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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2019: Issue No 20

  • Special Topic
  • Essays
  • National Reports
  • Conferences
  • Interviews
  • Performances
  • Books
  • Critics on Criticism
Age and Politics in Early American Drama
Special Topic 

Age and Politics in Early American Drama

October 21, 2019January 11, 2020 Zoe Detsi
Creating Dance with Elders, and How to See It: Company of Elders in the World Gold Theatre Festival
Special Topic 

Creating Dance with Elders, and How to See It: Company of Elders in the World Gold Theatre Festival

December 3, 2019January 11, 2020 Katsuhiko Sakaguchi
To Become Merged in the Sea . . . or On Old Women on Stage
Special Topic 

To Become Merged in the Sea . . . or On Old Women on Stage

October 11, 2019January 11, 2020 Soila Lehtonen
Insupportable vieillesse ?
Special Topic 

Insupportable vieillesse ?

October 20, 2019October 7, 2020 Jean-Pierre Han
Dance and Age
Special Topic 

Dance and Age

October 21, 2019January 11, 2020 Margareta Sörenson
Age on Stage
Special Topic 

Age on Stage

October 8, 2019January 11, 2020 Nancy Westman
La vie des personnes âgées à l’époque néo-libérale
Special Topic 

La vie des personnes âgées à l’époque néo-libérale

October 8, 2019January 11, 2020 Jisoo Nam
Reminiscence Drama in an Ageing World
Special Topic 

Reminiscence Drama in an Ageing World

October 8, 2019January 11, 2020 Katerina Kosti
Countering Ageism and Eugenics in Theatre
Special Topic 

Countering Ageism and Eugenics in Theatre

December 3, 2019January 11, 2020 Akiko Tachiki
Reminiscence Drama in an Ageing World
Special Topic 

Reminiscence Drama in an Ageing World

October 8, 2019January 11, 2020 Katerina Kosti
Age and Politics in Early American Drama
Special Topic 

Age and Politics in Early American Drama

October 21, 2019January 11, 2020 Zoe Detsi
Age on Stage
Special Topic 

Age on Stage

October 8, 2019January 11, 2020 Nancy Westman
Dance and Age
Special Topic 

Dance and Age

October 21, 2019January 11, 2020 Margareta Sörenson

Essays

  • City Narratives in European Performances of Crisis:  The Examples of Athens and Nicosia
    Essays 

    City Narratives in European Performances of Crisis: The Examples of Athens and Nicosia

  • A Case Study of the Intercultural Production of Väike Jumalanna (The Little Goddess)
    Essays 

    A Case Study of the Intercultural Production of Väike Jumalanna (The Little Goddess)

  • The Drama(turgy) of Non-Belonging:  Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
    Essays 

    The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama

  • Seeking the Other:  Staging the Paroxysms of Orientalism
    Essays 

    Seeking the Other: Staging the Paroxysms of Orientalism

  • No Woman’s Land:  Walking as a Dramaturgical Device in Performance of Maternal Migration
    Essays 

    No Woman’s Land: Walking as a Dramaturgical Device in Performance of Maternal Migration

  • On Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid Agha
    Essays 

    On Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid Agha

  • Movement through Language:  A Reflection on the Use of Spoken Text in Dance Performances
    Essays 

    Movement through Language: A Reflection on the Use of Spoken Text in Dance Performances

City Narratives in European Performances of Crisis:  The Examples of Athens and NicosiaCity Narratives in European Performances of Crisis: The Examples of Athens and NicosiaA Case Study of the Intercultural Production of Väike Jumalanna (The Little Goddess)A Case Study of the Intercultural Production of Väike Jumalanna (The Little Goddess)The Drama(turgy) of Non-Belonging:  Jeroen Coppens in Dialogue with Motus on Sharing Identity in PanoramaThe Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in PanoramaSeeking the Other:  Staging the Paroxysms of OrientalismSeeking the Other: Staging the Paroxysms of OrientalismNo Woman’s Land:  Walking as a Dramaturgical Device in Performance of Maternal MigrationNo Woman’s Land: Walking as a Dramaturgical Device in Performance of Maternal MigrationOn Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid AghaOn Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid AghaMovement through Language:  A Reflection on the Use of Spoken Text in Dance PerformancesMovement through Language: A Reflection on the Use of Spoken Text in Dance Performances

National Reports

German Theatre:  Interventions and Transformations
National Reports 

German Theatre: Interventions and Transformations

December 29, 2019January 11, 2020 Azadeh Sharifi
Modern Scottish Theatre:  Emerging from the Shadow of the Reformation
National Reports 

Modern Scottish Theatre: Emerging from the Shadow of the Reformation

December 29, 2019January 6, 2021 Mark Brown
Theatre in Malta: Amateur Practice and Professional Aspirations
National Reports 

Theatre in Malta: Amateur Practice and Professional Aspirations

December 16, 2019January 11, 2020 Vicki Ann Cremona
Italian Theatre Today: Not a System, and so Many Transformations
National Reports 

Italian Theatre Today: Not a System, and so Many Transformations

December 16, 2019January 11, 2020 Roberto Canziani
Theatre at the Crossroads:  Trends and Challenges of Georgian Theatre Today
National Reports 

