/\/www.critical-stages.org\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/Patrice_Pavis.jpg\" alt=\"\" width=\"140\" height=\"188\" \/><br \/>\n<strong>Patrice Pavis<\/strong> (France)<br \/>\nTheoretician, France<\/td>\n<\/tr>\n<tr>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-608\" src=\"https:\/\/www.critical-stages.org\/12\/wp-content\/uploads\/sites\/2\/2015\/12\/Maria_Shevtsova.jpg\" alt=\"\" width=\"140\" height=\"184\" \/><br \/>\n<strong>Maria Shevtsova<\/strong><br \/>\nAcademic, U.K.<\/td>\n<td align=\"center\" width=\"350\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-297\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1109361498.jpg\" alt=\"1109361498\" width=\"140\" height=\"181\" \/><br \/>\n<strong>Don Rubin<\/strong><br \/>\nAcademic and critic, Canada<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-305\" src=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1165468591.w600-h468.png\" alt=\"1165468591.w600-h468\" width=\"600\" height=\"468\" srcset=\"https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1165468591.w600-h468.png 600w, https:\/\/www.critical-stages.org\/1\/wp-content\/uploads\/sites\/3\/2016\/02\/1165468591.w600-h468-300x234.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publisher Yun-Cheol Kim President, International Association of Theatre Critics Editor-in-Chief Maria Helena Serodio Academic and critic, Portugal Co-Editors Lissa Tyler Renaud English language Director and scholar, U.S. Michel Va\u00efs French language Critic, Canada Editors Randy Gener Critic, U.S. Herv\u00e9 Guay<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-296","page","type-page","status-publish","hentry","","tg-column-two"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P7d79A-4M","_links":{"self":[{"href":"https:\/\/www.critical-stages.org\/1\/wp-json\/wp\/v2\/pages\/296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.critical-stages.org\/1\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.critical-stages.org\/1\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.critical-stages.org\/1\/wp-json\/wp\/v2\/comments?post=296"}],"version-history":[{"count":1,"href":"https:\/\/www.critical-stages.org\/1\/wp-json\/wp\/v2\/pages\/296\/revisions"}],"predecessor-version":[{"id":605,"href":"https:\/\/www.critical-stages.org\/1\/wp-json\/wp\/v2\/pages\/296\/revisions\/605"}],"wp:attachment":[{"href":"https:\/\/www.critical-stages.org\/1\/wp-json\/wp\/v2\/media?parent=296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}