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Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2018: Issue No 18
 

Critical Stages/Scènes critiques

Critical Stages/Scènes critiques

The IATC journal/Revue de l'AICT – December/Décembre 2018: Issue No 18

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A Theatre Artist’s Path:

A Theatre Artist’s Path:

Questioning Shakespeare’s Authorship

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Between Tradition and the Contemporary:

Between Tradition and the Contemporary:

An Exploration of Chinese Scenic Designers

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Traditional Chinese Theatre Today

Traditional Chinese Theatre Today

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Almada’s Theatre Fiesta: A Public Affair or an Affair with the Public

Almada’s Theatre Fiesta: A Public Affair or an Affair with the Public

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Discovering Minsk through Belarusian Theatre

Discovering Minsk through Belarusian Theatre

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Of Mothers and Warriors

Of Mothers and Warriors

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Transforming Techniques, Transforming Relationships:

Transforming Techniques, Transforming Relationships:

Interview with Actor-Director Ding Yiteng

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Timişoara Festival Pierces through Past and Future Nationalisms

Timişoara Festival Pierces through Past and Future Nationalisms

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by Thomas Regnier

Shakespeare as Lawyer
Hamlet: Death, Property, and the Pursuit of Justice

<em>Shakespeare as Lawyer</em> <br> <em>Hamlet</em>: Death, Property, and the Pursuit of Justice

Thomas Regnier* Abstract: This essay, by distinguished American legal scholar Thomas Regnier, looks at the extraordinary knowledge of the law that Shakespeare—whoever he was—displayed in numerous plays, especially Hamlet. Originally published in the academic journal Brief Chronicles (2011: Vol. III) and edited

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Critical Stages/Scènes critiques is published with generous support from the JIN XING Dance Theatre

 


Critical Stages/Scènes critiques is hosted with generous support from the Aristotle University of Thessaloniki, Greece

 

 

 

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