Table of Contents

Editorial/Éditorial
Savas Patsalidis (editor-in-chief)


Special Topic: Theatre and Statelessness in Europe

Section Guest Editors: S. E. Wilmer (Ireland) and Azadeh Sharifi (Germany)

Reflections on Theatre and Statelessness
S. E. Wilmer and Azadeh Sharifi

Authenticity and Otherness: Reflecting Statelessness in German Postmigrant Theatre
Jonas Tinius

“We Accuse Europe”: Staging Justice for Refugees, Migrants and Asylum Seekers in Europe
Jamie H. Trnka

Refugees in German Documentary Theatre
Katrin Sieg

In Transit: Wajdi Mouawad’s Scorched in Bremen, Germany, as Theatre of Anticipation
Yana Meerzon and Daniel Meyer-Dinkgräfe

(Un)making Boundaries: Representing Elfriede Jelinek’s Charges (the Supplicants)
Silke Felber

Fugitive Performance: Nicolas Stemann’s Die Schutzbefohlenen and the Medial Matrix of Refugee Theatre
Ralf Remshardt

The State at Play? Notions of State(less)ness in Contemporary Interventionist Performances
Anika Marschall

Refugee Narratives: Case Farmakonisi or The Justice of the Water
Zafiris Nikitas

Unheard Voices, Unseen Faces: Staging Stories of Male Refugee Youth
Rosanna Jahangard and Kate Duffy

“One in a Million”: Trailer with an introduction by Steve Wilmer
Steve Wilmer


Interviews

Section Editor: Savas Patsalidis (Greece)

“Theatre can play a more prophetic role in our society”: An interview with Mike van Graan
by Savas Patsalidis

Quand Shakespeare rencontre la Révolution mexicaine: Une entrevue avec Juan Carrillo
par Alvina Ruprecht

Immortal Mortals: Zarina Zabrisky’s Theatrical Thinking and Arts Resistance
by Lissa Tyler Renaud

Understanding versus Experiencing: An interview with Erika Fischer-Lichte
by Tina Peric


Essays

Section Editor: Savas Patsalidis (Greece)

Return to the Absurd
John Elsom

Atmospheres of Dividual Performance
Johannes Birringer

So Many Worlds to Write
Nathalie Fillion
with an introduction by Karen Fricker

Qui est Eilert Løvborg, le personnage d’Ibsen dans Hedda Gabler ?
Selim Lander


Conference Papers: Newness and Global Theatre

Section Editor: Ivan Medenica (Serbia)

Editorial Note
Ivan Medenica

Innovation and Globalization: Interweaving Performance Cultures
Erika Fischer-Lichte

Le théâtre : minorité et politique
Georges Banu

Old Is New, New Is Old: Hamilton in the Age of Trump
Jeffrey Eric Jenkins

Nouveauté, attentes et risque
Michel Vaïs

Dissolving in Time: The Traditional Iranian Theatre
Katayoun Hosseinzadeh Salmasi


Performance Reviews

Section Editor: Matti Linnavuori (Finland)

At Bitef, Europe Confronts Its Post-Colonial Legacy and the “Other”
Martin Morrow

April in Romania
Barry Gaines

Love and Landscape Have Style in Czech
Matti Linnavuori

Italy Honours the Merciful Shakespeare
Claudia Provvedini

2666 ou la mort du théâtre
Selim Lander

La Mouette et son double, sous un nouveau regard
Hyun-sook, Shin

Roberto Zucco de Koltès revisité à Séoul
Jean Pierre Han

China’s Reincarnation Novel Reincarnated on Stage: Dream of the Red Chamber
Lissa Tyler Renaud

L’épopée labyrinthique de Max Aub
Irène Sadowska Guillon

A Ruthless Rewriting of The Beggar’s Opera in Timişoara
Maria Zărnescu


Book Reviews

Section Editor: Don Rubin (Canada)

   

Deleuze and Beckett
Reviewed by Will Daddario

Jamaican Plays: A Postcolonial Anthology (1977-87)
Reviewed by Alvina Ruprecht

This Bizarre Circus Is Life Itself: Beckett Performance in Greece (1960-2010)
Reviewed by Katerina Delikonstantinidou

Hamlet and the Madness of the World
Reviewed by Patricia Keeney

Political Performance in Syria: From the Six-Day War to the Syrian Uprising
Reviewed by Marjan Moosavi


Thalia Prize

The Laudatio Speech for Femi Osofisan
Erika Fischer-Lichte

A Brief Introduction to Femi Osofisan
Don Rubin

Thalia Prize: Its History
Margareta Sörenson

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