Performance Reviews – Critical Stages/Scènes critiques

Performance Reviews

Let’s Start Love Over in Belgrade

December 10, 2019January 11, 2020 Tina Perić

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Performance Reviews

Dance in the Forest, an Example of Immersive Theatre

December 10, 2019January 11, 2020 Manuel Garcia Martinez

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Performance Reviews

Cotillion of Loss: Summoning August Wilson’s African American Century

December 9, 2019January 11, 2020 Lissa Tyler Renaud

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Performance Reviews

Jacinto Benavente relance la Commedia dell’arte au Canada

December 9, 2019January 11, 2020 Alvina Ruprecht

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Performance Reviews

Sankara, héros tragique

December 9, 2019January 11, 2020 Selim Lander

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Performance Reviews

Ariadne’s Stage Metamorphosis in Buenos Aires

December 9, 2019January 11, 2020 Halima Tahan

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Performance Reviews

Macbettu: Immersing in the “Hollow Crown”

December 9, 2019January 11, 2020 Penelope Chatzidimitriou

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Performance Reviews

Men Punish Women in Pilsen

December 8, 2019January 11, 2020 Matti Linnavuori

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Performance Reviews

All Puppets, Large and Small—in Québec and the Czech Republic

December 8, 2019January 11, 2020 Mark Brown

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