Skip to content

Critical Stages/Scènes critiques

The IATC webjournal/Revue web de l'AICT – February 2014: Issue No 9

Menu

  • Contents
  • Special Topic
  • Interviews
  • Essays
  • Conference Papers
  • Performance Reviews
  • Book Reviews

Book Reviews

Albert Camus-Michel Vinaver : S’engager ?

Albert Camus-Michel Vinaver : S’engager ?

Correspondance (1946 – 1957) Édition établie, présentée et annotée par Simon Chemama 170 pp. Paris: l’Arche, 2012 Compte rendu d’ Irène Sadowska-Guillon[1] (France) La question de l’engagement dans la voie de l’écriture, de la liberté et de l’engagement politique de

cs2-admin April 4, 2016June 1, 2016 Book Reviews Read more

The Cambridge Introduction to Theatre Directing

The Cambridge Introduction to Theatre Directing

By Christopher Innes and Maria Shevtsova 284 pp. Cambridge University Press Reviewed by J. Herbert Close (UK)[1] Anyone seeking a really good one volume overview of the history and practice of directing from the ancient Greeks to today would do

cs2-admin April 4, 2016April 5, 2016 Book Reviews Read more

Shakespeare Beyond Doubt: Evidence, Argument, Controversy | Shakespeare Beyond Doubt? Exposing An Industry in Denial

Shakespeare Beyond Doubt: Evidence, Argument, Controversy | Shakespeare Beyond Doubt? Exposing An Industry in Denial

Edited By Paul Edmondson and Stanley Wells 284 pp. Cambridge: Cambridge University Press Edited By John M. Shahan and Alexander Waugh 254 pp. Florida: Llumina Press Reviewed by Don Rubin (Canada)[1] Delicious. The controversy will finally be solved. Two major

cs2-admin April 4, 2016April 4, 2016 Book Reviews Read more
Editorial | Éditorial

Editorial Board

CS Issue No 9 Editorial Board

CS/Sc Newsletter

Contact CS/Sc

Click here for the CS/Sc contact form

Special Pages

International Theatre and Performing Arts Festival Guide
Inter-Connecting: A Collection of Useful Links

Notices

CS Privacy Policy
Submission Guidelines / Soumission d’articles
Style Sheet / Protocole abrégé

Autumn Dance — La Danse Automnale

https://www.youtube.com/watch?v=J4pBJxzVrqs

CS/Sc Issues

Issue No. 22
Issue No. 22
– Dec ’20
Issue No. 21
Issue No. 21
– Jun ’20
Issue No. 20
Issue No. 20
– Dec ’19
Issue No. 19
Issue No. 19
– Jun ’19
Issue No. 18
Issue No. 18
– Dec ’18
Issue No. 17
Issue No. 17
– Jun ’18
Issue No. 16
Issue No. 16
– Dec ’17
Issue No. 15
Issue No. 15
– Jun ’17
Issue No. 14
Issue No. 14
– Dec ’16
Issue No. 13
Issue No. 13
– Jun ’16
Issue No. 12
Issue No. 12
– Dec ’15
Issue No. 11
Issue No. 11
– Sep ’15
Issue No. 10
Issue No. 10
– Oct ’14
Issue No. 9
Issue No. 9
– Feb ’14
Issue No. 8
Issue No. 8
– Jun ’13
Issue No. 7
Issue No. 7
– Dec ’12
Issue No. 6
Issue No. 6
– Jun ’12
Issue No. 5
Issue No. 5
– Dec ’11
Issue No. 4
Issue No. 4
– Jun ’11
Issue No. 3
Issue No. 3
– Nov ’10
Issue No. 2
Issue No. 2
– Apr ’10
Issue No. 1
Issue No. 1
– Nov ’09
IATC deeply appreciates The International Communication Foundation of Korea, chaired by Dr. Yoh Suk-Kee, for its generous donation for Critical Stages

Critical Stages is published with generous support from the Department of Theatre and the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign

Critical Stages is hosted with generous support from the Aristotle University of Thessaloniki, Greece

The views and opinions expressed in Critical Stages/Scènes critiques are those of the authors and do not necessarily reflect the official policy or position of the journal

Limitation de responsabilité : Les articles publiés dans Critical Stages/Scènes critiques expriment l’opinion de leurs auteurs et ne reflètent pas nécessairement la politique officielle ou la position de la revue

Copyright © 2021 Critical Stages/Scènes critiques. All rights reserved.

No part of this issue may be reproduced or transmitted by any means without prior written permission of the publisher.
Each author holds individual copyright for his/her text and photographs.
Aucune partie de ce numéro ne peut être reproduite ou transmise de quelque façon que ce soit sans une permission écrite préalable de l’éditeur.
Chaque auteur.e détient les droits pour son texte et ses photos.

  • Contact Critical Stages