Performance Reviews Let’s Start Love Over in Belgrade December 10, 2019January 11, 2020 Tina Perić Share this:TweetShare on Tumblr Read more
Performance Reviews Dance in the Forest, an Example of Immersive Theatre December 10, 2019January 11, 2020 Manuel Garcia Martinez Share this:TweetShare on Tumblr Read more
Performance Reviews Cotillion of Loss: Summoning August Wilson’s African American Century December 9, 2019January 11, 2020 Lissa Tyler Renaud Share this:TweetShare on Tumblr Read more
Performance Reviews Jacinto Benavente relance la Commedia dell’arte au Canada December 9, 2019January 11, 2020 Alvina Ruprecht Share this:TweetShare on Tumblr Read more
Performance Reviews Sankara, héros tragique December 9, 2019January 11, 2020 Selim Lander Share this:TweetShare on Tumblr Read more
Performance Reviews Ariadne’s Stage Metamorphosis in Buenos Aires December 9, 2019January 11, 2020 Halima Tahan Share this:TweetShare on Tumblr Read more
Performance Reviews Macbettu: Immersing in the “Hollow Crown” December 9, 2019January 11, 2020 Penelope Chatzidimitriou Share this:TweetShare on Tumblr Read more
Performance Reviews Men Punish Women in Pilsen December 8, 2019January 11, 2020 Matti Linnavuori Share this:TweetShare on Tumblr Read more
Performance Reviews All Puppets, Large and Small—in Québec and the Czech Republic December 8, 2019January 6, 2021 Mark Brown Share this:TweetShare on Tumblr Read more