Theatre at the Crossroads: Trends and Challenges of Georgian Theatre Today

December 3, 2019January 11, 2020 Natalia Tvaltchrelidze

Conference Papers

Counterpublics Cause so Much Trouble: Oliver Frljić, Protest & Collectivity
Conference Papers 

Counterpublics Cause so Much Trouble: Oliver Frljić, Protest & Collectivity

January 9, 2020January 11, 2020 Bryce Lease
Season of Discontent to “Seasons of Love”: Broadway Musicals in a Time of #MeToo
Conference Papers 

Season of Discontent to “Seasons of Love”: Broadway Musicals in a Time of #MeToo

January 6, 2020February 24, 2020 Jeffrey Eric Jenkins
Feigning Ignorance as a Way of Tolerating the Intolerable:  Stage Scene in Japan 2017
Conference Papers 

Feigning Ignorance as a Way of Tolerating the Intolerable: Stage Scene in Japan 2017

December 19, 2019January 12, 2020 Manabu Noda

Interviews

American Theatre Now: Interview with Carlos Morton
Interviews 

American Theatre Now: Interview with Carlos Morton

December 4, 2019January 11, 2020 Katerina Delikonstantinidou
At the End of the Day, an Actor: Interview with Tiago Rodrigues
Interviews 

At the End of the Day, an Actor: Interview with Tiago Rodrigues

December 3, 2019January 11, 2020 Rui Pina Coelho

Performance Reviews

  • Let’s Start Love Over in Belgrade
    Performance Reviews 

    Let’s Start Love Over in Belgrade

  • Dance in the Forest, an Example of Immersive Theatre
    Performance Reviews 

    Dance in the Forest, an Example of Immersive Theatre

  • Cotillion of Loss:  Summoning August Wilson’s African American Century
    Performance Reviews 

    Cotillion of Loss: Summoning August Wilson’s African American Century

  • Jacinto Benavente relance la Commedia dell’arte au Canada
    Performance Reviews 

    Jacinto Benavente relance la Commedia dell’arte au Canada

  • Sankara, héros tragique
    Performance Reviews 

    Sankara, héros tragique

  • Ariadne’s Stage Metamorphosis in Buenos Aires
    Performance Reviews 

    Ariadne’s Stage Metamorphosis in Buenos Aires

  • <em>Macbettu</em>: Immersing in the “Hollow Crown”
    Performance Reviews 

    Macbettu: Immersing in the “Hollow Crown”

  • Men Punish Women in Pilsen
    Performance Reviews 

    Men Punish Women in Pilsen

  • All Puppets, Large and Small—in Québec and the Czech Republic
    Performance Reviews 

    All Puppets, Large and Small—in Québec and the Czech Republic

Let’s Start Love Over in BelgradeLet’s Start Love Over in BelgradeDance in the Forest, an Example of Immersive TheatreDance in the Forest, an Example of Immersive TheatreCotillion of Loss:  Summoning August Wilson’s African American CenturyCotillion of Loss: Summoning August Wilson’s African American CenturyJacinto Benavente relance la Commedia dell’arte au CanadaJacinto Benavente relance la Commedia dell’arte au CanadaSankara, héros tragiqueSankara, héros tragiqueAriadne’s Stage Metamorphosis in Buenos AiresAriadne’s Stage Metamorphosis in Buenos Aires<em>Macbettu</em>: Immersing in the “Hollow Crown”Macbettu: Immersing in the “Hollow Crown”Men Punish Women in PilsenMen Punish Women in PilsenAll Puppets, Large and Small—in Québec and the Czech RepublicAll Puppets, Large and Small—in Québec and the Czech Republic

Book Reviews

The Theatrical Career of Samuel Morgan Smith
Book Reviews 

The Theatrical Career of Samuel Morgan Smith

Queer Shakespeare: Desire and Sexuality
Book Reviews 

Queer Shakespeare: Desire and Sexuality

The Fictional Lives of Shakespeare
Book Reviews 

The Fictional Lives of Shakespeare

Contre le théâtre politique
Book Reviews 

Contre le théâtre politique

Critics on Criticism

Criticism on the Critical List: Just a Canadian Issue?
Critics on Criticism 

Criticism on the Critical List: Just a Canadian Issue?

December 14, 2019January 11, 2020 Robin Breon and Don Rubin
Critics should never say in writing what they cannot dare to say to the subject in person: Interview with Ian Herbert
Critics on Criticism 

Critics should never say in writing what they cannot dare to say to the subject in person: Interview with Ian Herbert

December 13, 2019January 11, 2020 Savas Patsalidis
“With age, I get more tolerant of failure”:  Interview with Michael Billington
Critics on Criticism 

“With age, I get more tolerant of failure”: Interview with Michael Billington

December 8, 2019January 11, 2020 Mark Fisher

Editorial Note

Savas Patsalidis

We have a good reason to celebrate!

CS Issue No 20 Section Editors & Editorial Board

Section Editors: Bios
Editorial Board

Re-Orienting Arab Theatre and Performance: New Political Aesthetics

Call for Papers & Essays – Critical Stages/Scènes critiques (#22, 2020)
More here

Theatre Criticism for Young Audiences: New Directions

Call for Papers & Essays – Critical Stages/Scènes critiques (#22, 2020)
More here

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