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Critical Stages/Scènes critiques
The IATC journal/Revue de l'AICT – December/Décembre 2019: Issue No 20
Special Topic
Essays
National Reports
Conferences
Interviews
Performances
Books
Critics on Criticism
Special Topic
Age and Politics in Early American Drama
October 21, 2019
January 11, 2020
Zoe Detsi
Special Topic
Creating Dance with Elders, and How to See It: Company of Elders in the World Gold Theatre Festival
December 3, 2019
January 11, 2020
Katsuhiko Sakaguchi
Special Topic
To Become Merged in the Sea . . . or On Old Women on Stage
October 11, 2019
January 11, 2020
Soila Lehtonen
Special Topic
Insupportable vieillesse ?
October 20, 2019
October 7, 2020
Jean-Pierre Han
Special Topic
Dance and Age
October 21, 2019
January 11, 2020
Margareta Sörenson
Special Topic
Age on Stage
October 8, 2019
January 11, 2020
Nancy Westman
Special Topic
La vie des personnes âgées à l’époque néo-libérale
October 8, 2019
January 11, 2020
Jisoo Nam
Special Topic
Reminiscence Drama in an Ageing World
October 8, 2019
January 11, 2020
Katerina Kosti
Special Topic
Countering Ageism and Eugenics in Theatre
December 3, 2019
January 11, 2020
Akiko Tachiki
Special Topic
Reminiscence Drama in an Ageing World
October 8, 2019
January 11, 2020
Katerina Kosti
Special Topic
Age and Politics in Early American Drama
October 21, 2019
January 11, 2020
Zoe Detsi
Special Topic
Age on Stage
October 8, 2019
January 11, 2020
Nancy Westman
Special Topic
Dance and Age
October 21, 2019
January 11, 2020
Margareta Sörenson
Essays
Essays
City Narratives in European Performances of Crisis: The Examples of Athens and Nicosia
Essays
A Case Study of the Intercultural Production of Väike Jumalanna (The Little Goddess)
Essays
The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
Essays
Seeking the Other: Staging the Paroxysms of Orientalism
Essays
No Woman’s Land: Walking as a Dramaturgical Device in Performance of Maternal Migration
Essays
On Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid Agha
Essays
Movement through Language: A Reflection on the Use of Spoken Text in Dance Performances
City Narratives in European Performances of Crisis: The Examples of Athens and Nicosia
A Case Study of the Intercultural Production of Väike Jumalanna (The Little Goddess)
The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
Seeking the Other: Staging the Paroxysms of Orientalism
No Woman’s Land: Walking as a Dramaturgical Device in Performance of Maternal Migration
On Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid Agha
Movement through Language: A Reflection on the Use of Spoken Text in Dance Performances
National Reports
National Reports
German Theatre: Interventions and Transformations
December 29, 2019
January 11, 2020
Azadeh Sharifi
National Reports
Modern Scottish Theatre: Emerging from the Shadow of the Reformation
December 29, 2019
January 6, 2021
Mark Brown
National Reports
Theatre in Malta: Amateur Practice and Professional Aspirations
December 16, 2019
January 11, 2020
Vicki Ann Cremona
National Reports
Italian Theatre Today: Not a System, and so Many Transformations
December 16, 2019
January 11, 2020
Roberto Canziani
National Reports
Theatre at the Crossroads: Trends and Challenges of Georgian Theatre Today
December 3, 2019
January 11, 2020
Natalia Tvaltchrelidze
Conference Papers
Conference Papers
Counterpublics Cause so Much Trouble: Oliver Frljić, Protest & Collectivity
January 9, 2020
January 11, 2020
Bryce Lease
Conference Papers
Season of Discontent to “Seasons of Love”: Broadway Musicals in a Time of #MeToo
January 6, 2020
February 24, 2020
Jeffrey Eric Jenkins
Conference Papers
Feigning Ignorance as a Way of Tolerating the Intolerable: Stage Scene in Japan 2017
December 19, 2019
January 12, 2020
Manabu Noda
Interviews
Interviews
American Theatre Now: Interview with Carlos Morton
December 4, 2019
January 11, 2020
Katerina Delikonstantinidou
Interviews
At the End of the Day, an Actor: Interview with Tiago Rodrigues
December 3, 2019
January 11, 2020
Rui Pina Coelho
Performance Reviews
Performance Reviews
Let’s Start Love Over in Belgrade
Performance Reviews
Dance in the Forest, an Example of Immersive Theatre
Performance Reviews
Cotillion of Loss: Summoning August Wilson’s African American Century
Performance Reviews
Jacinto Benavente relance la Commedia dell’arte au Canada
Performance Reviews
Sankara, héros tragique
Performance Reviews
Ariadne’s Stage Metamorphosis in Buenos Aires
Performance Reviews
Macbettu
: Immersing in the “Hollow Crown”
Performance Reviews
Men Punish Women in Pilsen
Performance Reviews
All Puppets, Large and Small—in Québec and the Czech Republic
Let’s Start Love Over in Belgrade
Dance in the Forest, an Example of Immersive Theatre
Cotillion of Loss: Summoning August Wilson’s African American Century
Jacinto Benavente relance la Commedia dell’arte au Canada
Sankara, héros tragique
Ariadne’s Stage Metamorphosis in Buenos Aires
Macbettu
: Immersing in the “Hollow Crown”
Men Punish Women in Pilsen
All Puppets, Large and Small—in Québec and the Czech Republic
Book Reviews
Book Reviews
The Theatrical Career of Samuel Morgan Smith
Book Reviews
Queer Shakespeare: Desire and Sexuality
Book Reviews
The Fictional Lives of Shakespeare
Book Reviews
Contre le théâtre politique
Critics on Criticism
Critics on Criticism
Criticism on the Critical List: Just a Canadian Issue?
December 14, 2019
January 11, 2020
Robin Breon and Don Rubin
Critics on Criticism
Critics should never say in writing what they cannot dare to say to the subject in person: Interview with Ian Herbert
December 13, 2019
January 11, 2020
Savas Patsalidis
Critics on Criticism
“With age, I get more tolerant of failure”: Interview with Michael Billington
December 8, 2019
January 11, 2020
Mark Fisher