Table of Contents

EDITORIAL
Maria Helena Serôdio


THALIA PRIZE / LE PRIX THALIE

A True Friend of Theatre Art in All its Manifestations: Richard Schechner
Don Rubin

Open Casting
Richard Schechner


THEATRE VIEWS / VISIONS DU THÉÂTRE

Chandradasan
Interviewed by Lissa Tyler Renaud

Mattias Andersson
Interviewed by Randy Gener

Slobodan Dan Paich
Interviewed by Lissa Tyler Renaud

Caridad Svich
Interviewed by Randy Gener


SPECIAL FILE / DOSSIER SPECIAL: SYMPOSIUM IN YEREVAN

Redefining Femininity in Today’s Teatre
Margareta Sörenson

Therefore a Theme of Femininity
Yun Cheol Kim

Reframing the Feminine in the Theatre Today
Maria Helena Serôdio

L’évolution du personnage féminin dans l’imaginaire des dramaturges québécoises
Brigitte Purkhardt

TheatreWorks’ Geisha: Representations and Misrepresentations
Philip Zitowitz

Where the Wild Things Are: The Voice of Unreason in the Work of Canadian Playwright Judith Thompson
Patricia Keeney

Les femmes, les régimes
Magdolna Jákfalvi

Femininity/Masculinity Beyond the Border
Akiko Tachiki

Redefining Femininity in Modern Indian Theatre
Ravinder Kaul

The Concept of Femininity in the Latvian Theatre Historical and Contemporary Practices
Guna Zeltina

The emergence of the New Woman: Reflections on 21st Century Theatre of India
Ravi Chaturvedi

Feminism, Art and Theatre in Iran
Katy Salmasi

In the Prison House of Myth and Culture: Rereading The Atrides
Savas Patsalidis

Chinese Women’s Liberation: A Road to the Stage
Zhu Ning

On Lynn Nottage’s Ruined
Randy Gener

Réflexions géorgiennes
Irina Gogobéridzé

Femininity and Body Language; Reflections on Pina Bausch and Mats Ek
Margareta Sörenson


ESSAYS / ESSAIS

Un point de vue critique sur les réécritures des mythes grecs dans le théâtre français contemporain
Irène Sadowska-Guillon

Classical Dreams – Adaptations of Classics
David Zinder

In memoriam: Laurent Terzieff, un athlète affectif du cœur
Irène Sadowska-Guillon

In memoriam: Pina Bausch, Beautiful and Tragic, Solemn and Classic
Margareta Sörenson


REVIEWS (PERFORMANCES) / ANALYSES (SPECTACLES)

Lipsynch : Lorsque dure l’enchantement
Michel Vaïs

Incendiary Questions
Ludmila Patlanjoglu

Remettre en question ce que signifie la maison : Chez Cha-suk dont l’adresse est 1 dong 28
Noh Yi-Joung

L’écriture à Avignon (2010) : Vers un retour de la narration?
Patrice Pavis

Pupilija, Papa Pupilo and the Pupilceks: A Reconstruction
Rok Vevar

Notes on the Armenian Theatre
Mehdi Nasiri

The Hamlet Constellation Cuts to the Bone
Ludmila Patlanjoglu

Post-Holocaust or Gordian Knot: Dritte Generation
Tomasz Milkowski

The Edinburgh Festival 2010: a Report from a Scottish Perspective
Mark Brown


THEATRE IN PRINT / THÉÂTRE IMPRIMÉ

Contemporary European Directors, Edited by Maria M. Delgado & Dan Rebellato (London: Routledge, 2009)
Christopher Innes

Contested Will: Who Wrote Shakespeare?, by James Shapiro (New York: Simon & Schuster, 2009)
Don Rubin

La montagne des langues: écritures théâtrales du Caucase, Dirigé par Dominique Dolmieu & Virginie Symaniec
(Paris: Editions Non Lieu et l’Espace d’un instant, 2009)
Irène Sadowska

Keisarinajan kulisseissa (Imperial Russian Entertainment in Finland), by Liisa Byckling – in Finnish (Helsinki: Suomalaisen kirjallisuuden seura, 2009)
Matti Linnavuori

Œuvres complètes de Molière (nouvelle édition), Ed. par Georges Forestier & Claude Bourqui (Paris : Gallimard, 2010)
Philippe Rouyer


CRITICS ON CRITICISM / CRITIQUES SUR LA CRITIQUE

The Relationship Between Performance and Criticism
Yun Cheol Kim (President, I.A.T.C.)

Après Avignon 2010
Patrice Pavis

In Search of a Criticism without Borders
Randy Gener

Spécialité de la maison polonaise: Criticism as an Art of Interpretation
Andrzej Zurowski

Brève histoire de la critique théâtrale aux Antilles franco/créolophones (Martinique et Guadeloupe)
Alvina Ruprecht & Christian Antourel

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