Table of Contents

Editorial
Maria Helena Serôdio


Thalia Prize | Le Prix Thalie

Discours de Sofia: Remise du Prix Thalie
Jean-Pierre Sarrazac

Jean-Pierre Sarrazac Before and After the Thalia Prize : Un Questionnaire de Proust
Randy Gener


Theatre views / Visions du théâtre
Playwright / Dramaturge

Gianina Carbunariu
Interviewed by Ioana Moldovan

Stage Designers/ Scénographes

Dragos Buhagiar
Interviewed by Ioana Moldovan

Directors / Metteurs en scène

Stan Lai (Lai Shengchuan)
Interviewed by Lissa Tyler Renaud

David Zinder
Interviewed by Lissa Tyler Renaud


Special Files / Dossiers spéciaux
Augusto Boal

Remembering Boal
Iná Camargo Costa

Notes on Boal’s the Dialectical Practice
Sérgio Carvalho

Boal and Che: Side by Side on Stage
Zeca Ligiéro

Remembering Boal through images
Clara de Andrade

Jean Genet

Nouvelles lectures de Genet en Corée
Shin Hyun-Sook


Essays
Painful Memories / Mémoires douloureuses

Effet-dibbuk, effet spectre: Le théâtre de la mémoire douloureuse
Carole Guidicelli & Didier Plassard

Beyond Representation: Re-membering the ‘Ghosts’ of Recent History in Contemporary Performance
Liz Tomlin

Du moujik au kolkhozien: ou Comment représenter la campagne sur la scène soviétique
Marie-Christine Autant-Mathieu

Artistic Identities / Identités artistiques

Portugal’s African communities on stage
Catarina Neves

Orthography and Identity: In search of a Language for Creole Theatre
Travis Weekes

The Apocalypse in Us: Purcărete’s Faust
Ludmila Patlanjoglu


Reviews (performances) / Analyses (spectacles)

Deux spectacles hors pair
Georges Banu

Finnish Fathers and Daughters Drive around in Europe in It’s a Girl!
Matti Linnavuori

Pour une analyse des spectacles – La “femme ôtée”: L’exemple de Fine Bone China, de et par Fran Barbe
Patrice Pavis

The Second Latvian Homer
Valda Čakare

Une réflexion sur la démocratie et ses valeurs
Irène Sadowska-Guillon

Portrait of an artist as a dramatic work: Orfeus
Brent Meersman

Le Woyzeck de Brigitte Haentjens : Une mise en scène corporelle extrêmement puissante
Alvina Ruprecht

Romeo, Juliet and the Romanian-Hungarian Love
Ludmila Patlanjoglu

An International Theatre Festival in Tehran
Maria Helena Serôdio

Le Tramway de Warlikowski: Son élégie et son horizon
Georges Banu


Book Reviews / Lectures

Encyclopédie mondiale des arts de la marionnette
Irène Sadowska-Guillon

Chinese Shakespeares: Two Centuries of Cultural Exchange
Lissa Tyler Renaud

A Journal that Fills a Void
Steve Capra


Theatre Voices / Voix théâtrales

Athol Fugard: A New theatre named in his honour
Interviewed by Brent Meersman

Jin-Chaek Sohn: A humanistic vision
Interviewed by Soon-Ja Hur


Critics on criticism

Three Questions I Keep Asking Myself in Practicing Criticism
Yun-Cheol Kim

Twenty-one Asides on Theatre Criticism
Mark Brown

Too Important to Be Left to Amateurs
Don Rubin

Lady Anne’s Blog: Some Initial Thoughts on the Evolution of Theatrical Commentary in South Africa
Temple Hauptfleisch

The Last Word
Peter Hay

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